Sound-Sound Interaction Flashcards

1
Q

Does masking result from the algebraic addition of sound pressure functions as expressed by the Law of Superposition?

A

No

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2
Q

Beats, interference and phasing all result from the _______ of two sound waves together with small differences in frequency or phase

A

Addition

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3
Q

What is masking?

A

a psychoacoustic process where one sound makes it harder to hear another when they occupy the same frequency range

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4
Q

Destructive interference between two waves of the same frequency is at its greatest when the phase difference between them is _________

A

180°

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5
Q

What is diffraction?

A

the inability of a sound wave to bend around an obstacle depending on its wavelength compared with the size of the obstacle

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6
Q

What is destructive interference?

A

When two waves have the potential to cancel or attenuate because they are out of phase

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7
Q

Beats occur between two waves of similar but not identical _________ and are heard as periodic changes of ________

A

Frequency, Loudness

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8
Q

What are two phenomena are examples of amplitude modulation

A

first-order beats, tremolo

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9
Q

What are second-order beats?

A

arise from mistuned harmonic interval, exhibiting internal phase shifts. do not change in overall amplitude

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10
Q

Phasing produces a ________ of specific frequencies and therefore a striation of the resulting spectrum, without any ________ effect

A

Cancellation, beating

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11
Q

The beat frequency between two tones of frequency X and Y which are close together is ___________

A

X-Y

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12
Q

The perceived pitch of two tones beating together is the ________ of the two frequencies

A

Average, (X+Y)/2

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13
Q

Does beating involve time delays between two or more sounds?

A

No

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14
Q

Frequencies which cancel during phasing are the _____-numbered harmonics of the frequency whose period is twice the time delay involved

A

odd

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15
Q

The spectral change caused by phasing is similar to that of a _______ filter

A

comb

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16
Q

Environmental phasing is heard as a dynamic change of ________

A

timbre

17
Q

The level of masking can be defined in ______ as the threshold shift necessary to restore a masked sound to audibility

A

dB

18
Q

Masking is greatest when two sounds have their energy lying within the same ______

A

Critical band

19
Q

Critical bandwidth can be measured through sine tone masking experiments with ______

A

narrow-band noise

20
Q

Two sine tones sound with maximum roughness between them when separated by __________ which is _________ than a musical semitone

A

1/4 the critical bandwidth, larger

21
Q

Two sine tones sound with maximum consonance when separated by __________

A

a critical bandwidth

22
Q

_____________ appear because of non-linear processing in the auditory system, which creates added frequencies in the perceived result

A

Combination Tones

23
Q

What is the choral effect

A

enhancement of a musical ensemble because of small differences in pitch and attack times - adds internal complexity to the sound

24
Q

Does echo enhance the sound of a musical ensemble

A

No - it might mask the sound

25
Q

Tones that are widely separated in pitch and repeat more than 5 tones/second, will be perceived as segregated, a phenomenon also known as _________

A

fission

26
Q

The connection of the two auditory nerves from each ear to the hemispheres of the brain can be described as _________

A

60/40% contralateral