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G2061 > Sophie Sarbed > Flashcards

Sophie Sarbed Flashcards

1
Q

Kniffen 1965

A

American housing types, a tracking of material

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2
Q

Jordan 1989

A

Backwoods pioneers

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3
Q

Jackson 1989

A

Maps of meaning, movement towards ideas of meaning and social, economic and political scenarios that brought material things into importance

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4
Q

Lees 2002

A

re-associating materials and values, relating meaning and materiality

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5
Q

Whatmore 2006

A

ongoing relationship between the two, rematerialising allows for identifying worldly involvements of ideas

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6
Q

Williams 1981

A

engagement with capitalist systems and the objects that revolve in them

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7
Q

Miller 2010

A

People make things and things make people, subject-object dialect, actively making one another

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8
Q

Hitchings 2003

A

Actor Network theory, living alongside the inhuman

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9
Q

Whatmore 2006

A

Materials hold an acitve role in our environments

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10
Q

Thrift 2008

A

Non-representational theory - ideas of our bodies and how they act to space and materials, defined by an affect. Immaterial becoming material

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11
Q

Anderson 2014

A

life is already mediated through non-representational ideas. Responses and relations to spaces, body practice performance

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12
Q

Ritzer 2004

A

Globalisation: worldwide diffusion of practices, expansion of relations. Nothingness - controlled social form

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13
Q

Goodman 2007

A

What connects all in globalisation is consumption

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14
Q

Bigsby 1975

A

USA has become a superculture, Americanisation

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15
Q

Prendergast 2013

A

Coca-colonisation turning communism into capitalist

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16
Q

Miller 2011

A

Ubiquity of jeans, universal consumption

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17
Q

Ritzer 1993

A

principles of th fast food restaurant are coming to dominate more and more

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18
Q

Caldwell 2005

A

Mcdonalds around the world, adopting different ideas

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19
Q

Watson 1997

A

Glocalisation, absorbing locality into mcdonalds

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20
Q

Miller 1992

A

Trinidad Soap operas copying ideas from around the world

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21
Q

Miller 2011

A

Denim taking on different meanings globally - wealth

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22
Q

Friedman 1990

A

Le Sape in the Congo, European ideas in fashion - holds different meanings

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23
Q

Appadurai 1995

A

Most societies possess means for modernity, not western advancements

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24
Q

Cook et al 2004

A

Following the thing becoming a common approach, simultaneous approaches to dis/connections

25
Q

Appadurai 1986

A

Idea of the objects have social lives, exchanges creating value

26
Q

Hooks 1992

A

race, otherness, and difference are articulated in ideas of mass culture and mass consumption

27
Q

Jackson 1999

A

Cannibalism self satisfaction, decontextualising erasing knowledge, essentialisation reporoduction of stereotypes, desires bound up with orientalism and other

28
Q

Domosh 1988

A

Skyscrapers represent power and authority in urban spaces

29
Q

Kaika 2010

A

city of london power and imperial ideas

30
Q

Jacobs 2006

A

residential highrise more expensive and powerful if higher up, ideas of verticality

31
Q

Driver 1985

A

Panopticon prison ideas of moving power through architecture

32
Q

Adey 2008

A

buildings are created through the activities within them, as well as the activities created by the architecture IKEA movement

33
Q

Edensor 2005

A

natural thought and process can be defined by physical entities

34
Q

Lees 2001

A

Vancouver public library -architecture is performative in the sense that it involves ongoing social practices through which space is continually shaped and inhabited

35
Q

Goffman 1978

A

dramturgical social life, performance is about our presentation of ourselfs

36
Q

Crang 1994

A

restaurants how we act an wait patiently, enjoy the atmosphere

37
Q

Philo 2006

A

Conversation in cafes and part of atmosphere and the ideas of con

38
Q

Cresswell 1996

A

acordance and order, who belongs and why, particular ideas of behaviour. Transgressiom

39
Q

Borden 2001

A

re-performance in architecture, skateboarding an rewriting the use of space

40
Q

Butler 1997

A

human performance is part of identity and wider social structures. Less about minutiae ideas

41
Q

Gregson 2000

A

produce and subvert discourse and knowledge

42
Q

Thrift 2008

A

role of practice in the everyday, life in flux, subject and the social/cultural/material environment. People and practice co produce

43
Q

Simpson 2011

A

Busking, the performance is reliant on the ideas of the space. Immaterial contribute to the performance

44
Q

Duncan 1995

A

Gallery space is more than a continer, liminal space cut off from the world, art and archtecture. Site of power

45
Q

Pinder 2005

A

Performative art encapsulates and allows for temporary questioning/discussion, particularly in space

46
Q

Rendell 2006

A

Critical engagements of space and place, reflection and imagination of different

47
Q

Kaye 2000

A

location specific art is defined by its location, looses value when moveed

48
Q

Sumartojo 2013

A

reworking of political identity through the fourth plinth and new artworks. May not be linked but are read to have a meaning.

49
Q

Lacey 1987

A

Collaboration with the ordinary to form New Genre Public Art. Speaks of the day to day

50
Q

McAuliffe and Iverson 2011

A

Graffiti is infoact a representatio of complex urban processes

51
Q

Cresswell 1992

A

Subverting establishments and expressing marginalised views

52
Q

Schecter 2008

A

Space of social discussion

53
Q

Dickens 2008

A

movement of art creates connections and establishes ideas of links in the city

54
Q

Hannam 1994

A

material things are mobile and can exist beyond typcial social boundaires

55
Q

Peet 1989

A

new models and ideas of the world to represent new connectedness

56
Q

Slater 1997

A

consumer culture is a description of consumption organised in societies

57
Q

Fernandes 2000

A

reproduction of place through photgraphs, india. Reiterating nation states

58
Q

Hudson 1979

A

Marxian/historical ways of thinking still needed

59
Q

Law 2009

A

Material semiotics, material objects are invested with particular meaninngs

G2061 (2 decks)

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