Something's Coming Flashcards

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1
Q

Melody

A
  • Tenor voice part
  • Uses lots of accented off-beats to give anticipation
  • Begins in a half-whispering style with quaver rests between words to feel breathless and agitated. This breaks up the melody
  • Combination of short riffs and sustained notes
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2
Q

Harmony

A
  • Uses the tritone to give an edgy, unpredictable feel
  • Used as an appoggiatura in the first chord
  • Jazz harmony - ordinary chords have added blue notes
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3
Q

Tonality

A
  • D major - happy to reflect Tony’s excitement
  • Piano bass ostinato is tonic, dominant, supertonic. The supertonic is away from D major so makes the listener unsure of the key
  • Last note is flattened 7th of scale, C, not belonging to the tonic key
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4
Q

Structure

A
  • Intro - 3 beat ostinato to set excited mood
  • A - fast and loud with word painting on ‘cannonballing’ on a B
  • B - more on-beat rhythms to give strength to lyrics
  • B1, A1, then outro - simple fade out, change of scene
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5
Q

Instrumentation/Timbre

A
  • Male tenor with a very large orchestra, needing players who can double up
  • Includes sax, piano, guitars, mandolin, celeste, timpani, glockenspiel and police whistle
  • Latin American instruments reflect Puerto Rican gang
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6
Q

Texture

A
  • Polyphonic, arranged to sound exciting
  • Section A uses ostinato throughout
  • Word painting used on ‘cannonballing’ and by the violin harmonics for ‘humming’
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7
Q

Rhythm

A
  • Written in 3/4, feels like 6/8 because the RH piano quavers have accents on first and fourth beats. Cross rhythms make it ambiguous
  • Lots of syncopation and rhythmic ostinati
  • Push rhythms anticipate the beat
  • Accented off-beats give anticipation
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8
Q

Tempo

A
  • 176bpm - fast to reflect excitement
  • ‘One in a bar’ feel
  • Jagged and abrupt notes move the song along quite a lot
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9
Q

Mood

A
  • Excited, breathless, expectant

* Looking forward to the future, anticipating future events

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10
Q

Dynamics

A
  • Begins singing in pp
  • Gets louder as excitement builds suddenly
  • p when violins ‘hum’
  • Diminuendo little by little towards the end, fades out like typical jazz
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