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ABC Entrance Exam Study Questions > Snare Technique > Flashcards

Snare Technique Flashcards

1
Q

SNARE TECHNIQUE: Select the correct rudiment name (for B) after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

H Flam

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2
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

U Single Drag Tap

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3
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

[ Triple Paradiddle

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4
Q

SNARE TECHNIQUE: Identify the true statements about the full stroke for snare drum.

A the stroke should be consistent no matter which hand is playing
B the stroke should be consistent as long as it is played by one hand
C the stroke is straight up and down
D the stroke is made with a twisting motion
E fingers and wrist should be relaxed with a tense shoulder
F fingers and wrist should be relaxed with a tense elbow
G fingers and wrist should be relaxed
H the height of the stroke may be adjusted

A

A the stroke should be consistent no matter which hand is playing
C the stroke is straight up and down
G fingers and wrist should be relaxed
H the height of the stroke may be adjusted

The full stroke has fingers and wrist relaxed. It should be consistent no matter which hand is playing and equality between hands needs to be practiced. The stroke is straight up and down, much like dribbling a basketball. The size of the stroke can me adjusted to fit the music.

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5
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

X Single Paradiddle

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6
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

I Flam Accent

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7
Q

SNARE TECHNIQUE: What are the advantages to the matched grip for drummers?

A there is a greater amount of transfer with this grip for other percussion instruments
B there is better control for the beginner
C the grip better fits with the stands used for today’s drums

A

A there is a greater amount of transfer with this grip for other percussion instruments
B there is better control for the beginner
C the grip better fits with the stands used for today’s drums

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8
Q

SNARE TECHNIQUE:A student needs to understand the how to achieve the difference between forte and piano on the snare drum. Which are correct?

A higher stick height = forte
B higher stick height = piano
C closer to rim = forte
D closer to rim = piano

A

A higher stick height = forte
D closer to rim = piano

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9
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

O Inverted Flam Tap

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10
Q

SNARE TECHNIQUE: A beginning student needs to understand how to achieve a forte and a piano on the snare drum. Which is (are) correct?

A higher stick height - forte
B lower stick height = piano
C closer to the rim = piano
D closer to the center = forte
E all of the above
F none of the above

A

E all of the above

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11
Q

SNARE TECHNIQUE:A student is playing a drum roll. The roll is VERY UNEVEN. What are the likely causes?

A left hand is higher above the rim than the right
B right hand is higher above the rim than the left
C students is too close to the drum
D students is too far from the drum
E sticks are not striking the same spot

A

A left hand is higher above the rim than the right
B right hand is higher above the rim than the left
E sticks are not striking the same spot

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12
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

M Flam Tap

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13
Q

SNARE TECHNIQUE:A beginning student needs to understand how to achieve a forte and a piano on the snare drum. What do you tell him?

A lower stick height is for forte
B lower stick height is for piano
C middle of the head is for forte
D middle of head is for piano

A

B lower stick height is for piano
C middle of the head is for forte

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14
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

J Flam Drag

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15
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

1 Double Drag Tap
2 Double Paradiddle
3 Double Ratamacue
4 Double Stroke Roll
5 Drag Paradiddle #1
6 Drag Paradiddle #2
7 Five Stroke Roll
8 Flam
9 Flam Accent
10 Flam Drag
11 Flam Paradiddle
12 Flam Paradiddle-diddle
13 Flam Tap
14 Flamacue
15 Inverted Flam Tap
16 Lesson 25
17 Nine Stroke Roll
18 Paradiddle-diddle
19 Pataflafla
20 Ruff (drag)
21 Single Drag Tap
22 Single Dragadiddle
23 Single Flammed Mill
24 Single Paradiddle
25 Single Ratamacue
26 Swiss Army Triplet
27 Triple Paradiddle
28 Triple Ratamacue
29 Triple Stroke Roll

A

16 Lesson 25

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16
Q

SNARE TECHNIQUE: A beginning student needs to understand how to achieve a forte and a piano on the snare drum. Which is (are) correct?

A closer to the rim = forte
B closer to the center = piano
C higher stick height = piano
D lower stick height = forte
E all of the above
F none of the above

A

F none of the above

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17
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

S Pataflafla

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18
Q

SNARE TECHNIQUE: When trouble-shooting a VERY uneven drum roll what are possible causes?

A the pressure on the sticks is different in each hand
B the fulcrum of each stick is at a different place
C the sticks are not hitting in the same spot on the drum head
D one stick is being raised higher than the other
E the dominant hand is overshadowing the other hand
F all of the above
G none of the above
H A, B, C and D only

A

F all of the above

Uneven tension in the sticks, the height of the sticks, the hitting area of the sticks, a dominant hand exerting more pressure and unevenly matched fulcrums are all possible areas of concern.

