SEPT 18 LT Flashcards

1
Q

Integrative Art (2)

A
  • two or more art forms to create more engaging and quality masterpieces
  • characterizes art today and has many forms.
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2
Q

Forms of Art (3)

A
  • Visual Arts
  • Literary Arts
  • Performance Arts
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3
Q

Visual Arts (2)

A
  • images, structures, and tactile works
  • painting, sculpture, and architecture (examples)
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4
Q

Literary Arts (Definition)

A

use of language

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5
Q

Literary Arts (3 Categories)

A
  • poetry
  • prose
  • drama
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6
Q

Poetry (4)

A
  • one of the oldest forms of literature
  • use imaginative and figurative language
  • [SONNET] : strict with rhymes and syllabic counts
  • [FREE VERSE] : contemporary poetry pieces now go beyond the limits of form and more and more writers dwell more into this
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7
Q

Prose (4)

A
  • not written in figurative language
  • usually written in complete and grammatical narratives
  • generally, it is a literary piece that is
    not poetry
  • short stories and novels
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8
Q

Drama (2)

A
  • written to be performed and not just read
  • people refer to dramas as plays
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9
Q

Performing Arts (5)

A
  • performance in front of an audience
  • requires a combination of different art forms
  • include dance, musicals, theaters, films, and TV shows
  • Literary art = material
  • Visual arts = stage design
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10
Q

Element in Art (Def. 2)

A
  • building blocks used to create art
  • evaluate the composition of art and better understand the artists’ choices and content.
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11
Q

Principle in Art (Def. 2)

A
  • combine various elements to create a better visual representation
  • device that makes the images more visually appealing
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12
Q

Elements of Art (6)

A
  • space
  • line
  • shape and form
  • color
  • value
  • texture

sl cvt sf

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13
Q

Principles of Art (7)

A
  • Scale and Proportion
  • Harmony
  • Variety
  • Movement
  • Rhythm
  • Balance
  • Emphasis & Subordination

SP ES HV RMB

sp ES have remember

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14
Q

Space (2)

A
  • pertains to emptiness
  • positive space or negative space
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15
Q

Positive space (2)

A
  • part that is enclosed in a shape
  • areas in a work of art that are the subjects, or areas of interest
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16
Q

Negative space (2)

A
  • opposite part that the shape is enclosing
  • area around the subjects, or areas of interest
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17
Q

Line (5)

A
  • a series of points that may have two characteristics:
  1. form (curved, dotted, or broken) CDB
  2. direction (vertical, horizontal, or diagonal) VHG
  • In theater, line pertains to the script
  • In dance, it is the routine of steps
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18
Q

Horizontal line

A

sense of motionless rest and peace

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19
Q

Vertical

A

tall and represent grandeur

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20
Q

Horizontal and vertical lines used together in a square or rectangular
shape

A

convey structure and represent stability

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21
Q

Diagonal lines

A

move the eye in a direction and indicate movement and fluidity

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22
Q

Shallow curves

A

relaxing

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23
Q

Deep curve lines

A

represent violence

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24
Q

A series of diagonal lines with abrupt changes of direction

A

give chaos to the design that puts off a sense of energy

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25
Q

Shape (2) and Form (2)

A

[SHAPE]

  • formed by connecting both ends of a line.
  • a two-dimensional figure with length and width

[FORM]

  • is three dimensional
  • has the same dimensions as a shape except with added depth and therefore does not feel flat
26
Q

Color (2)

A
  • when light bounces off an object and reaches our eyes, we perceive color

-may have lightness or darkness, or coolness or warmth

27
Q

Value (2)

A
  • visual arts = lightness or darkness
  • music = pitch (highness or lowness of a sound)
28
Q

Texture (2)

A
  • visual art = tactile or illusory surface of the piece
  • music = mood or quality of the composition.
29
Q

Scale and Proportion (2)

A
  • relationship of the elements
  • relative size of parts of a whole
30
Q

Harmony (2)

A
  • visual art = unity of the artwork, specifically in reference to the arrangement of its parts
  • music = simultaneous sounding or playing of different notes to produce a sound
31
Q

Variety (2)

A
  • refers to diversity
  • adding multiple elements to break the artwork’s monotony and make it more interesting
32
Q

Movement (2)

A
  • dance and theater =one of the fundamental principles
  • visual arts = an artwork has movement when it incorporates the passage of time, even in an illusory manner.
33
Q

Rhythm (3)

A
  • repetition of certain elements to produce a pattern
  • visual arts: repeated design elements may create a certain flow and lead the viewer’s eyes
  • music: this refers to the even distribution of notes
34
Q

Balance (4)

A
  • even distribution of elements.
  • two types of balance in visual arts:
  1. informal or asymmetrical
  2. formal or symmetrical
35
Q

Emphasis (1) and Subordination (2)

A

[EMPHASIS]

  • principle that may refer to the greater impact given on a certain element

[SUBORDINATION]

