schoenberg, basic info, short, premieres etc. Flashcards

1
Q

op. 11 basic

A

1909, Mässig (at a moderate speed)
Mässig (at a moderate speed)
Bewegt (with motion)
-*op. 11, Richard Buhlig gave the first performance of op. 11

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2
Q

op. 19, basic

A
written 1911, 
-least complex
- It was first performed on February 4, 1912, in Berlin, by Louis Closson.
-6 movements. 
ing:
1Leicht, zart (Light, delicate)
2Langsam (Slow)
3Sehr langsame quarter note (Very slow quarter notes)
4Rasch, aber leicht (Brisk, but light)
5Etwas rasch (Somewhat brisk)
6Sehr langsam (Very slow)
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3
Q

op. 23 basic

A

two finished in 1920, these two premiered by eduard steuermann in 1920.

  • use 12 tone rows.
    1. Sehr langsam
      2. Sehr rasch
      3. Langsam
      4. Schwungvoll
      5. Walzer (CA)
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4
Q

op. 25 basic

A

-first work with 12 tone rows and mirror forms
-prelude is the earliest one.
-movements are strictly 12 tone.
-first performed by schoenberg’s pupil, eduard steuermann, in vienna on 1924.
Präludium (1921)
Gavotte (1923)
Musette (1923)
Intermezzo (1921–1923)
Menuett. Trio (1923)
Gigue (1923)
-all movements built upon the same row.

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5
Q

op. 33a basic

A
  • strict 12 tone
  • in one movement
  • else C. Kraus premiered on 30 jan, in 1931, in berlin,
  • Massig
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6
Q

op. 33b, basic

A

-published in 1932,
-Premeired by douglas thomson, in san fransisco’s new music society
II. Mässig langsam

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7
Q

aspects of schoenbergs style basic

A
  • Wide interval melodies

- subtle rhythmic usage

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8
Q

drei klavierstucke(1894) basic

A
  1. andantino, 41 bars, a 3/8 pulse but notated in 2/4.
  2. andantino grazioso, 72 bars,
  3. presto, 101 bars, ,
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9
Q

op. 11, detailed

A
  • Influenced by Brahms,
  • extensions of the romantic character piece with a special kinship to brahms, but schonberg is already beginning to reject the classical principle of repetition in favor of continuos organic growth. Atonal no. 1 is powerful and expressive. no. 3 is the most involved and completely unpredictavble according to etablished principles.
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10
Q

detailed. op. 19

A
  • 6th movement, in memory of Mahler,
  • Written in a single day
  • each piece has a form of its own, each is a combination of several new methods of writing. They all avoid thematic repetition,
  • second has an ostinato on g-b.
  • third piece has bitonality,
  • these are much less ambitious than theop. 11, there isasd;lfajsd;flkj
  • Six little piano pieces op. 19, 1911, least complex of the piano works, aphoristic miniatures held together by extreme brevity and concentrated psychological content. subtle fleeting sketches.
  • Originally intended as 5 movement, piece, 6th movement written after mahler died.
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11
Q

detailedop. 23

A

no. 1, somewhat like a three part invention. no. 2 small three part form. no. 2 demonstrates various ways of using a short series as the basis for the whole piece. no. 5, walzer, employs for the first time, a twelve tone row as basis for both linear and vertical content of a composition, all pose difficult interpreative problems,

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12
Q

detailedop. 25

A

prelude, gavotte, musette, intermezzo, all movements are built on the same row. more complex treatment than he earlier works.

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13
Q

detailedop. 33a

A

op. 33a, more vertically structured than earlier works, sharp contrasts, both dramatic and lyrical, elaborate use of the row.

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14
Q

detailedop. 33b

A

-op. 33b, 1932, thinner texture than op. 33a, extended melodies, d both op. 33a and b are outstanding examples of twentieth century expressionism.

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15
Q

piano works were composed during crucial periods in his development.

A

afd

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16
Q

detaileddrei klavierstuck, 1894

A

andantino, 41 bars, a 3/8 pulse but notated in 2/4.
2. andantino grazioso, 72 bars,
3. presto, 101 bars,
post romantic techniques with strong brahms influence. more interesting than effective and yet there are some lovely sonorities in all three pieces.