Scene 3 Flashcards

1
Q

game of chance - ideas of fate/destiny
‘American Dream’ - taking risks, everyone has a chance of success, winning = big rewards
synonymous with American culture
gendered space - male control and aggression

A

‘Poker’
ao3 - original title ‘The Poker Night’

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2
Q

expressionist painter - warped reality
painting itself mirrors the scene playing out - epitome of American culture
Van Gogh - mental health problems, committed suicide.

A

opening stage directions
“picture of Van Goghs of a billiard-parlour at night.”

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3
Q

surreal, intense dream-like atmosphere
mimics the expressionist painting - illusion, american culture
sensory image is to the point of discomfort

A

“lurid nocturnal brilliance”
“childhood’s spectrum”
“vivid green glass”
“primary colours”

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4
Q

acts as a foil for Blanche’s association with white and purity

A

“primary colours”

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5
Q

fast-paced, topic changes - fighting for dominance in the conversation
impulsive, reaction-based mentality - atmosphere is tense and unpredictable
hedonistic pursuit of enjoyment - Blanche and Stella have no place in it

A

male dialogue

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6
Q

appearance concerns revolving around cleanliness - wants to give off an air of purity

A

“hot and frazzled”

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7
Q

Blanche anticipates chivalry to which Stanley ensures she does not receive through his abrupt vernacular. Immediately after Mitch treats her in a gentlemanly manner - contrast, fits into Blanche’s southern cavalier ideals + fantasies

A

Blanche: “please don’t get up”
Stanley: “nobody’s going to get up”
followed by Mitch’s “awkward courtesy”

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8
Q

borderline predatory behaviours
sexualising herself
contradicting her earlier aversion to the light - inconsistency in her performance, glimpse of her true nature
links back to moth to a flame imagery

A

“certain interest”
“unbuttoning her blouse”
“in her pink silk brassiere and white skirt in the light”

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9
Q

social darwinism - values of the American Dream
Blanche’s inability to understand highlights class differences + ignorance to societal progression

A

“its a drive that he has”

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10
Q

Stella + Blanche commonality angers Stanley in his domain

A

“you hens cut out that conversation”

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11
Q

exerting his control over the space, trying to divide the genders

A

“jumps up”
“turns it off”
“jerks roughly at curtains to close them”

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12
Q

Scarlet woman motif - moved onto Mitch, juxtaposes her initial desire to detract attention from her
weaponizing her sexuality

A

“she has slipped on the dark red satin wrapper”

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13
Q

creating her damsel narrative - faking her vulnerability, nuance of Blanche’s personality - constantly contradicting herself
series of deceits reveals her to be manipulative and possessing antagonistic traits

A

“reading with feigned difficulty”

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14
Q

circus associations - bears in captivity for others entertainment
Blanche’s romantic idealism of Mitch isn’t reality - he isn’t suited to her world.

A

“moves in awkward imitation like a dancing bear”

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15
Q

ao3 - 1940s censorship

A

violence off stage

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16
Q

She goes back to Stanley - addicted to him, violence reignites their lust
drawn to what destroys her similar to Blanche
theme of human desire

A

“her eyes go blind with tenderness”
“low animal moans”

17
Q

cycle of abuse - it has happened before
Stella has chosen her side - audience lose faith of Stella ever understanding the detriment of her relationship

A

Eunice “like the last time”

18
Q

melodramatic idiosyncrasies
perhaps there is some truth in Blanche’s reliance on Mitch, but her dialogue is hyperbolised and performative
strategically playing the damsel in distress

A

“there’s so much - so much confusion in the world…”