Semester 1 Exam Flashcards

1
Q

1 Apollo 11 Stones

A

(25,500- 25,300 BC)-dated by later of dirt found in Namibia

Charcoal on stone

Windhoek, Namibia

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2
Q

2 Great Hall of the Bulls

A

(15,000-13,000 BC)

Paleolithic Europe

Rock Painting

Lascaux, France

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3
Q

3 Camelid Sacrum

A

(14,000-17,000 BC)

Central Mexico

Bone

lost (no place of residence)

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4
Q

4 Running Horned Woman

A

(6,000-4,000 BC)

Algeria

Pigment on Rock

Tassili n’Ajjer, Algeria

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5
Q

5 Bushel with Ibex Motifs

A

(4,200- 3,500 BC)

Susa CUlture (Iran)- in burial mound

painted terra cotta

Paris, France

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6
Q

6 Anthropomophic Stele

A

(4000-3000 BC)

Ha’il, Saudi Arabia

Sculpted Stone

National Museum in Riyadh, Saudi Arabia

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7
Q

7 Jade Cong

A

(3,300- 2,200 BC)

Liangzhu Culture in the Yangtze River Delta of China (also make bi= round jade disc)

Carved Jade (must be sanded)

British Museum, London

-use unknown; always reclangle with cirlcular hole and horzontal striations

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8
Q

8 Stonehenge

A

(2,500-1,600 BC)

Wiltshire, UK–Neolithic Europe

Sandstone (each boulder 25 ft high and 25 tons)

related works: Ménec France, Zorats Karer

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9
Q

9 Ambum Stone

A

(1500 BC)- dated usinf foilage inside when broken in transport

Ambum Valley, Enga Province, Papua New Guine

stone carving (used as mortar and pestle)

Australia National Gallery, Canberra

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10
Q

10 Tlatilco female figurine

A

(1200–600 BC)

Tlatilco, Mesoamerica (present-day Mexico)- found in burail site

ceramic with traces of pigment

Princeton University Art Museum

  • typical female association: breasts and wide hips
  • emphasis on duality (shared body and eye)
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11
Q

11 Terracotta fragment

A

(1000 BC)

Lapita people; Santa Cruz Islands Polenesia

red-slip earthenware

University of Auckland

-you can see a face carved in

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12
Q

12 White Temple and its Ziggurat

A

(3517-3358 BC)

Uruk, Iraq (Sumerian)

Mudbrick

Warka, Iraq

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13
Q

13 The Palate of King Narmer

A

(3,000-2,920 BC)

Pre-Dynastic Egypt (Hierakonpolis, Egypt)

Greyware (sandstone and clay)

Egyptian Museum, Cairo

-used to grind pigments

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14
Q

14 The Votive Figures

A

(2700 BC)

Sumerian from the Square Temple at Eshnunna (Tell Asmar, Iraq)

gypsum alabaster, shell, black limestone, and bitumen

The Metropolitan Museum of Art (NY, NY)

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15
Q

15 Seated Scribe

A

(2620-2500 BC)

4th Dynasty, Old Kingdom Egypt

painted limestone with rock crystal, magnesite, and copper/arsenic inlay for the eyes

Musée du Louvre, Paris

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16
Q

16 Standard of Ur

A

(2600-2400 BC)

Royal Cemetery at Ur, Mesopotamia

shell, red limestone, lapis lazuli, and bitumen

British Museum, London

  • tells story of war and eveyday life on either side
  • buried next to a warrior
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17
Q

17 Great Pyramids of Giza and the Great Sphinx

A

(2551-2528 BC)

Giza, Egypt

50ton stone blocks

Giza

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18
Q

18 King Menkaura and Queen

A

(2490–2472 BC)

Menkaure’s Pyramid Giza, Egypt

greywacke

Museum of Fine Arts, Boston

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19
Q

19 The Law Code Stele of Hammurabi

A

(1792-1750 BC)

Babylon, Mesopotamia (Iraq)

Stele Carved; cuneiform inscribed

Louvre, Paris

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20
Q

20 Temple of Amun-Re and Hypostyle Hall

A

(2055-1650 BC)

18th and 19th Dynasties, New Kingdom

sandstone and mud brick

Luxor, Egypt

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21
Q

21 Mortuary Temple of Hatshepsut

A

(1479-1458 BC)

New Kingdom, Egypt

stone maonry

Deir el-Bahri, Egypt

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22
Q

22 Akhenaton, Nefertiti, and three daughters

A

(1350 BC)

