Study Unit 2.3 - Copyright acquisition and transfer Flashcards

1
Q

In which ways may copyright be transferred ?

A
  • By assignment
  • By testamentary disposition
  • By operation of law (ex lege).
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2
Q

What is the general rule on copyright ownership ?

A

Subject to the provisions of this section, the ownership of any copyright conferred by section 3 or 4 on any work shall vest in the author or, in the case of a work of joint authorship, in the co-authors of the work.

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3
Q

What are the exceptions to the general rule ?

A
  • Section 21(1)(b).
  • Section 21(1)(c).
  • Section 21(1)(d).
  • Section 21(1)(e).
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4
Q

Discuss section 21(1)(b).

A
  • Where an author creates a literary or artistic work during employment under a contract; and it is for the purpose of publication, then the proprietor (employer) will be the owner of the copyright in terms of the publication or reproduction of the work.
  • However, the author remains the owner in every other respect.
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5
Q

Discuss section 21(1)(c).

A

Where you commission a work; and pay or agree to pay for it in money or money’s worth; and the work is made in pursuance of that commission; then the person who commissioned it owns it.

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6
Q

Discuss section 21(1)(d).

A
  • If someone creates a work (like a piece of writing, art, or software) as part of their job or apprenticeship, the copyright for that work usually belongs to their employer or the person who provided the apprenticeship.
  • This is true even if the work doesn’t fit other specific rules.
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7
Q

Discuss section 21(1)(e).

A
  • Parties may contract out of the exceptions and have the actual author, or an entirely different entity own the copyright in such work.
  • The vesting of ownership by virtue of the exceptions is subject to the provisions of section 20 (moral rights).
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8
Q

Discuss works created under the direction and control of the State.

A

According to section 21(2) ownership of any copyright conferred by section 5 shall initially vest in the State or the international organization
concerned, and not in the author.

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9
Q

Discuss the effect of an assignment.

A
  • When copyright rights are transferred (or “assigned”) from one person to another, the new owner (the assignee) takes over those rights.
  • This means the assignee can now enforce those rights and sue if someone uses the work without permission.
  • After the transfer, the original owner (the assignor) no longer has any claim to those rights.
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10
Q

What are the formal requirements for assignment ?

A
  • Must be in writing.
  • Be signed by or on behalf of the assignor.
  • The assignment instrument should clearly indicate the intentions and consensus of the parties to transfer ownership and receive ownership thereof.
  • Must clearly identify the subject of the assignment.
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11
Q

Discuss the author infringing copyright in his own work.

A

In the Galago Publishers case, the court established the test for infringement by reproduction:

  • Similarity; the new work must be objectively similar to the original work, or a substantial part of it.
  • Causal Connection; the new work must have been derived from the original work, showing a clear connection between them.
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12
Q

Discuss exclusive, non-exclusive and sole licenses.

A
  • A licence does not constitute transfer in the ownership of copyright.
  • It is a permission, authorisation or approval
    granted by the owner of copyright to another (or others) to perform an act falling within the monopoly afforded to the owner.
  • A licensee is generally entitled to authorise a third party to exercise the rights that they have acquired from the licensor, unless this is precluded by the terms of the licence.
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13
Q

Discuss exclusive licenses.

A
  • An exclusive license lets someone use a work in certain ways and keeps others, including the copyright owner, from using it.
  • The licensee has special rights to use the work but doesn’t own the copyright.
  • The licensee can sue if someone copies the work without permission, but they must inform the original copyright owner first.
  • This lets the owner also claim damages or royalties if they’re owed.
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14
Q

Discuss non-exclusive licenses.

A
  • A non-exclusive license can be given in any way—spoken, written, or through actions.
  • The owner can give this type of license to many people (multiple licenses).
  • The license can be canceled or revoked anytime by the original giver or someone authorized to do so.
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15
Q

Discuss sole licenses.

A
  • A sole licence is a licence which affords the licensee to the exclusion of all other persons, besides the licensor, the right to perform the acts as agreed upon in relation to the subject work.
  • The standard principles apply to non-exclusive licences also apply to sole licences.
  • Unlike with exclusive licences, the licensor may exercise any rights in terms of the copyright despite the license’s existence.
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16
Q

What are ‘needletime’ licenses ?

A

Section 9(d) and (3) of the Copyright Act gives a sound recording copyright owner the right to authorise or control the use of a sound recording in broadcasts and in public performances of music and other material carried by the record.

17
Q

Discuss hypothecation and attachment.

A

This involves using intellectual property, in this case copyright, as collateral to secure a debt.