specialized wood finishes Flashcards

1
Q

Dents and gouges

A

woods finished with shellac CANNOT be repaired using moisture or heat

if a dent or gouge cannot be raised using moisture and heat it will need to be repaired with fillers

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2
Q

steaming out a dent with a hot iron and damp rag repair procedure

A
  1. place a few water drops on dent after sometime the dent will not be as deep
  2. place an iron set to the highest setting on top of a clean folded cloth that is also damp apply pressure on damaged area hold until steam stops
  3. remove cloth and evaluate the process repeat until desired results are achieved or until there are no changes
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3
Q

if the wood is veneer and there is a strong possibility that it was attached with a water-soluble adhesive, the previous procedure will not wood

A
  1. lightly dampen the surface with water
  2. Place a square of clear plastic over the area the cover it with a square of wood and a very heavy weight and leave it in place overnight this process will allow the dent/gouge to expand but will hold the veneer tightly in place until the glue has a chance to reset
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4
Q

fixing the substrate

A

if the dent or gouge cannot be removed using moisture or heat it will have to be filled several products are available for filling dents or gouges in natural wood surfaces the filler will need to be tinted to match the background colour of the wood

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5
Q

Blending the topcoat

A

once the grained-in repair is completely dry, a repair must be made to the clear coating

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6
Q

Tinted paste filler

A

Paste wood filling is normally used to give an open-grained wood a smooth even finish without altering the look of the natural or stained wood, unlike normal paste filling this technique involves using coloured filler that is in contrast to the colour of the natural stained wood

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7
Q

Colourants

A

a wide range of colouring media are available for adding to paste fillers, traditional tempera paint powders, dye powders, universal colourants METALLIC DRY POWDERED, pigments, mother of pearl pigiments and almost any solid colouring medium can be used the resin within the paste filler is the glue that holds the colouring medium solidly into the grain of the wood

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8
Q

polishing a top coat

A

polishing is used in the wood finishing process to increase the gloss or smoothness of a finished surface

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9
Q

Polishing with pumice and rottenstone

A

once the surface has been nicely levelled and sanded to a dull, even sheen it is ready to begin polishing with the pumice powder, this process is used to remove the largest surface scratches and a small amount of surface coating,

Rottenstone is then used with an oil/mineral spirit lubricant and a felt pad but it used in a circular motion to help to remove the scratches that the pumice powder left on the surface

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10
Q

Each step along the finishing process is from more aggressive to less aggressive abrasives it is important not to make the move too soon because finer abrasives have to be worked longer and harder on larger defects and surface scratches

A
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11
Q

Multi-speckle finish

A

Multi-speckle finish is also known as LUNAR FINISH because it resembles craters

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12
Q

Faux finishes

A

A well done faux finish is extremely difficult to tell from the real thing two popular faux finishes are simulated marble and wood grain

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13
Q

Pre-staining/ Sap staining

A

the terms prestaining and sap staining are seldom heard anymore in the world of professional wood finishers this is because new processes have evolved to deal with large variations in wood colour within the same piece of solid or veneer

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14
Q

Materials used for shading

A

materials used for shading include aniline dyes, water,oil, solvents and topcoating, products such as lacquer. you may also spray pigmented oil stains for shading

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15
Q

Tints

A

the colouring medium used is usually an aniline dye-based product aniline dyes can be formulated to dissolve within water, oils, or lacquer- supporting solvents

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16
Q

Distressed finishes

A

distressed finishes are common on high end furniture, that have been built as a faithful reproduction of traditional historical styles

17
Q

simulation of age and wear

A

part of the challenge of producing a good distressed finish is simulating age and wear

above all, any attempt to distress a piece of furniture must simulate authentic representation of the wear that would occur in everyday use

18
Q

Distressing tools

A

distress marks can be made by impact, abrasion or boring tiny holes

19
Q

Stains

A

stain varnishes and glazes can be very effective to give wood and old time worn look ny adding both transparent and opaque stains mixed with varnishes to produce glazes

20
Q

tannic-rich woods can be placed in plastic tents with open dishes of ammonia and allowed to react into a deep fumed look

A
21
Q

Spatter

A

Spatter is applied to furniture to distress it by simulating fly specks