New Kingdom, Amarna period, Egypt

limestone

Berlin, Germany

-new depiction of royalty in more soft, relatable sense

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23
Q

23 Tutankhamun’s tomb

A

(1323 BC)

New Kingdom, 18th Dynasty, Egypt

gold with inlay of enamel and semiprecious stones (form of a god)

Egyptian Museum, Cairo

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24
Q

24 Last judgment of Hu-Nefer, (Book of the Dead)

A

(1275 BC)

9th Dynasty, New Kingdom, Egypt

ink on papyrus

British Museum, London

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25
Q

25 Lamassu

A

(720-705 BC)

citadel of Sargon II, Dur Sharrukin (Khorsabad, Iraq)

Gypseous alabaster

Musée du Louvre, Paris

-have five legs; stoic front, welocoming side

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26
Q

27 Anavysos Kouros

A

(530 BC)

Greek

Marble

National Archaeological Museum, Athens

  • figure is still and unatrually stiff
  • statue of a dead kid
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27
Q

28 Peplos Kore

A

(530 BC)

Greek

Marble

Acropolis Museum, Athens

  • peplos= young woman
  • unrealistically stiff positioning of body
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28
Q

29 Sarcophagus of the Spouses

A

(520 BC)

Etruscan (Cerveteri, Italy)

painted terracotta

Museo Nazionale di Villa Giulia, Rome

-a couple lounging at a banquest, finly detailed

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29
Q

30 Audience Hall of Darius and Xeres (Persepolis)

A

(520-465 BC)

Achemedid Persia

limestone and mudbrick

Fars, Iran

  • is an apadana
  • lots of relief carving of military, etc
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30
Q

31 Temple of Minerva Sculpture of Apollo

A

(510-500 BC)

Etruscan

painted terra-cotta

Museo Nazionale di Villa Giulia, Rom

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31
Q

32 Tomb of the Triclinium

A

(470 BC)

Etruscan

frescos

Monterozzi necropolis of Tarquinia, Italy

-shows seens of a typical banquest: dancing, singing, eating ,etc

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32
Q

33 Niobides Krater

A

(460-450 BC)

Niobid Painter

red figure painting on clay

Musée du Louvre, Paris

-Apollo and Artemis killing Niobie’s children; other side= Heracles surrounded by Athena and heroes in arms

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33
Q

34 Doryphoros

A

(450-444 BC)

Greek Sculpture copied by Romans

original in bronze, copies in marble

Museo Archaeologico Nazionale, Naples

  • Elizabeth’s Boy
  • Canon: ideal form to strive to

mathmatical symmetry

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34
Q

35 Acropolis (two parts)

A

a)Parthenon

(447-432 BC)

Greek

Marble

Athens, Greece; some pieces in British Museum, London

  • two pediments depict birth of Athena and battle between Athena and Posiedon, procession of citizens on Athena’s birthday
    b) Victory adjusting her sandel, Temple of Athena Nike

(410 BC)

Greek

Marble

British Museum, London

-taking off sandal to step on sacred ground, important because of the counterbalance of figure

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35
Q

36 Grave Stele of Hegeso

A

(410 BC)

Greek, Post High Classical

marble and paint

National Archaeological Museum, Athens

  • essentially a grave stone
  • seated woman holding a pyxis (makeup box) with a maid standing next to her
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36
Q

37 Winged Victory of Samothrace

A

(190 BC)

Hellenistic Greece

marble

Musse de Louve, Paris

  • goddes protecting island of Samothrace
  • clothes look likt they are floeing in wind= high technique
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37
Q

38 Great Altar of Zeus and Athena at Pergamon

A

(200-150 BC)

Hellenistic Greek

Marble

Pergamon Museum, Berlin

-freeze is battle between giants and gods

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38
Q

39 House of the Vettii

A

creation date unknown preseved by 79 CE volcanic eruption

Roman

stone, bricks, and fresco

Pompeii, Italy

  • fourth style frescos show literacy of owner
  • two atriums= wealth of owner
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39
Q

40 Alexander Mosaic

A

(100 BC)

Roman

mosaic tile

House of the Faun, Pompeii, Italy

-tons of small pieces= more precise body form, etc

40
Q

41 Seated Boxer

A

(100 BC)

Hellenistic

bronze

Museo Nazionale Romano, Rome

-stray from typical Greek “perfect” form to express sorrow

41
Q

42 Head of a Roman Patrician

A

(75-50 BC)

