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1
Q

‘a chair, a table, a lamp.’

A

life is repetitive - notices every detail

simple sentences reinforce monotony

little effort put into a room - she’s only a handmaid

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2
Q

’ they’ve removed anything you could tie a rope to’

A

no escape, not even though suicide

stripped of any personal autonomy

gilead regime was purposely designed for people to hate

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3
Q

‘folk art, archaic, made by women, in their spare time, from things that have no further use’

A

drawing parallels to art - implies that women are nothing more than a decorative sex

their role in society is almost pointless

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4
Q

‘waste not want not. i am not being wasted. why do i want?’

A

desire is illogical in gileadean ideology

wants change but doesn’t know what

brainwashes - deeply embedded ideology

atwood shows the dangers of oppressive regimes

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5
Q

’ i try not to think too much. like other things now, though must be rationed’

A

thought is restricted and impoverished by oppression

thinking is dangerous for women

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6
Q

‘the bell that measures time is ringing’

A

bells were seen as the voice of god

routine and oppression

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7
Q

‘red shoes, flat heeled to save the spine and not for dancing’

A

colour of sin and passion - danger in that society

birth/ infertility

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8
Q

‘black, for the commander, blue, for the commander’s wife, and the one assigned to me which is red’

A

status difference

black - authority

blue - royalty/ trapped by the patriarchy

unintellectual and repressive - colours categorise people, almost childlike

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9
Q

‘the tulips are red, a darker crimson’

A

emphasises vitality - women forcibly used as baby makers

garden - cultivated against natural inclination

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10
Q

‘the commander’s wife directs, pointing with her stick’

A

garden is the only thing she can control - almost pointless role in society

the garden is a metaphor for childrearing - once able to care for them

commander’s wife doesn’t care - directs someone else to do it

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11
Q

‘i am a reproach to her; and a necessity’

A

offred is disliked yet vital for change/ survival - dehumanises herself, shows her lack of self worth

serena only wants offred because she can give her a child

ironic, offred should be fearful of her superiors

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12
Q

‘the cigarettes must have come from the black market… and this gava me hope. even though there is no real money anymore, there’s still a black market’

A

still corruption in society despite the oppressive nature of the gilead regime

need to have access in order to buy things

offred only has her body to trade - illegal, trapped

hoping there’s a way to escape

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13
Q

‘hostile blue of a midsummer sky in bright sunlight, a blue that shuts you out’

A

misses warmth and happiness

contrasts the familiar summer sky - uncanny atmosphere

removed identity - restricted

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14
Q

‘an older sister, an motherly figure, someone who would understand and protect me’

A

longing for human connection

both offred and the commander’s wife are trapped in the system

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15
Q

‘voice of a monotone, voice of a doll’

A

pre programmed

no thoughts - lost identity

no freedom of speech in gilead

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16
Q

‘the woman sitting in front of me was serena joy. or had been, once. so it was worse than i thought’

A

no hope for change

the fact that she was powerful before and continues to conform to the gilead regime emphasises just how oppressive it is

17
Q

‘fertility of the soil’

A

all she’s conditioned to think about

pressure to think about maternity - still prevalent today

18
Q

‘his cap is tilted at a jaunty angle, and his sleeves rolled to the elbow, showing his forearms, tanned but with a stipple of dark hair. he has a cigarette stuck in the corner of his mouth, which shows that he too has something he can trade on the black market’

A

fixating on details - irregular behaviour and looks

rebellious - has something he can trade

19
Q

‘low status: he hasn’t been issued a woman, not even one. he doesn’t rate: some defect, lack of connections’

A

gilead takes arranged marriages to a new level

government decide how much action men get

20
Q

‘smells fishy, they used to say; or i smell a rat. misfit as odour’

A

not uniform like everyone else

21
Q

‘he winks’

A

not allowed to interact

22
Q

‘perhaps he is an eye’

A

first thought is that he’s a spy - how paranoid the regime has made offred

corruption of gilead

can’t trust anyone

extreme oppression

links to nazi germany

23
Q

‘this is supposed to be for our protection, though the notion is absurd; we are well protected already. the truth is that she is my spy as i am hers. if either of us slips through the net because of something that happens on our daily walks, the other will be accountable’

A

hypocrisy of women

paranoia - oppression of everyday life

doppelgangers - merging onto the same path

stripped of any identity

supposed to go on different paths

disconnection between names and people

24
Q

‘i’m ravenous for news, any kind of news, even if it’s false news, it must mean something’

A

desperate

boredom of life

cut of from the rest of the world

controlled thinking

25
Q

‘the republic of gilead, said aunt lydia, knows no bounds. gilead is within you’

A

no escape

part of the little identity they have - only thing that defines them

propaganda - controlling

nazi regime

26
Q

‘rules that were never spelled out that every woman knew’

A

unwritten rules

women never safe

atwood criticises the danger of women

27
Q

‘there is more than one kind of freedom. freedom to and freedom from. in the days of anarchy, it was freedom to. now you are being given freedom from. don’t underrate it’

A

protecting by controlling

for their own safety

manipulating the handmaids into thinking they’re lucky

28
Q

‘one of them is vastly pregnant, her belly loose under her garment, swells triumphantly… she’s a magic presence to us, an object of envy and desire’

A

jealous - pregnancy gives them status

idolised gileadean figure

rescue the from death

29
Q

‘we are fascinated, but also repelled. they seem undressed. it has taken so little time to change our minds about things like this’

A

dangers of regime

how quickly the handmaids have become conditioned

lost autonomy over how they dress

constant reminder of the past

30
Q

‘women’s feet. one of them is wearing open toed sandals, the toenails painted pink’

A

freedom - feet used to run/ walk - change

simple luxury she doesn’t have anymore

how little she has - feet are not a typically glamourised body part

31
Q

‘six more bodies hanging by the necks, their hands tied in front of them, their heads in white bags tipped sideways onto their shoulders’

A

warning to those who rebel

gilead is capable of killing

men have more power

begging

32
Q

‘the men wear white coats, like those worn by doctors or scientists’

A

don’t follow ideology - abortion

anti scientific establishment

33
Q

‘these bodies hanging on the wall are time travellers, anachronisms. they’ve come from the past’

A

no choice over their bodies

abortion doesn’t exist

oppression of women

34
Q

‘this may not seem ordinary to you now, but after a time it will. it will become ordinary’

A

nothing to rebel against if gilead is normal

how quickly people adapt to oppression

shows the dangers of extreme oppression