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19
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

E Drag Paradiddle #1

20
Q

SNARE TECHNIQUE: A student is playing a drum roll which is VERY uneven. What are the likely causes?

A right stick is stroking closer to center than the left stick
B left stick is striking closer to the center than the right
C drum set-up is too high
D right hand is stronger than the left
E drum set-up is too low
F left hand is stronger than the right

A

A right stick is stroking closer to center than the left stick
B left stick is striking closer to the center than the right
D right hand is stronger than the left
F left hand is stronger than the right

21
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

Y Single Ratamacue

22
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

C Double Ratamacue

23
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

R Paradiddle-diddle

24
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

G Five Stroke Roll

25
Q

SNARE TECHNIQUE: What is the difference between a “buzz” roll and a measured roll?

A the length of the roll
B the buzz roll is always longer than the measured roll
C the buzz roll uses multiple bounces per stroke while the measured roll uses only 2 bounces per stroke
D buzz rolls sound better in most musical styles

A

C the buzz roll uses multiple bounces per stroke while the measured roll uses only 2 bounces per stroke

26
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

N Flamacue

27
Q

SNARE TECHNIQUE:A student is playing a drum roll. The roll is VERY uneven. What is (are) the most likely cause(s)?

A drum set-up is too high
B student is too close to the drum
C student has more tension in one hand than the other
D none of the above
E all of the above

A

C student has more tension in one hand than the other

28
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

K Flam Paradiddle

29
Q

SNARE TECHNIQUE: Select the correct rudiment name (for A) after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam Tap
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

T Ruff (drag)

30
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

L Flam Paradiddle-diddle

31
Q

SNARE TECHNIQUE: Identify the true statements about snare drum volume.

A higher stroke = louder sound
B higher stroke = softer sound
C lower stroke = louder sound
D lower stroke = softer sound
E more pressure at the fulcrum = louder sound
F more pressure at the fulcrum = softer sound
G less pressure at the fulcrum = louder sound
H less presure at the fulcrum = softer sound
I play nearer the rim = louder sound
J play nearer the rim = softer sound

A

A higher stroke = louder sound
D lower stroke = softer sound
J play nearer the rim = softer sound

32
Q

SNARE TECHNIQUE: Select the correct rudiment name (for C) after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

B Double Paradiddle

33
Q

SNARE TECHNIQUE: A student is playing a drum roll which is VERY uneven. What is (are) the likely cause(s) of this?

A the sticks are not strking the same spot
B the drum set-up is too low
C the drum set-up is too high
D the student is too close to the drum
E the student is too far from the drum

A

A the sticks are not strking the same spot

34
Q

SNARE TECHNIQUE: Identify the true statements about snare drum set-up.

A set the concert snare at the 20 degree angle to the right for a right handed player
B set the concert snare at a 20 degree angle to the right for a left handed player
C set the concert snare at a 20 degree angle to the left for a right handed player
D set the concert snare at a 20 degree angle to the left for the left hadned player
E set the concert snare drum level
F set the snare strainer 90 degrees to the right for a right handed player
G set the snare strainer directly in front of you
H set the snare strainer 90 degrees to the left for a left handed player
I forearms should be slightly lower than parallel
J forearms should be parallel to the floor
K forearms should be slightly higher than parallel

A

E set the concert snare drum level
G set the snare strainer directly in front of you
I forearms should be slightly lower than parallel

The concert snare should be set with the head level or parallel to the floor at a height that allows the forearms to be relaxed (slightly lower than parallel). Teh strainer should be directly in front of you for easy access by either hand.

35
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

36
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

W Single Flammed Mill

37
Q

SNARE TECHNIQUE: Which is the logical sequence for teaching a five stroke roll?

A controlled single stroke - buzz stroke - controlled 2 bounces per stroke - LlRrL or RrLlR
B buzz stroke - controlled 2 bounces per stroke - conrolled single stroke - LlRrL or RrLlR
C LlRrL or RrLlR - controlled single stroke - controlled 2 bounces per stroke - buzz stroke
D controlled 2 bounces per stroke - buzz stroke - controlled single stroke - LlRrL or RrLlR
E controlled single stroke - LlRrL or RrLlR - controlled 2 bounces per stroke - buzz stroke

A

A controlled single stroke - buzz stroke - controlled 2 bounces per stroke - LlRrL or RrLlR

38
Q

SNARE TECHNIQUE: Identify the true statements about matched grip for snare drum.