Late Roman Republic

Marble

Palazzo Torlonia, Rome

-verism: realisti protrayal shows age and gavitas

42
Q

43 Augustus of Prima Porta

A

(1st century CE)

Roman

Marble

Vatican Museum

-breastplate depicts the Gods as they are on Augusts’ side

43
Q

44 Colosseum

A

(70-80 CE)

Roman

travertine and limestone

Rome, Italy

-for gladiatior fights and other entertainment

44
Q

45 Forum of Trajan

A

(112-113 CE)

Roman

concrete and brick (markets), carera marble (colum), marble and stone (forum)

Rome, Italy

  • colum depicts Trajan’s victory over the Dacians
  • first of this style of market, individual office fronts, two stories
  • lots of differnt colors of marble from around the world
45
Q

46 Pantheon

A

(27 BC-14AD)

Roman

concrete

Rome, Italy

  • large oculus dome is its defining feature
  • rebuilt three times
  • to celebrate military victory and all of the gods
46
Q

47 Ludovisi Battle Sarcophagus

A

(250-260 CE)

Romans

marble

Museo Nazionale Romano-Palazzo Altemps, Rome

  • Romans fighting the Goths
  • stray from typicall singlr figure or space betwwen figures, instead piled atop eachother
47
Q

48 Catacomb of Pricilla

A

(200-400 CE)

Christain Rome

carved tufa (bedrock) and paintings

Rome, Italy

  • 40,000 tombs (loculi)
  • lots of art, first depiction of maary and child?
48
Q

49 Santa Sabina

A

(432 CE)

Roman

crystalized gypsum, marble, mosaic tile

Aventine Hill, Rome

49
Q

50 Rebecca and Elizer at the Well and Jacob Wrestling the Angel

A

(500 CE)

Byzantine

tempera, gold and silver on purple vellum

Österreichische Nationalbibliothek, Vienna

-important picture curves instead of going straight

50
Q

51 San Vitale

A

(526-547 CE)

Byzantine

reused brick, marble, and mosaics

Ravenna, Italy

  • new style of cloumn capital unique to time
  • two important mosaics Justinian and Theodora
51
Q

52 The Hagia Sophia

A

(532-537 CE)

Byzantine

brick, gold, mosaic, fresco, plater

Istanbul, Turkey

  • Greek Orthodox-> Muslim ->Museum
  • debate over plastered over frescos and mosaics if they should be uncovered
52
Q

54 Merovingian Looped Fibula

A

(550 CE)

Frankish

silver gilt worked in filigree with inlaid garnet and other stones

Musée des Antiquities Nationales, Saint-Germain-en-Laye

-decorative jewelry

53
Q

55 Virgin and Child Between Saints Theodore and George

A

(600 CE)

Byzantine

Painting

St. Catherine’s Monastery, Sinai, Egypt

-all figures seem out of tune with viewer except baby Jesus

54
Q

55 Lindisfarne Gospels

A

(700 CE)

Hiberno-Saxon

ink on paper

British Library

  • large beginning letters= insular majiscule
  • cross carpet patterns
55
Q

56 Great Mosque of Córdoba

A

(572 CE)

Islam in Spain (Al-Andalus)

stone, mosaic, paint

Córdoba, Spain

  • mix of Roman, Visigoth, and Abbasid architecture
  • horseshoe arches
56
Q

57 Pyxis of al-Mughira

A

(969 CE)

Umayyad

ivory and jade

Musée du Louvre, Paris

  • ivory carving relatively new in islamic art at this point
  • pyxis= cosmetic box
57
Q

58 Church of Sainte-Foy

A

(1050–1130 CE)

Romanesque

sone, gold reliquary statue

Conques, France

  • pilgrimage destination
  • famous last judgement typmanum
  • once a monestary as well
58
Q

59 Bayeux Tapestry

A

(1070 CE)

Norman (French)

wool embroidery on cloth

Bayeux Museum

  • William the Conquerer’s conquest of England
  • scenes tell lots of culyute: battle gear, food prep/type, dining style, etc
59
Q

60 Chartes Cathedral

A

( 1145 and 1194 CE)

Gothic France

Stone

Chartres, France

  • Sancta Camisa, which is said to be the tunic of the Virgin Mary worn during Jesus Christ’s birth
  • sort of transition between Romanesque and Gothic
60
Q

61 Dedication Page with Blanche of Castille and King Louis IX

A

(1226-1234 CE)

