Something's Coming Flashcards
1
Q
Melody
A
- Tenor voice part
- Uses lots of accented off-beats to give anticipation
- Begins in a half-whispering style with quaver rests between words to feel breathless and agitated. This breaks up the melody
- Combination of short riffs and sustained notes
2
Q
Harmony
A
- Uses the tritone to give an edgy, unpredictable feel
- Used as an appoggiatura in the first chord
- Jazz harmony - ordinary chords have added blue notes
3
Q
Tonality
A
- D major - happy to reflect Tony’s excitement
- Piano bass ostinato is tonic, dominant, supertonic. The supertonic is away from D major so makes the listener unsure of the key
- Last note is flattened 7th of scale, C, not belonging to the tonic key
4
Q
Structure
A
- Intro - 3 beat ostinato to set excited mood
- A - fast and loud with word painting on ‘cannonballing’ on a B
- B - more on-beat rhythms to give strength to lyrics
- B1, A1, then outro - simple fade out, change of scene
5
Q
Instrumentation/Timbre
A
- Male tenor with a very large orchestra, needing players who can double up
- Includes sax, piano, guitars, mandolin, celeste, timpani, glockenspiel and police whistle
- Latin American instruments reflect Puerto Rican gang
6
Q
Texture
A
- Polyphonic, arranged to sound exciting
- Section A uses ostinato throughout
- Word painting used on ‘cannonballing’ and by the violin harmonics for ‘humming’
7
Q
Rhythm
A
- Written in 3/4, feels like 6/8 because the RH piano quavers have accents on first and fourth beats. Cross rhythms make it ambiguous
- Lots of syncopation and rhythmic ostinati
- Push rhythms anticipate the beat
- Accented off-beats give anticipation
8
Q
Tempo
A
- 176bpm - fast to reflect excitement
- ‘One in a bar’ feel
- Jagged and abrupt notes move the song along quite a lot
9
Q
Mood
A
- Excited, breathless, expectant
* Looking forward to the future, anticipating future events
10
Q
Dynamics
A
- Begins singing in pp
- Gets louder as excitement builds suddenly
- p when violins ‘hum’
- Diminuendo little by little towards the end, fades out like typical jazz