Sculpture, Photography, and Architecture During the Last Half of the 19th Cent. Flashcards

1
Q

Who is Auguste Rodin?

A

French Sculptor

used to be traditional; classicism (modern figures clad in classical clothes), romanticism (to elicit a supercharged emotional response–intense facial expressions; aggitation) relatively slick, highly finished; done in marble

Camille Claudelle-pupil of Rodin (lover)

gestural, agitated, broken stroke fashion in handling the bronze

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2
Q

What is this sculpture?

A

Auguste Rodin Burghers of Calais (1884-89)

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3
Q

Rodin analysis

A

real hisotical scene; Edward layed seize to city of Calais; everyone was starving; Edward offered to lay off seize if they send out six of the nobility to spare the city

existential situation of modern man; inability to communicate their dispair

render inner feelings through muscular tension

sculptor must learn to represent surface and allow that vibrates; hollows and mounds, not slick and smooth

most heroic commemorative sculptures are put above; you look up at them; Rodin made it close to the ground level to bring you into the scene

tendency towards abstraction, geometric simplification

broken surfaces–no smooth uninterrupted surfaces; all of little gouged surfaces; ridges that catch light

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4
Q

What is this?

A

Eadward Muybridge Galloping Horse (1878)

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5
Q

Muybridge analysis

A

stilling gait/galloping horse

stanford enlisted Muybridge to come to still gait of trotter to win bet taht all four hooves are off the ground

used fast shutter speed but had it altered because it was blurry

Muybridge killed man who wa sleeping with his wife; tried for murder but exonorated for crime of passion

set up 12 cameras with even faser shutter speed with rip wires to produce nonblury pictures five years later; gaits that we don’t normally see

30,000 negatives–animal locomotion; allowed for increased accuracy in anatomy and gait in painting and other works of art; invaluable aid to artists; would liberate artists to focus on the exact movements

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6
Q

What is this?

A

Fredrick Church George Eastman with a #2 Kodak Camera Aboard the SS Gallia (1890)

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7
Q

Church’s analysis

A

no longer large camera with glass film; small portable camera with film in a role (100 exposures)

don’t have to develop film–send in the whole camera and they would develop the film for you, make prints and they would send it back to you

portable photography and in the hands of the public

snapshots: instantaneous images of small elements of life

puts the camera in the hands of the masses

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8
Q

What is this?

A

Louis Sullivan Wainwright Building (1890)

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9
Q

Architecture in the First Half of the 19th Century

A

romanticism (longing for exotic, long ago, past, emotional response)

1851: engineers begin to determine what was architecture in the modern world

Crystal Palace out of caste plate glassto display artificats of Industrial revolution

walls no longer load bearing but skeletal structure of iron; would eventually use teel to support the building

Great Chicago fire–business district has to be rebuilt

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10
Q

Wainwright analysis:

A

build vertically instead of horizontally; made possible to by tesnile srength of steel; steel would inject air into fire; burn hotter, make steel faster

major building material of buildings

Chicago Style of Architecture

building not in terms of sprawl but vertically

would have zoning laws where you’d have to pay for airspace

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