Gothic Europe

gold foil and ink on paper

The Morgan Library and Museum (NY,NY)

-shows the king and his regent mother as well as a scribe and a priest

61
Q

62 Rottgen Pieta

A

(1300-1325 CE)

Middle Ages Europe

painted wood

Rheinisches Landesmuseum, Bonn, Germany

-first pieta to show Mary with look of sorrow

62
Q

63 Scrovengi Chapel

A

(1300-1303 CE)

Giotto (artist)

Marble, stone, fresco

Padua, Italy

  • frescos depict life of Jesus; new style peoples’ backs face you seems af if you are in secene
  • The Lamentation= important scene angels and people week over dead Christ
63
Q

64 Golden Haggadah

A

(1320 CE)

Spanish Jews

Gold foil and ink on paper

British Library

  • due to lack of use marks and extravagance for wealthy
  • narrates freedom of Jews from Egypt (to be read at passover)
  • influence of Christian art
64
Q

65 Alhambra

A

(1232-1492 CE)

Nasrid Dynasty Muslims in Spain

stone, mosaics, carving

Granada, Spain

-palace complex

65
Q

153 Chavín de Huántar

A

(900-200 BC)

Chavin culture

mudbrick and stone carving

Andean Peru

  • two temples
  • many carvings of god, Lanzon (Spear God)
66
Q

154 Mesa Verde Cliff Dwellings

A

(400-1300 CE)

Puebloan Peoiple (Anasazi)

Mudbrick

Mesa Verde National Park, Colorado, USA

-all housing groups have a Kiva (hole with fire pit and a ceremonial sipapu)

67
Q

155 Yaxchilán

A

(681 CE)

Mayan (Shield Jaguar II)

stone blocks and carved stone

Chipas, Mexico

-lintels= carvings; one of queen passing barbed rope through her tounge to let her blood

68
Q

156 Great Serpent Mounds

A

(1000-1650 CE)

Fort Ancient Culture

Mounded earth

Ohio River Valley (SE Adams County, Ohio)

-not burial mound but people buried near it

69
Q

157 Temple Mayor

A

(1375–1520 CE)

Aztec (Tenochtitlan)

Stucco

destroyed,ruins in Mexico City (smaller pieces found in museums in Mexico)

  • Huitzilopochtli Temple: sacrifice stone
  • Coyolxauhqui Stone: myth of Mexica patron goddess Huitzilopochtli
  • Calendar Stone
70
Q

158 Ruler’s Feather Headdress

A

(1428-1520 CE)

Aztec (Montezuma II)

Quetzal feathers, gold, beads

World Museum in Vienna

-disputes over where it should reside

71
Q

167 Conical tower and circular wall of Great Zimbabwe

A

(1000-1400 CE)

Shona people of Zimbabwe

stone bricks

Zimbabwe

-tower= cylo for grain

72
Q

168 Great Mosque of Djenné

A

(1200 CE) more adobe added each year

Sudano-Sahelian

adobe mudbrick

Djenné, Mali

73
Q

181 Petra Treasury and Great Temple

A

(100 CE)

Nabatean

Carved rock cliff

Petra, Jordan

  • Treasury, tombs, etc
  • hellenistioc influence in columns
74
Q

182 Bamiyan Buddhas

A

(500-600 CE)

Afghani Buddhists

Carved rock cliffs

Bamiyan Valley, Afghanistan

-first buddhas of this size/ not intended for circumambulation

75
Q

183 The Kaaba

A

(rebuilt 608 CE)

Abraham (allegedly)

granite masonry covered with a silk curtain with calligraphy made from silver and gold thread, and gold door

Mecca, Saudi Arabia

  • a new cover cloth is made evey year
  • Hajj: people journey to it
76
Q

184 Jowo Rinpoche

A

(600-650 CE)

Tibetain

gold, pearls. pigments, other stones

Jokhang Temple in Lhasa, Tibet

-said to be carved from a picture of buddah (only “real” depiction of him)

77
Q

185 Dome of the Rock

A

(685-691 CE)

Umayyad (Abd al-Malik)

gold, stone, mosaic

Jerusalem, Isreal

  • Important icscription on outside
  • rock said to place of Muhammud’s night flight (goes to heaven for a short period) and Abraham was set to sacrifice his son
78
Q

186 Great Mosque of Isfahan

A

(700-1900 CE)

Muslim (beginning with Seljuk Turks)

Stone, mosaic

Isfahan, Iran

-simple outside with extravagant and detailed interior

79
Q

187 Folio from a Qur’an

A

(750-1000 CE)

