SFL Ch 3, 4, 1 Flashcards

0
Q

How genre signaled

A

Register configuration
Schematic structure
Realizational patterns

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1
Q

Genre

A

The cultural purpose of texts.
“A staged, goal-oriented, purposeful activity in which speakers engage as members of our culture”
“How things get done, when language is used to accomplish them”

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2
Q

Register configuration

A

Co-occurrence of particular contextual cluster

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3
Q

How genre comes about

A

As values for field, mode, and tenor regularly co-occur and eventually become stabilized in the culture as typical situations.

Ex: horoscope
Field - predicting romantic, material, and career events”
Tenor - advice and warning
Mode - direct address from writer to (generic) reader

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4
Q

Schematic structure & associated ideas

A

The staged, step-by-step organization of the genre
(From point A to B)
Bakhtin “recognize speech genres because they have predictable compositional structure” - ESP move & step?
“Constituent stages”
“Functional labeling”- formal & functional (p. 61)

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5
Q

Stages

A

Sentences or group of sentences which fulfill a function relative to whole; only call stage if can assign functional label

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6
Q

Generic structure potential vs actual generic structure

A

GSP: obligatory + optional
Actual

Genre defined in terms of obligatory elements

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7
Q

Realizations of elements of schematic structure

A

The way a meaning is encoded or expressed in a semiotic system.

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8
Q

How to determine stages

A

Look at lexico-grammar features

Ex. Recipe, different features in different stages

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9
Q

Firth & meaning in context

A

Given a description of a context we can predict what language will be used…and vice versa

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10
Q

Field

A

What the language is being used to talk about (topic)
(Technical/specialized - common sense/every day)
Ex. Bridge game , different situations , different texts
Experts (competitive players, beginners)

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11
Q

Mode

A

The role language is playing in the interaction (written spoken)

  • spatial / interpersonal distance & feedback possibility
  • experiential distance & social process (ex playing cards vs writing fiction)
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12
Q

Tenor

A

The role relationships between interactants
(Student/teacher, customer/sales, friend/ friend)
3 continua:
- power ( equal - unequal)
- contact (frequent - occasional)
- affective involvement (high - low)

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13
Q

Register
&
Register variables

A

Context of situation in text

Field, mode, tenor

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