schoenberg, basic info, short, premieres etc. Flashcards
op. 11 basic
1909, Mässig (at a moderate speed)
Mässig (at a moderate speed)
Bewegt (with motion)
-*op. 11, Richard Buhlig gave the first performance of op. 11
op. 19, basic
written 1911, -least complex - It was first performed on February 4, 1912, in Berlin, by Louis Closson. -6 movements. ing:
1Leicht, zart (Light, delicate) 2Langsam (Slow) 3Sehr langsame quarter note (Very slow quarter notes) 4Rasch, aber leicht (Brisk, but light) 5Etwas rasch (Somewhat brisk) 6Sehr langsam (Very slow)
op. 23 basic
two finished in 1920, these two premiered by eduard steuermann in 1920.
- use 12 tone rows.
- Sehr langsam
2. Sehr rasch
3. Langsam
4. Schwungvoll
5. Walzer (CA)
- Sehr langsam
op. 25 basic
-first work with 12 tone rows and mirror forms
-prelude is the earliest one.
-movements are strictly 12 tone.
-first performed by schoenberg’s pupil, eduard steuermann, in vienna on 1924.
Präludium (1921)
Gavotte (1923)
Musette (1923)
Intermezzo (1921–1923)
Menuett. Trio (1923)
Gigue (1923)
-all movements built upon the same row.
op. 33a basic
- strict 12 tone
- in one movement
- else C. Kraus premiered on 30 jan, in 1931, in berlin,
- Massig
op. 33b, basic
-published in 1932,
-Premeired by douglas thomson, in san fransisco’s new music society
II. Mässig langsam
aspects of schoenbergs style basic
- Wide interval melodies
- subtle rhythmic usage
drei klavierstucke(1894) basic
- andantino, 41 bars, a 3/8 pulse but notated in 2/4.
- andantino grazioso, 72 bars,
- presto, 101 bars, ,
op. 11, detailed
- Influenced by Brahms,
- extensions of the romantic character piece with a special kinship to brahms, but schonberg is already beginning to reject the classical principle of repetition in favor of continuos organic growth. Atonal no. 1 is powerful and expressive. no. 3 is the most involved and completely unpredictavble according to etablished principles.
detailed. op. 19
- 6th movement, in memory of Mahler,
- Written in a single day
- each piece has a form of its own, each is a combination of several new methods of writing. They all avoid thematic repetition,
- second has an ostinato on g-b.
- third piece has bitonality,
- these are much less ambitious than theop. 11, there isasd;lfajsd;flkj
- Six little piano pieces op. 19, 1911, least complex of the piano works, aphoristic miniatures held together by extreme brevity and concentrated psychological content. subtle fleeting sketches.
- Originally intended as 5 movement, piece, 6th movement written after mahler died.
detailedop. 23
no. 1, somewhat like a three part invention. no. 2 small three part form. no. 2 demonstrates various ways of using a short series as the basis for the whole piece. no. 5, walzer, employs for the first time, a twelve tone row as basis for both linear and vertical content of a composition, all pose difficult interpreative problems,
detailedop. 25
prelude, gavotte, musette, intermezzo, all movements are built on the same row. more complex treatment than he earlier works.
detailedop. 33a
op. 33a, more vertically structured than earlier works, sharp contrasts, both dramatic and lyrical, elaborate use of the row.
detailedop. 33b
-op. 33b, 1932, thinner texture than op. 33a, extended melodies, d both op. 33a and b are outstanding examples of twentieth century expressionism.
piano works were composed during crucial periods in his development.
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