Scene One Flashcards
The play’s exposition creates a gothic atmosphere (____) and consistent heir of instability with the _____ steps.
“atmosphere of decay”
“rickety”
Williams’ poetic stage directions show lyricism within his descriptions presenting a romanticised view of poverty, with the _____ sky reflecting the subtle beauty of the New America - an idea that is continued with the description of the _____ engulfing the scene.
“turquoise”
“blue piano”
Blanche speaks eloquently with lyrical construction, though her speech when interacting with other characters is much more _____ than her private soliliquies, presenting to the audience a secretive deceiving front as the reward of peace is most readily achieved with loneliness-the precarious position of ________, only exists, undisturbed, in solitude when the ___________ structures supporting it are obscured. Link to the ______, the beauty of its romanticism never existed in reality.
hasty
the Southern Belle
racist and classist
Old South
Blanche’s reliance on fantastical romanticism is reflective of the illusion necessary for the proliferation of Old Southern values, and her use of class as a weapon only becomes viable in the abstract- Old Southern values dissipated.
“Out there I suppose is the ghoul-haunted woodland of Weir!”
Lament for the moths- Williams uses the archetype of the moth in his creation of Blanche. Moths become attracted to the light, causing their eventual demise.
Williams actualises this both through Blanche’s fragile characterisation and her “white suit” costume seen immediately upon her entrance.
Facade, concealment of deceit and stark class divide. Lack of personal social progression renders her isolated among the culture.
“Her appearance is incongruous to the setting”
Perhaps by demonstrating her “white” costume to be contrasted with the New American setting, Williams is insisting that the Old South more intensely values ____ and that moral decay is rife among the ________ population.
purity
New American
Blanche’s desperation is reflective of the ruins of Old Southern society and their subsequent reliance upon lower classes.
“You’re all I’ve got in the world”
Blanche obscures her truth with drama demonstrating both her reluctance to disclose truths of her past and the romanticisation of events she conveys with her eloquence of speech- Old Southern concealment of moral bankruptcy with fragile beauty.
“The boy- the boy died”
Old South, reluctance to communicate with people of lower classes orchestrates downfall in the multicultural New America. (1)
“Plump as a little partridge”- Blanche fails to entertain the possibility for Stella’s pregnancy- fear of miscegenation.
Also reflected in Stanley’s interrogation of Blanche.
The fear of lower classes becoming powerful negates opportunity for acceptance of modern values- historical values provided unshakeable isolation and therefore protection from the threat of lower classes and the exposure of the detrimental effect upper classes had on the lives of the poor.
Generational discontentment at the class divide pulsing through the lower class.
Blanche’s comparative reticence in her interrogation by Stanley.
Stanley’s discursive dominance with repeated interrogatives “You going to shack up here?”
Stella no longer needs to conform to OS standards, indicated by her change.
“You’ve put on some weight”
Blanche’s reproach at Stella’s appearance demonstrates her stagnation in the past and her measurement of people against archaic standards- her devices for judgement are rendered obsolete and so her status in New American society is deconstructed.
She is rendered almost inferior to the lower class characters due to ignorance and inability to adapt.
“You’re as plump as a little partridge”
“I weigh what i weighed the summer you left Belle Reve”
Stella has adapted in body and mind, while Blanche has stagnated.
“I weigh what I weighed the summer you left Belle Reve”
Stanley relies on his dominion over women to dictate his position in society. Persistence of misogyny.
“among hens”