soundbites Flashcards

1
Q

imperialism

Nick Groom- Cambridge, 2017

A

‘It is also a study of British nationalism and imperialism’

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2
Q

lucy

sue chaplin- Leeds met university

A

‘Lucy’s psychological and, implicitly, sexual instability threaten to undermine domestic order’

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3
Q

female sexuality

Phylis roth- ‘Bram Stoker’

A

‘the novel appears derived from its hostility towards female sexuality’

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4
Q

unknown

Roberts

A

‘Dracula embodies the fear of the unknown’

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5
Q

taboos

Punter and byron- ‘The Gothic’- 2004

A

‘Dracula is above all concerned with the breaking of taboos’

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6
Q

vampire

Wolf

A

‘the vampire is the representative of the late 19th century’

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7
Q

intersection

Stephen Arata- university of Virginia

A

‘vampirism marks the intersection racial strife, political upheaval and the fall of empire’

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8
Q

voluptuous

nilifer pektas- 2005

A

three nosforatu ‘represent all the qualities that a woman should not be- voluptuous and sexually aggressive’

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9
Q

individual desire

Carol Senf- ‘Dracula: between tradition and modernism 1998

A

‘all characters that display individual desire are punished’

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10
Q

synonymous

ray Cluely- horror writer

A

‘female lust and vampirism appear synonymous’

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11
Q

mina

sos eltis- Oxford university

A

mina shows ‘restraint, courage and nervous strength’

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12
Q

lucy

fred botting- 1994

A

‘the fluid exchanges present a reverse sexuality’ (Lucy)

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13
Q

east vs west

Alexis Hollingsworth- 2019

A

One of the things that made Dracula so terrifying to Western Cultures was the fear of what they don’t know, which in this case is Eastern Culture.

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14
Q

maternity

Phyllis roth

A

Lucy and mina are essentially the same figure: the mother

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15
Q

mysterious

D. Gates

A

Transylvania is a mysterious place where anything is possible

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16
Q

lucy

Buzwell

A

dangerously modern in her ways

17
Q

females

Byron

A

gothic texts of the time repeatedly produce powerful and sexually aggressive females

18
Q

sex

Hindel

A

sex was the monster that stoker feared most

19
Q

castles

Bunten

A

in many gothic novels the castle represents a threatening sexually rapacious masculine world ink which women are trapped and persecuted

20
Q

sex/lust

Nick Groom- Cambridge, 2017

A

‘Sex in early C19th century vampire tales are merely a displaced lust, a metaphor for consumption’

21
Q

modern man

Nick Groom- Cambridge, 2017

A

‘Dracula himself is a modern man: he has legal and commercial interests’

22
Q

wealthy vampire

Nick Groom- Cambridge, 2017

A

‘Henceforth the vampire became cultured and wealthy, if not necessarily male’

23
Q

lightning rod

sue chaplin- Leeds met university

A

‘The vampire frequently acts as a lightning rod for anxieties of the moment’

24
Q

mina

sue chaplin- Leeds met university

A

She is ‘the exemplary middle class woman of virtue’

25
Q

mina

sue chaplin- Leeds met university

A

‘The sort of woman who inspires men to heroism’