Silent Film - Sunrise Flashcards

1
Q

German Expressionism

A

A cinematic movement that emerged in 1910-20s Germany (Weimar Republic) amid the economic depression, hyperinflation, and humilation/shame of the German people post-WW1.

The films made in this movement reflect the cultural anxiety of the Germans under the Treaty of Versailles’ oppressive economic policies.

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2
Q

Features of German Expressionism

A
  • Expressionistic shadows​
  • Tilting, physically impossible sets ​
  • High angles and Dutch Angles​
  • Asymmetrical Cinematography​
  • Themes including madness, identity, guilt, violence and coercion ​
  • Chiaroscuro lighting​
  • ‘Helldunkel’​
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3
Q

Statistics concerning Economy of Germany post-WW1

A
  • Germany owed 132 billion gold marks (approx. $400 billion USD today)
  • A loaf of bread cost 250 marks in January 1923 -> 200 billion marks November 1923.
  • 20%-25% unemployment rate.
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4
Q

Marsh Scene Analysis for German Expressionism

A
  • Typical German Expressionist theme: The Woman from The City’s coercion of The Man to murder his wife.
  • Chiaroscuro lighting / Helldunkel aesthetic: The Man in the Marsh at night.
  • Boundary-pushing cinematography: tracking shot of The Man walking through the marsh, free-roaming camera movement.
  • Double-exposure effect / Montage of the chaos of the city, highly expressionistic.
  • Overlapping, dissonant score in montage of the city.
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5
Q

3 Other Examples of German Expressionism in ‘Sunrise’ (1927)

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6
Q

Sunrise as German Expressionist

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7
Q

Limitations / Issues with Sunrise as German Expressionist

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8
Q

Melodrama

A

One of two dominant film genres in Hollywood throughout the silent film er

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9
Q

Features of Melodrama

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10
Q

Wedding Scene Analysis for Melodrama

A
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11
Q

3 Other Examples of Melodrama in ‘Sunrise’ (1927)

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12
Q

Limitations / Issues with Sunrise as Melodramatic

A
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13
Q

Bazin’s Cinematic Realism

A
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14
Q

Features of Bazin’s Cinematic Realism

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15
Q

André Bazin Quotes

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16
Q

Link to Bazin’s Ideas

17
Q

Sunrise Context relating to Bazin’s Cinematic Realism

18
Q

Limitations / Issues with Sunrise as Bazin’s Cinematic Realism

19
Q

Expressionism

20
Q

Expressionism through Bazin’s Cinematic Realism

21
Q

Sunrise Context relating to Expressionism

22
Q

Limitations / Issues with Sunrise as Expressionistic