Specific options for white winemaking Flashcards

1
Q

The process of skin contact in white wines

A

The process of leaving the juice in contact with the skins to extract compounds from the skins

For white wines, the purpose is to enhance the extortion of aroma and flavour compounds and precursor and to enhance the texture of the wine by extracting a small amount of tannin

Not suited for all styles of wine, and if used too excessively white wines can taste bitter and feel coarse in the mouth

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2
Q

White wine styles with/without skin contact

A

The majority of white wines are mede with zero or minimal skin contact

Minimal skin contact is typical for wines where delicate fruit, minimal colour and a smooth mouthfeel is desired and is also typical for wines for early drinking, as tannins would not have the time to soften

Keeping skin contact to a min is also the usual choice when fruit is un-ripe, as skin contact will extract bitter/green flavours and astringent tannins

A period of skin contact requires time, equipment and labor and is therefore usually not carried out on inexpensive wines, from a cost perspective

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3
Q

The influence of skins contact on flavour extraction

A

Skin contact maximizes flavour extraction, and is most effectively used on aromatic varieties; Gewurz, Riesling, Viognier, Muscat.

In these aromatic varieties that often are not matured in oak, it is also a way of enhancing texture

Some winemakers believe this technique leads to homogenization, reducing the variations between grape varieties and vineyards sites

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4
Q

The influence of time and temp on skin contact

A

Time and temp are key factors that can influence extraction during skin contact

Times can range from 1 hour to 24 hours and over, with longer time on the skins, with greater extraction of flavour and tannins

Chilling during the time reduces the rate of extraction of flavour and tannins, permitting more control and reduces the rate of oxidation and microbial spoilage

The juice is typically chilled down to 15

Wine is usually pressed to separate the skins and juice before fermentation starts

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5
Q

Orange wine

A

At the extreme end of the spectrum, there are some wines made from white grapes that are fermented on their skins, without temp control or sulfur additions

The wines are often amber colored, which developed due to the oxidation of compounds extracted from the grape skins

Do not taste like typical wines, usually dry, notable levels of tannins and taste mainly tertiary (nuts, dried fruit)

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6
Q

Pressing

A

In white winemaking grapes are almost alway pressed to separate the skins from the juice before fermentation

Typically as gentle as possible to avoid the extraction of unwanted compounds from the skins and seeds such as tannins and colour

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7
Q

Destemming

A

Usually grapes are destemmed and crushed before pressing

Whole bunch pressing is also possible, reduce chance of oxidation before and during pressing, especially when inert gases are used within the press. Also the most gentle form of pressing, providing juice low in solids, tannin and colour

Whole buch pressing is only possible when grapes are hand harvested and take a lot of room up in the press, fewer grapes can be loaded within each press. Suitable for smaller batches of premium wines, less likely for inexpensive wines which requires quick and efficient processing of grapes

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8
Q

Free run juice

A

De juice that can be drained off as soon as the grapes are crushed, typically the lowest in solids, tannin and colour

The winemaker may choose to make wine entirely from free run juice only. However, it reduces the final volume of wine that can be produced and has cost implications

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9
Q

Press juice

A

Juice that runs off through the pressing of grapes

At the start, similar to free run juice, but as pressing continues and more pressure is applied, more solids, tannins and colour is extracted

Lower acidity and less sugar than the free run juice, and typically make wines that are fuller bodied

Press juice may be separated into different fractions (press fractions) as the pressing continues and different fractions may be blended later in the winemaking and maturation process

The last press fractions are likely to be too astringent or bitter and therefore will be discarded

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10
Q

Hyperoxidation

A

A technique whereby the must is exposed to large quantities of oxygen before fermentation on purpose. Targets the compounds in the must that oxide most readily

As these compounds oxidize, they turn the must brown. But, during fermentation the compounds precipitate, returning the wine to its normal colour

The aim is to produce wines that are more stable against oxidation after fermentation and also helps to remove bitter compounds deriving from unripe grapes, seeds and skins

It can destroy volatile aroma compounds in the must and is therefore more suitable to neutral varieties such as Chardonnay.

For example; reduces volatile thiols and methoxypyrazins ins Sauvignong Blanc, and would therefore not be carried out if an aromatic of herbaceous style is desired

Equipment is not expensive, but extra step in the process requiring labour and therefore has an impact on the costs

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11
Q

Clarification of the must

A

Juice may be clarified prior to fermentation to reduce the amount of suspended solids within the must (skin, seeds, stem)

Generally a proportion 0.5-2% solids in the must

Some retain higher proportions of solids, and may not clarify the must because they believe it will add texture and can also give a greater range of aromas from fermentation, adding complexity

However, lower levels are better to obtaining fruity aromas therefore more suitable for a premium Chardonnay and less for a inexpensive pinot Grigio

Ferments with high levels of solid particles need careful monitoring because compounds within the solids and their reactions during fermentation can lead to off-aromas

High solids in fermentations can give reductive sulfur compounds which at low levels may be desirable (smoke, struck match), but undesirable at higher levels (rotten egg)

However, a small amount is beneficial as it provides nutrients for yeas and over clarifying the must can leas to stuck ferments

Different options for clarifying the must prior to fermentation are;

  • Sedimentation
  • Flotation
  • Centrifugation
  • Clarifying agents
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12
Q

Sedimentation

A

Simplest form of clarification (settling)

