Stanislavski's System Flashcards

1
Q

What are the steps in Stanislavski’s System?

A
  1. Action
  2. The Magic ‘If’
  3. The Given Circumstance
  4. The Imagination
  5. Circles of Attention
  6. Units and Objectives
  7. Super-objective and Through-line of Action
  8. Emotion Memory/Emotional Recall
  9. Tempo-rhythm in Movement
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2
Q

What does the step of Action entail?

A
  • action is concerned with meaningful and purposeful activity on stage
  • includes concentrated stillness or inner intensity
  • always act with a purpose, a ‘why’
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3
Q

What does the step of the Magic ‘If’ entail?

A
  • opens up possibilities for the actor of creating a whole new life for the character and stimulating new emotions
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4
Q

What does the step of the Given Circumstance entail?

A
  • these are the basis for an actor and their role
  • created by the playwright, director & designer
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5
Q

What are some examples of given circumstance?

A
  • story of the play
  • facts, events, time and place of action
  • conditions of life
  • actor’s and director’s interpretation
  • the production, sets, costumes, props
  • lighting and sound effects
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6
Q

What does the step of the Imagination entail?

A
  • actor must believe in the given circumstances using the imaginations
  • suspend the disbelief and function ad a high degree of involvement
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7
Q

What does the step of Circles of Attention entail?

A
  • leads the actor to relax and focus on stage (also known as ‘solitude in public’)
  • slowly, like ripples in a pond, it radiates outwards until it embraces the entire stage
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8
Q

What does the step of Units and Objectives entail?

A
  • units of action are dominated and controlled by the objectives within them
  • a unit ends with the end of the objective
  • guides for an actor on their journey
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9
Q

What does the step of Super-objective and Through-line of action entail?

A
  • what is the overarching objective in the play?
  • ‘through-line’ = the main current that galvanises all the small units and objectives
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10
Q

What does the step of Emotion Memory/Memory Recall entail?

A
  • emotional memory brings back feelings you have already experienced
  • this can be triggered by a sound, smell or touch
  • Stanislavski’s actors were encouraged to create a reservoir of memory/stored experiences from which to draw and on which to build, to help create a character
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11
Q

What does the step of Tempo-Rhythm in Movement entail?

A
  • each character has their own rhythm/tempo according to their circumstances and personality
  • the inner rhythm may differ from the outer rhythm that conforms to the tempo of the overall scene as influenced by the other characters
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12
Q

How does rhythm work?

A
  • wherever there is life. there is action => wherever there is action, there is movement => wherever there is movement, there is tempo => where there is tempo, there is rhythm
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13
Q

What does the step of the Method of Physical Action entail?

A
  • emphasis on a physical expression as a way of training
  • emphasis on improvisation as a way of unlocking aspects of both the text and the role
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