Silent Film - Sunrise Flashcards
German Expressionism
A cinematic movement that emerged in 1910-20s Germany (Weimar Republic) amid the economic depression, hyperinflation, and humilation/shame of the German people post-WW1.
The films made in this movement reflect the cultural anxiety of the Germans under the Treaty of Versailles’ oppressive economic policies.
Features of German Expressionism
- Expressionistic shadows
- Tilting, physically impossible sets
- High angles and Dutch Angles
- Asymmetrical Cinematography
- Themes including madness, identity, guilt, violence and coercion
- Chiaroscuro lighting
- ‘Helldunkel’
Statistics concerning Economy of Germany post-WW1
- Germany owed 132 billion gold marks (approx. $400 billion USD today)
- A loaf of bread cost 250 marks in January 1923 -> 200 billion marks November 1923.
- 20%-25% unemployment rate.
Marsh Scene Analysis for German Expressionism
- Typical German Expressionist theme: The Woman from The City’s coercion of The Man to murder his wife.
- Chiaroscuro lighting / Helldunkel aesthetic: The Man in the Marsh at night.
- Boundary-pushing cinematography: tracking shot of The Man walking through the marsh, free-roaming camera movement.
- Double-exposure effect / Montage of the chaos of the city, highly expressionistic.
- Overlapping, dissonant score in montage of the city.
3 Other Examples of German Expressionism in ‘Sunrise’ (1927)
Sunrise as German Expressionist
Limitations / Issues with Sunrise as German Expressionist
Melodrama
One of two dominant film genres in Hollywood throughout the silent film er
Features of Melodrama
Wedding Scene Analysis for Melodrama
3 Other Examples of Melodrama in ‘Sunrise’ (1927)
Limitations / Issues with Sunrise as Melodramatic
Bazin’s Cinematic Realism
Features of Bazin’s Cinematic Realism
André Bazin Quotes
Link to Bazin’s Ideas
Sunrise Context relating to Bazin’s Cinematic Realism
Limitations / Issues with Sunrise as Bazin’s Cinematic Realism
Expressionism
Expressionism through Bazin’s Cinematic Realism
Sunrise Context relating to Expressionism
Limitations / Issues with Sunrise as Expressionistic