The solids in the must are left to fall over time with gravity

Must is chilled to around 4 degrees to reduce the risk of oxidation and microbial spoilage, and to avoid spontaneous fermentation

The rate of sedimentation will depend on the size of the vessel; takes longer in large, tall vessel than in smaller, shorter vessels due to the depth over which the solids need to fall. 12-24 hours is not uncommon

Clear juice is transferred to the fermentation vessel, leaving sediment at the bottom of the sedimentation vessel (called racking)

Sediment left behind is often filtered by cross flow (absolute) or depth filters to extract extra juice

Cheapest in terms of equipment and most traditional form of clarifying must or wine (nog equipment required) but, it takes the most time, and there is a cost of energy used in chilled as well as the labour costs

Most common for small volume production of premium wine

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13
Q

Flotation

A

Involves bubbling gas up through the must. Inert gas such as nitrogen is typically used, if oxygen is used it is a form of hyperoxidation

As the bubbles of gas rise, they bring with them the solid particles with are then skimmed off the top of the vessel. Fining agents must be added to the must for this technique to be successful, and can only be used on must (prior fermentation) and not wine

Compared to sedimentation, it speeds up the rate of clarification

Little more expensive than sedimentation in terms of equipment, but its effective and quick. The technique also requires gases, fining agents. But, does not require chilling the must, saving on energy costs

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14
Q

Centrifugation

A

A machine that comprises a rapidly rotating container which uses centrifugal force to separate solids from the must and clarifies quickly

Used continuously which saves time and labour costs

Expensive to buy, typically only used in wineries needing to precess large volumes of must very quickly

They also increase the must’s exposure to oxygen unless the machine is flushed with inert gas, which has cost implications

Can be used on must as well as wine

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15
Q

Clarifying agents

A

Can be added to speed up the process of sedimentation

Pectolytic enzymes break down pectins in the must

Pectins are naturally found in plant cell wall, breaking down pectins allows a more rapid separation between the liquid and the solids

Only aid the clarification of must, not wine

There is a cost of purchasing these agents, but this may justify the time and energy saved compared to sedimentation

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16
Q

Fermentation temperatures for white wines

A

Typically cooler than those for red wines

Volatile and flavour compounds desired in white wines are best produced and retained at cool temperatures (15)

In some styles, fruity aromas are not particularly desired; for example if oaks is used to provide flavours and fermentation is slightly warmer 17-25 to Promet yeast health and avoid the production of certain esters, such as isoamyl acetate (banana smell

17
Q

Stainless steel tanks

A

Most popular choice for fruity, floral white wines (Sauvignon Blanc) due to the ability to control temp easily and hence maintain the cool fermentation conditions needed for these style of wines

18
Q

Concrete and old oak vats

A

May be used for white wines fermented slimly warmer, where maximizing the fruity, floral aromas from fermentation is not the aim (Chablis, White Rioja)

19
Q

Small oak barrels (sometimes new oak)

A

Popular choice for some style of white wine, particularly premium and super-premium Chardonnay (high cost of barrels)

Monitoring fermentation in small vessels is much more labour intensive than monitoring a single large vessel but its thought that wines have a deeper colour and fuller body, due to the oxidative environment and more integrated oak-derived aromas

The small size of the vessel also increase the contact between the wine and yeast lees, thought to contribute texture

Provide more blending options because the wine ins each barrel may be slightly different

less likely to be used for wines made from aromatic varieties, where winemakers look to preserve primary aromas. More likely for premium chardonnay (because of the cost)

20
Q

Malo for white wines

A

The effects of Malo are a reduction in acidity, increase in microbiological stability and a modification to the flavour of the wine

Malo will decrease the acidity and increase the wines pH

Its a winemakers choice whether to put the wine though Malo or not because the effects of on the final wine make a difference to the style

Typically avoided for aromatic varieties to preserve the primary aromatics, despite these being high acid varieties

More suitable to more natural varieties such as Chardonnay, where it will add more texture and creaminess, because malic acid is converted to lactic acid

21
Q

Barrel maturation for white wines

A

Premium and super-premium wines made from low-aromatic varieties such as Chardonnay are likely to be aged small oak barrels for texture and complexity of flavours this can bring

Wines made from aromatic varies the vanillin and toasty aromas, and nutty aromas from oxidation during barrel aging are less desirable

usually too costly for inexpensive wines, therefore any oak flavours that are wanted may come from oak alternatives (staves, chips)

22
Q

Lees aging for white wines

A

The aim is to give more body, soften the mouthfeel and help to stabilize the win

Protects wine from oxygen (layer) and may introduce some reductive sulfur compounds. Low levels, smoke, which is desirable

Common in a range of white wine style (muscat) but less practiced on inexpensive wines, which will usually be released from the winery as soon as possible

May or may not be stirred to unsettle it from the bottom of the vessel an mix it with the wine (batonnage)

Most traditional method is stirring wine stored isn small vessels, such as barrels using a rod and manually stir the lees into the wine

Because the bung will need to be removed to stir the wine, oxygen exposure is increased which can result in a increase in the effect form the dead yeast and decrease in fruity flavours

The introduction of oxygen also decrease the development of reductive sulfur compounds that can introduce off-aromas if not well managed

There are ways to that allow to mix the lees without needing to open the vessel; barrel racks permit easy rolling the barrels. Which gives the winemaker more options and control over the impact of lees and oxygen

Lees storing on large number of vessels is labour intensive and add to the cost of production