String Quartet Essay 2 (better) Flashcards
Haydn String Quartet Op. 20 No. 4.
Typical 4 movement stucture
Haydn String Quartet Op. 20 No. 2 in C major
Rejected galante style and developed 4 equal parts
Haydn String Quartet Op. 76 No. 3 ‘Emperor’ in C.
4 equal voices and virtuosic instrumental writing
Mozart String Quartet in D Major K. 575.
Bringing viola away from the cello line
Mozart Quartet K.465 - 1st Movement.
Adventerous harmonies and chromaticism
Mozart String Quartet No.14
Song-like and lyrcial melodies
Beethoven String Quartet Op. 18 No. 6.
Experimentation with scherzo movement, using 2 against 3 in 6/8 time
Beethoven String Quartet No.7 in F major
More technically demanding and expanded use of emotional intensity
Beethoven String Quartet Opus 59, No. 3 in E minor, 2nd movement.
4 equal part, treating instruments equally as soloists
Beethoven String Quartet No. 14 in C# minor
More adventerous harmonies with dissonance and chromatcism
Beethoven Grosse Fuge, Op. 133.
Contrapuntal texture and textual variety
Schubert String Quintet in C major, D. 956.
Added second cello for a susatined bassline to let other cello play long melodies
Schubert String Quartet in G Major, D. 887
Longer in length (45 mins), roughly 3 times longer than a Haydn quartet
Mendelssohn String Quartet No. 6 in F minor.
Smart use of counterpoint/delicate textures/greater intensity of emotion
Schumann String Quartet No. 3, Op. 41, 3rd movement
Influence from his greater pianistic figurations featuring in his quartet writing