Stanislavski's System Flashcards
1
Q
What are the steps in Stanislavski’s System?
A
- Action
- The Magic ‘If’
- The Given Circumstance
- The Imagination
- Circles of Attention
- Units and Objectives
- Super-objective and Through-line of Action
- Emotion Memory/Emotional Recall
- Tempo-rhythm in Movement
2
Q
What does the step of Action entail?
A
- action is concerned with meaningful and purposeful activity on stage
- includes concentrated stillness or inner intensity
- always act with a purpose, a ‘why’
3
Q
What does the step of the Magic ‘If’ entail?
A
- opens up possibilities for the actor of creating a whole new life for the character and stimulating new emotions
4
Q
What does the step of the Given Circumstance entail?
A
- these are the basis for an actor and their role
- created by the playwright, director & designer
5
Q
What are some examples of given circumstance?
A
- story of the play
- facts, events, time and place of action
- conditions of life
- actor’s and director’s interpretation
- the production, sets, costumes, props
- lighting and sound effects
6
Q
What does the step of the Imagination entail?
A
- actor must believe in the given circumstances using the imaginations
- suspend the disbelief and function ad a high degree of involvement
7
Q
What does the step of Circles of Attention entail?
A
- leads the actor to relax and focus on stage (also known as ‘solitude in public’)
- slowly, like ripples in a pond, it radiates outwards until it embraces the entire stage
8
Q
What does the step of Units and Objectives entail?
A
- units of action are dominated and controlled by the objectives within them
- a unit ends with the end of the objective
- guides for an actor on their journey
9
Q
What does the step of Super-objective and Through-line of action entail?
A
- what is the overarching objective in the play?
- ‘through-line’ = the main current that galvanises all the small units and objectives
10
Q
What does the step of Emotion Memory/Memory Recall entail?
A
- emotional memory brings back feelings you have already experienced
- this can be triggered by a sound, smell or touch
- Stanislavski’s actors were encouraged to create a reservoir of memory/stored experiences from which to draw and on which to build, to help create a character
11
Q
What does the step of Tempo-Rhythm in Movement entail?
A
- each character has their own rhythm/tempo according to their circumstances and personality
- the inner rhythm may differ from the outer rhythm that conforms to the tempo of the overall scene as influenced by the other characters
12
Q
How does rhythm work?
A
- wherever there is life. there is action => wherever there is action, there is movement => wherever there is movement, there is tempo => where there is tempo, there is rhythm
13
Q
What does the step of the Method of Physical Action entail?
A
- emphasis on a physical expression as a way of training
- emphasis on improvisation as a way of unlocking aspects of both the text and the role