Section B Flashcards
Main features of Chinese music (4)
Pentatonic scale
Pitch-bending
Ornamentation
Monophonic or heterophonic (if it is)
Main features of African music (7)
Emphasis on percussion instruments
Chorus singing
Syncopation
Ostinato
Call and response singing
Parallel harmony
Polyrhythm (mostly in drumming)
Main features of Arabic music (6)
Quarter-tones
Ornamentation
Small instrument group
Heterophonic
Short phrases
Melody uses small range of notes
Main features of Indonesian music (Gamalan) (4)
Use of metallophones and gongs
Heterophonic
Drums indicating tempo change
Lots of contrasting dynamics/tempo
Main features of Japanese music (7)
Heterophonic
Pitch bending
Through composed music
Variety of phrase lengths
Free metre
Small instrument number
Often no drums
Main features of Latin American music (6)
Syncopation
Homophonic
Regular phrase lengths
Fast tempo
Repetition
Melodic lines often in parallel 3rds or 6ths
Main features of Indian music (5)
Drone
Melody based on raga
Pitch bending
Improvisation
Ornamentation
Dizi
Chinese
Side-blown bamboo flute
Melody instrument
Erhu
Chinese
Bowed two-stringed vertical fiddle
Tuned a fifth apart
Pipa
Chinese
Plucked wooden lute
Sheng
Chinese
Blown wind instrument
Reed
Qin/Gu zheng
Chinese
Plucked zither
Yan qin
Chinese
Hammered zither
Guan
Chinese
Double reed wind instrument
Yunluo
Chinese
Set of gongs
Suona
Chinese
Double reeded horns
Chinese Gong
Chinese (obviously)
Big Gong
Djembe
African
Goblet drum played with bare hands
Talking drum
African
Hourglass shaped played with sticks
Pitch controlled by squeezing
Dundun
African
Played horizontally with sticks
Three types with different pitches
Kora
African
Plucked long-necked lute
Balafon
African
Wooden xylophone
Mbira
African
Held in hands and plucked
Metal tines on wooden board
Shekere
African
Shaken gourd with beads
Sakara
African
Hand-held drum with four sizes
Oud
Arabic
Plucked/strummed lute-like instrument
Arabic violin
Arabic (who would’ve guessed)
Literally just a violin
Qanun
Arabic
Plucked zither
Nay
Arabic
Blown flute
Also my bestie’s nickname <3
Riq
Arabic
Small tambourine
Buzuq
Arabic
Plucked metal-stringed lute
Rabab (Bowed)
Arabic
Bowed string instrument similar to Erhu
Rabab (Plucked)
Arabic
Plucked lute
To quote Mr Goldring, “Yes, there are two types of Rabab. Crazy, I know.”
Doumbek drum
Arabic
Played with fingers
Dum: played with right hand, bass
Tek: played with right hand, high
Ka: same as Tek but played with left hand
Maqamat
Arabic scales
Iqaat
Arabic rhythmic patterns
Ryuteki
Japan
Side-blown flute with a medium pitch
Sound is more “airy” than the Shakuhachi
Hichiriki
Japan
Double-reed instrument similar to the oboe
Sho
Japan
Reed instrument, modelled on the Chinese sheng although smaller in size
Biwa
Japan
A short-necked fretted lute derived from the pipa
Normally accompanies singing
Played with a wide wooden plectrum
Taiko
Japan
Drum lmao
Shakuhachi
Japan
An end-blown flute (like a recorder) made of bamboo
Mellow, full sound
Koto
Japan
A zither derived from the Chinese zheng
Plucked with plectrums worn on fingertips
Shamisen
Japan
3 stringed guitar-like instrument
Played using a plectrum
Used to accompany kabuki theatre
Charango
Latin America
Small Andean lute
Bandoneon
Latin America
A type of concertina
Squeezing and pressing keys
Panpipes
Latin America
Group of instruments based on the principle of the closed tube
