Stanislavski Flashcards
What is the purpose of ‘Action’ in Stanislavski’s System?
Every movement must have a clear reason, driving the character’s objective.
What does the ‘Magic If’ technique encourage actors to do?
Imagine themselves in the play’s circumstances and fully believe in them.
How does Stanislavski define the importance of ‘Imagination’ in acting?
Actors must supplement the script with personal imagination to bring characters to life.
What is the role of ‘Units and Objectives’ in acting?
Breaking down the play into smaller segments with clear objectives for coherent performance.
What is the ‘Super-Objective’ in Stanislavski’s system?
The overarching goal of the character, linking all smaller objectives in the play.
What does ‘Emotion Memory’ involve?
Actors draw on personal experiences to create authentic emotional responses onstage.
Actors draw on personal experiences to create authentic emotional responses onstage.
It ensures dynamic, believable movement, synchronized with the play’s overall rhythm.
What is the ‘Method of Physical Action’?
Stanislavski’s later approach, focusing on improvisation and physical exploration to discover deeper layers of character.
What distinguishes ‘Everyday Behavior’ from ‘Created Behavior’?
Everyday behavior is organic and automatic, while created behavior is consciously constructed for performance.
What is the ‘Dramatic I’ in Stanislavski’s system?
The actor’s constructed persona, blending their real self with the character they portray.
How is the script treated in Stanislavski’s system?
The script is seen as a blueprint, with actors bringing it to life through imagination and belief.
What are the Three Phases of Script Analysis?
Phase One: Understanding the play’s action and circumstances.
Phase Two: Developing physical and vocal characteristics.
Phase Three: Refining and unifying the performance.
What impact did Stanislavski have on modern theatre?
He influenced naturalistic acting and techniques like “The Method.”
What did Stanislavski say about creativity in acting?
The System should be a guide, not a rigid rulebook, allowing actors to explore their own creative process.