A the balance point should be in the middle of the stick
B the balance point should be a third of the way from the tip to the butt
C the balance point should be a third of the way from the butt to the tip
D the most tension should be right at the fulcrum
E the fulcrum is made at the balance point by the thumb and forefinger
F the matched grip is usually taught first due to the ease of learning
G the matched grip is taught because it better matches the concert snare set-up
H matched grip for snare has little to no application for other percussion instruments
I if matched grip is used the angle between sticks will be greater than the normal 90 degrees

A

C the balance point should be a third of the way from the butt to the tip
E the fulcrum is made at the balance point by the thumb and forefinger
F the matched grip is usually taught first due to the ease of learning
G the matched grip is taught because it better matches the concert snare set-up

The matched grip has the fulcrum abut a third of the way from the butt of the stick to the tip, it is made by the thumb and the forefinger with little to no pressure. It is taught first because it is easy to learn, applies to other percussion instruments and matches the playing surface of the concert snare.

39
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

T Ruff (drag)

40
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue
Z Swiss Army Triplet
[ Triple Paradiddle
\ Triple Ratamacue
] Triple Stroke Roll

A

V Single Dragadiddle

41
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1
F Drag Paradiddle #2
G Five Stroke Roll
H Flam
I Flam Accent
J Flam Drag
K Flam Paradiddle
L Flam Paradiddle-diddle
M Flam Tap
N Flamacue
O Inverted Flam Tap
P Lesson 25
Q Nine Stroke Roll
R Paradiddle-diddle
S Pataflafla
T Ruff (drag)
U Single Drag Tap
V Single Dragadiddle
W Single Flammed Mill
X Single Paradiddle
Y Single Ratamacue 

    Z	 Swiss Army Triplet			
 	[	 Triple Paradiddle			
 	\	 Triple Ratamacue			
 	]	 Triple Stroke Roll
A

\ Triple Ratamacue

42
Q

SNARE TECHNIQUE: Why was the traditional grip originally used?

    A	 the traditional grip better fit the angle of the slung drum			
 	B	 the traditional grip just looks cooler			
 	C	 the traditional grip is better adjusted to other percussion instruments
A

A the traditional grip better fit the angle of the slung drum

43
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1 

    F	 Drag Paradiddle #2			
 	G	 Five Stroke Roll			
 	H	 Flam			
 	I	 Flam Accent			
 	J	 Flam Drag			
 	K	 Flam Paradiddle			
 	L	 Flam Paradiddle-diddle			
 	M	 Flam Tap			
 	N	 Flamacue			
 	O	 Inverted Flam Tap			
 	P	 Lesson 25			
 	Q	 Nine Stroke Roll			
 	R	 Paradiddle-diddle			
 	S	 Pataflafla			
 	T	 Ruff (drag)			
 	U	 Single Drag Tap			
 	V	 Single Dragadiddle			
 	W	 Single Flammed Mill			
 	X	 Single Paradiddle			
 	Y	 Single Ratamacue			
 	Z	 Swiss Army Triplet			
 	[	 Triple Paradiddle			
 	\	 Triple Ratamacue			
 	]	 Triple Stroke Roll
A

F Drag Paradiddle #2

44
Q

SNARE TECHNIQUE: Select the correct rudiment name after looking at the example.

A Double Drag Tap
B Double Paradiddle
C Double Ratamacue
D Double Stroke Roll
E Drag Paradiddle #1 

    F	 Drag Paradiddle #2			
 	G	 Five Stroke Roll			
 	H	 Flam			
 	I	 Flam Accent			
 	J	 Flam Drag			
 	K	 Flam Paradiddle			
 	L	 Flam Paradiddle-diddle			
 	M	 Flam Tap			
 	N	 Flamacue			
 	O	 Inverted Flam Tap			
 	P	 Lesson 25			
 	Q	 Nine Stroke Roll			
 	R	 Paradiddle-diddle			
 	S	 Pataflafla			
 	T	 Ruff (drag)			
 	U	 Single Drag Tap			
 	V	 Single Dragadiddle			
 	W	 Single Flammed Mill			
 	X	 Single Paradiddle			
 	Y	 Single Ratamacue			
 	Z	 Swiss Army Triplet			
 	[	 Triple Paradiddle			
 	\	 Triple Ratamacue			
 	]	 Triple Stroke Roll
A

Z Swiss Army Triplet

45
Q

SNARE TECHNIQUE: When playing an unmetered roll at a soft dynamic level, will your roll speed be slower or faster?

    A	 slower			
 	B	 faster			
 	C	 the roll speed should be consistent for all volume levels

ABC Entrance Exam Study Questions (8 decks)

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