Multiple pipes of gradually increasing length
you blow them LoL
Guitar
Latin America
Yes
Violin
Latin America
yes
Cajon
Latin America
It’s the box thing where you sit on it and hit it and it imitates drums
Rain stick
Latin America
stick where when you shake it it makes sounds like a rain lol
Saron
Indonesia
Metal bars resting on hollowed-out wooden cradles
Bars are hit with the mallet
Plays the main melody
Bonang
Indonesia
Two rows of Gongs over a wooden frame
Decorates the main tune
Gender
Indonesia
A metallophone hit with a mallet
Decorates tune
Gambang
Indonesia
A wooden xylophone hit with mallets
Gong Ageng
Indonesia
A gong played every 8 bars
Kempul
Indonesia
A set of pitched, hanging, knobbed gongs
Made of bronze, wood, and cords
Kendhang
Indonesia
The larger double headed drum
North Indian
Hindustani
Other North Indian that sOMEONE DIDN’T TEACH US
Rajasthan
Tanpura/tamboura
Indian (H)
Drone instrument
Long-necked four-stringed lute that is freely strummed
Sitar
Indian (H)
Plucked with a plectrum (called mizrab)
Long neck with curved, movable metal frets
Sarod
Indian (H)
Broad neck, fretless fingerboard with a metal sheet which player slides their left fingernails on
Plucked with a plectrum
Sarangi
Indian (H)
Unfretted bowed instrument
Usually for accompaniment
Bansuri
Indian (H)
Side-blown wooden flute
Tabla
Indian (H)
Small right hand drum and big left hand drum
Venu
Indian (K)
Side-blown flute
Veena
Indian (K)
Plucked string instrument
Indian Violin
Indian (K)
Strings tuned in octave pairs
Player sits cross-legged on floor and props the instrument between the shoulder and foot
Mridangam
Indian (K)
Double-headed drum
Low, woody tone
Ghatam
Indian (K)
Literally an upturned clay pot
Santur/Santoor
Indian (K)
Hammered dulcimer so like a smaller yangqin I guess
Plays the melody
Harmonium
Indian (K)
Keyboard instrument similar to organ
Player blows air through reeds
Hindustani Melody Instruments (7)
Sitar, sarod, sarangi, bansuri (santoor, veena, violin)
Rajasthan Melody Instruments (5)
Kamaicha, Sindhi sarangi, Murli, Shehnai, Algoza
Alap
First section of a raag performance
Free improvisation with no beat and only a drone
Jor
The second section
Music speeds up and gets a more steady beat
Jhala
Last section (occasionally the third)
Music is even faster
Bandish (don’t know if we need to know this term)
Third section?
Song
Drums come in, a pre-composed piece is played with added improvisations
Gat
Third section
Fixed composition elaborated with ornamentations and improvisation
Instruments only
Drums come in, a pre-composed piece is played with added improvisations
Drone
Long sustained note
Raga
Set of notes used (don’t put scale)
Tala/tal
The rhythmic cycle
Tintal/teental
Common type of tal
(4+4+4+4=16)
Rupak
Common type of tal
(3+2+2=7)
Kamaicha
Indian (R)
Hemispherical bowed lute
3 fretted playing strings
Sindhi sarangi
Indian (R)
Bowed fretted lute
Full octave higher than Kamaicha
Murli
Indian (R)
Double reed gourd flute
Shrill, nasal sound
Shehnai
Indian (R)
Double reed oboe
Algoza
Indian (R)
Double end-blown wood flute
Shorter plays melody, longer plays drone
Dholak
Indian (R)
Double-headed barrel drum
Khadtal
Indian (R)
Generic wooden clapper pair
Tihai
Rajasthan tal thing
Pattern repeated thrice
Signal end of section, 1st beat
Flourishing end on mudda/gur (first beat of the cycle)
Sargam
Names of 7 pitches in Indian scale