Structure Flashcards

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1
Q

Excerpt from the Prelude structure + form

A
  • first half focuses on the fun the children have and has a carefree tone
  • the second half focuses on nature and has a more serious tone
  • blank verse with enjambment creates a rhythm that sounds like natural speech
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2
Q

Mametz wood structure + form

A
  • poem is written in tercets (3 line stanzas)
  • written in 3rd person so feels distant
  • long sentences and enjambment establish a reflective tone
  • slow pace and chronological order emphasise the time it takes for the earth to heal
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3
Q

Ozymandias structure + form

A
  • poem is a sonnet but doesn’t have regular sonnet rhyme scheme reflecting human power and structure can be destroyed
  • uses iambic pentameter but this is disrupted
  • the poem ends by describing the enormous desert which shows the statues insignificance
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4
Q

Dulce et Decorum est structure + form

A
  • the poem rhymes alternately, mimics marching and relentless slaughter
  • enjambment and caesura creates disjointed rhythm
  • irregular stanza length and metre adds to uncertainty showing unpredictability of war
  • paints a picture of memories of war and explains how they still haunt him.
  • direct address and irony at end to put opinion across
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5
Q

Afternoons structure + form

A
  • has 3 equal stanzas
  • no regular metre which makes the poem feel stilted suggesting a lack of excitement in the mother’s lives
  • could be belittling the women or pitying them
  • begins with present then goes into the past so reader can contrast their lives to how they were
  • final stanza implies nothing will change and there’s no hope for the future
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6
Q

To Autumn structure + form

A
  • is an ode to nature
  • written in iambic pentameter but it’s rhyme schemes changes
  • Keat’s other odes have 10 lines per stanza this has 11 showing the plentiful nature of autumn
  • 1st stanza is a celebration of autumn, 2nd stanza he talks to Autumn, 3rd stanza winter comes and he accepts he has no control
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7
Q

Hawk Roosting structure + form

A
  • dramatic monologue giving the hawk a voice
  • the first person gives the hawk authority, the end stop line shows decision and complete control
  • begins with hawk in meditative state, the hawk then talks about god and nature, it ends with a confident statement about the future emphasising it’s power
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8
Q

Death of a Naturalist structure + form

A
  • first person reflecting on childhood
  • written in blank verse, sounds like conversation
  • 1st stanza has childish enthusiasm, 2nd stanza nature is unfamiliar and threatening
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9
Q

A wife in London structure + form

A
  • pov of observer giving a detached tone which presents the grief as inevitable
  • ABBAB rhyme scheme per stanza broken to show wife can’t comprehend the news
  • rhyme suggests inevitability of events
  • titles create anticipation and factual description adds to the detached tone
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10
Q

Valentine structure + form

A
  • very obscure love poem
  • stanzas have irregular length, seems disjointed
  • ideas are built up showing layers of an onion and revealing the poem’s message
  • tone is both encouraging and confrontational
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11
Q

Cozy Apologia structure + form

A
  • written in free verse (conversational)
  • rhyming couplets are disrupted in middle perhaps to reflect destruction by storm but then a new ABAB rhyme scheme appears
  • 1st stanza cliche of knight in shining armour, 2nd stanza childhood crushes, 3rd stanza happy in normal relationship
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12
Q

As Imperceptibly as Grief structure + form

A
  • dashes used to create hesitant pace reflecting her fractured state of mind
  • rhythm feels like every day speech making it sound honest
  • single stanza shows gradual change no breaks
  • becomes more decisive showing acceptance
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13
Q

Living space structure + form

A
  • irregular form with stanzas of different lengths and enjambment mirroring chaos in slums
  • 1st half describes the unstable buildings, 2nd half shows optimism for future in difficult circumstances
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14
Q

She walks in Beauty structure + form

A
  • has regular ABAB rhyme scheme, reflecting the enduring nature of the woman’s beauty and how she balances the qualities
  • iambic tetrameter and lots of enjambment showing how overwhelmed he is
  • as poem goes on there is less physical appearance and more inner goodness, he thinks her personality is most beautiful
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15
Q

The soldier structure + form

A
  • sonnet to England, elevated his emotions and shows how strong they are
  • in octave it is how England has enriched his life, in sestet he considers how he will return the gifts given to him by his country
  • narrator appeals directly go reader he is confident and then becomes reflective
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16
Q

London structure + form

A
  • dramatic monologue, he speaks personally and passionately about the suffering he sees
  • ABAB rhyme scheme is unbroken showing relentless suffering and misery or the sound of his feet
  • 1st + 2nd stanza there are images of downtrodden, deprived people, 3rd stanza he blames the institutions, 4th stanza returns to the people and the young
17
Q

Sonnet 43 structure + form

A
  • traditional Petrarchan sonnet
  • written in iambic pentameter but disrupted with pauses making the speaker sound passionate.
  • 1st person gives a personal feel
  • octave speaks about the speakers love, sestet then says shell love him after death
18
Q

The Manhunt structure + form

A
  • couplet stanzas with varying length
  • starts with rhyme but then breaks down feeling disjointed and broken
  • different injuries are in each couplet, further into the soldier’s body. Allows reader to explore his body and mind in the same slow process as his wife