  • opposite of emphasis
  • refers to how certain elements supplement the emphasized elements in a design
36
Q

Informal balance or asymmetrical

A

when the designs are not equally distributed

37
Q

Formal balance or symmetrical

A

when the weight of the designs is equally distributed

38
Q

Precolonial Art (3)

A
  • art, for indigenous people, had social utility
  • integrated into communal services, such as planting and harvesting, weddings, funerals, and rites of passage
  • used in the daily lives of people. For instance
39
Q

Precolonial Art (RITUALS: 1) (5)

A
  • rituals are usually accompanied by their own musical instrument
  • kashawing ritual (Lake Lanao)
  • banog-banog (Higaonon and B’laan)
  • man-manok dance (Bagobos)
  • talip (Ifugao)
  • agung ensemble
40
Q

Kashawing ritual (4)

A
  • PC
  • Lake Lanao
  • prayer for abundance during harvesting season
  • reenactment of a legendary pact between ancestors and unseen spirits
41
Q

Man-manok dance (3)

A
  • pc
  • bagobos
  • imitates a bird’s movement
42
Q

talip (2)

A
  • pc
  • ifugao’s courtship ritual
43
Q

Agung ensemble (2)

A
  • pc
  • usually played and complemented with dances that imitate the movements of animals
44
Q

Precolonial Arts (Indigenous Art: 2) (2)

A
  • inspired by animism
  • created statues to symbolize their ancestors or the deities they worshipped
  • Bul-ul (Ifugao)
  • Okir (Southern Ph)
45
Q

Bul-ul (3)

A
  • pc
  • ifugao
  • represents their granary god
46
Q

Okir (3)

A
  • pc
  • southern ph
  • curvilinear decoration and is influenced by Indian and Islamic art
47
Q

Spanish Colonial Art (1.1 = 3)

A
  • spanish colonization brought catholicism
  • imposed western culture
  • gave rise to religious or Christian and folk arts
48
Q

Spanish Colonial Art (8)

A
  • santos and retablos
  • pasyon or pabasa
  • kundiman
  • balitao
  • sarsewela
  • senakulo
  • comedya
  • awit & korido (Iloilo, Pampanga, Ilocos,
    and Bicol) IIPB
49
Q

Santos and retablos (2)

A
  • sc
  • essential in rituals
50
Q

Pasyon or pabasa (2)

A
  • sc
  • a narration of Christ’s passion portrayed during the Lent season
51
Q

Sarsewela, Senakulo, Comedya (2)

A
  • sc
  • spanish theater
52
Q

Spanish Colonial Art (1.1 = 4)

A
  • rise of Hispanic baroque structure in the Philippines where:
  • towns were created in a structure of a plaza complex with a church at the center
  • Paintings focused on representing biblical characters and narratives
  • Music was used for liturgies, where worship became essential.
53
Q

American Colonial Art (Def. 2)

A
  • a mericans introduced the public education system in the Philippines
  • learners were required to learn English
54
Q

Dead Stars (3)

A
  • ac
  • Paz Marquez Benitez’s
    short story
  • marked the birth of modern Philippine literature in English
55
Q

American Colonial Art (3)

A
  • dead stars by Paz Marquez Benitez’s
  • Vaudeville or Bodabil
  • fernando amorsolo
56
Q

Japanese Colonial Art

A

The Japanese emphasized on nationalism, the effect of the war and repression on the Filipino people.

57
Q

Vaudeville or Bodabil (2)

A
  • ac
  • American popularized seculars in theater.
58
Q

Fernando Amorsolo (2)

A
  • ac
  • University of the Philippines (UP) was established, and the School of Fine Arts allowed Filipino artists, such as Fernando Amorsolo, to learn western techniques
59
Q

Contemporary Arts in the Philippines (4)

A
  • “New Society” (Marcos Regime)
  • CCCP (Cultural Center of the Philippines Complex)
  • Promethus Unbound by Jose Lacaba (Ruben Cuevas)
  • Social realism
60
Q

Contemporary Arts in the Philippines (1.1 = 4)

A
  • Culture and arts were given more focus in line with the vision of a “New Society” during the Marcos regime
  • Urban planning and architecture were highlighted (CCPC)
  • Social realism became the leading movement in response to martial law’s horrors.
  • Literary, visual, and performing arts were used to express dissent
61
Q

Prometheus Unbound (3)

A
  • ca
  • by Jose Lacaba (pen name is Ruben Cuevas)
  • revealed the hidden message “Marcos, Hitler, Diktador, Tuta,” a chant during protests
62
Q

Contemporary Arts in the Philippines (1.2 = 3)

A
  • When martial law was lifted, Filipinos were reintroduced to democracy
  • The newfound freedom paved the way for more diverse and expressive Filipino artworks.
  • Art has now become more about self-expression. With the rise of technology and the popularity of social media, Filipinos found more platforms and ways to express themselves, thereby continuously changing the art scene.