Muslim

gold and ink on paper

Morgan Library and Museum, NY,NY

-specific planning; each page 9 lines

80
Q

192 Great Stuppa Sanchi

A

(300 BC)

Ashoka

rammed earth and carved wood (lots of reliefs)

Sanch, India

  • said to house one of Buddah’s relics
  • built for circumambulation
81
Q

193 Terracotta Warriors

A

(221-206 BC)

Qin Dynasty CHina (Qin Shirhuangdi)

sculpted terracotta (clay and water)

Xi’an, China

-each soldier has individual face (over 8,000 in complex)

82
Q

194 Funeral banner of Lady Dai

A

(206 BC-220 CE)

Han Dynasty China

dyed silk

Hunan Provincial Museum, China

-first pictoral/portrait art in China

83
Q

195 Longmen Caves

A

(475-725 CE)

Northern Wei and Tang Dynast China

stone relief carving

Luoyang, China

  • style influenced by Bamiyan Buddha
  • from traditional to more stylistic depictions
84
Q

196 Gold and Jade Crown

A

(450-500 CE)

Silla Dynasty (Korea)

gold and jade

Gyeongju National Museum, Korea

-used for burial and ceremonial purposes

85
Q

197 Todai-Ji

A

(728-740 CE)

Emperor Shomu

bronze, gold, lacquered pillars, and a tile roof

Nara, Japan

-holds the Vairocana Buddha

86
Q

198 Borobudur Temple

A

(800 CE)

Śailendra Dynasty (architect= Gunadharma)

mounded earth (base to build upon), bricks

Java, Indonesia

  • 72 stuppas and 504 buddha statues
  • reliefs tell story of buddha teaching and following Dharma
  • tiers represent different classes of life
87
Q

199 Angkor Wat

A

(1100’s CE)

kingdom of Khmer (King Suryavarman II)

stone

Cambodia

  • Hindu
  • tiers= reincarnation levels
88
Q

200 Lakshmana Temple

A

(954 CE)

Chandella (King Yashovarman)

Stone

Madhya Pradesh, India

  • Hindu
  • tiering= different levels of reincarnation
  • Nagara style architecture; shrine known as vimana and a flat-roofed entry porch called mandapa
89
Q

201 Travelers among Mountains and Streams

A

(1000 CE)

Fan Kuan

ink on silk scroll

National Palace Museum, Taibei)

-social class division (lower class (herder)-> stream (seperation)-> middle class (hill and tmeple)-> fog (seperation) -> ruling class (mountain)

90
Q

202 Shiva as Lord of Dance

A

(10,000’s CE)

Chola Dynasty

copper alloy (bronze)

The Metropolitan Museum of Art, NY, NY

-shiva= destroyer

91
Q

203 Night Attack on the Sanjô Palace

A

(1400 CE)

Kamakura Period Japan

ink and water color on a scroll

Museum of Fine Arts, Boston

  • narrative (right to left); Fujiwara Nobuyori leads attack on Sanjo Palace
  • depersonalized fiures (lines for eyes)
92
Q

204 The David Vases

A

May 13, 1351

Yuan Dynasty China (Zhang Wenjin)

cobalt (from Iran=due to Mongol conquest) dyed porcelin

Bristish Museum, London

  • specifically for the alter of a Daoist temple in Xingyuan, China
  • earliest example of blue and white porcelin
93
Q

205 Portrait of Sin Sukju

A

(1417-75 CE)

Joseon dynasty Korea

ink and color on silk

Goryeong Sin Family Collection, Cheongwon

-verism: realistic depiction in face

94
Q

206 Forbidden City

A

(1420 CE; later continuously added to)

Ming and Quing China

Red walls with yellow tile roofs, gold, paintings, etc

Beijing, China

  • housed 24 emperors
  • inner (private) and outer (public) courts
  • yellow five toed dragon= symbol of emperor
95
Q

213 Nan Madol

A

(1180-1200 CE)

Saudeleur Dynasty

mainly coral, volcanic rock, and columnar basalt built upon pre-existing shallow coral flats

off coast of Pohnpei, Micronesia

  • place where the nobles could live and be watched over and thus kept in line
96
Q

214 Moai

A

(1200 CE)

Rapa Nui

most of volcanic tuff, 14 of basalt

Easter Island (far off Chile)

-face directly in towards where villages would be and their backs face directly to the ocean (“watching over” people)