scene 2 Flashcards

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1
Q

stage directions:

‘blanche is bathing’

A

recurring motif throughout the play

washing away sins

escapes to her fantasy world

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2
Q

stanley:

‘how about my supper, huh?’

A

gender roles

expects everything to be done for him

doesn’t want to go because it is an upper class restaurant and he is proud of his working class origin

old south

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3
Q

stella:

‘you’d better give me some money’

A

men in control of money

women have no way to escape from men

williams was a feminist

old south

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4
Q

stella:

‘stan, we’ve - lost belle reve!’

A

lost the old way of living

physical representation of the loss blanche has suffered, transforming the plantation into a symbol of death and decay as she vividly recollects her loss

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5
Q

stella:

‘don’t mention the baby. i haven’t said anything yet, i’m waiting until she gets in a quieter condition’

A

symbol of new beginnings - the new south

shows how unstable blanche is

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6
Q

stanley:

‘now let’s skip back a little bit to where you said he country place was disposed of’

A

materialistic

insensitive - typical, stereotypical man

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7
Q

stanley:

‘in the state of louisiana, we have the napoleonic code’

A

justify his feelings of entitlement toward stella’s inheritance.

in doing so, he shows that he is ignorant of legal technicalities, because belle reve, located in laurel, mississippi, wouldn’t fall under new orleans jurisdiction.

stanley’s repeated references to the napoleonic code highlight the fact that his conflict with blanche is also a gender showdown.

stanley’s greed reveals his misogyny, or woman-hating tendencies. as a man, stanley feels that what stella has belongs to him.

hates blanche as a woman and as a person with a more prestigious family name, and therefore suspects that blanche’s business dealings have been dishonest.

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8
Q

stella:

‘you don’t know how ridiculous you are being when you suggest that my sister or I or anyone of our family could have perpetrated a swindle on anyone else’

A

family honour and loyalty

important

subversion of stereotypes - usually men’s job

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9
Q

stanley:

‘genuine fox fur-pieces, a half a mile long! where are your fox-pieces, stella? bushy snow-white ones, no less! where are your white fox-pieces?’

A

enraged by the fact that blanche, a woman, is living better off then himself.

repetition of the same question incites his anger not just towards blanche but to stella - tries to make her feel bad about herself not having “white fox-pieces”

narrative enigma to audience of stanley’s true intentions, is he with her for her inheritance or love?

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10
Q

stage directions:

‘fist full of costume jewellery’

A

putting on an act

trying to make her fantasy seem a reality

not real jewellery

superficial and fake personality

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11
Q

stanley:

‘what’s rhinestone?’

A

the interrogative sentence displays stanley’s ignorance when trying to blame blanche (not worth as much as it seems).

stanley’s resentment grows as stella mocks him for his ignorance ‘next door to glass’.

also highlights the class difference between them as he is unable to differentiate between these materials.

symbolise pleasure and short duration

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12
Q

stanley:

‘since when do you give me orders?’

A

wants control

conforming to stereotypes

clash between men and women

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13
Q

blanche:

‘life is too full of evasions and ambiguities, i think. i like an artist who paints in strong, bold colours, primary colours. i don’t like pinks and creams and wishy washy people’

A

describing how important it is to her that people be bold, she is actually attempting to flatter stanley, as she knows that this is the kind of person he is.

in reality, the colours here represent blanche’s manipulative nature and her control over men.

reference of an “artist” could allude to her husband, enveloping her grief

the semantic field of the verbs ‘strong’ and ‘bold’ are contradictory to the fact that she must avoid a ‘strong light,’ - the reader is able to break through her illusion and lies, further revealing the extent of her fragility. the repetition of “colours” makes her seem mentally unstable, almost as if her thoughts are cyclical as she is lost in her fantasy.

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14
Q

blanche:

‘honey, do me a favour. run to the drug store and get me a lemon coke with plenty of chipped ice in it! - will you do that for me, sweetie?

A

infantilising stella

patronising

telling her to go away

controlling nature

lemon symbolises a bitterness, but also love and fertility - blanche is bitter towards love, sexuality and fertility - she wishes her life had turned out differently

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15
Q

blanche:

‘she doesn’t understand you as well as i do’

A

blanche knows men like stanley - knows what they’re really about

stella doesn’t - in love with him so can’t see his flaws

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16
Q

blanche:

‘these are love letters, yellowing with antiquity, all from one boy’

A

old - past

yellow is a symbol of mental illness

youthful colour- stuck in the past

progressively corrupting idea of what love is

shows the downfall of the upper class, as all that is left of blanche’s love is these letters, which are disappearing like a vapor and a mist.

17
Q

blanche:

‘the touch of your hands insult them!’

A

ruins purity - not clean enough, working class

doesn’t want her romantic depiction of the past to be tainted by corruption of the present

18
Q

blanche:

‘i hurt him the way you would like to hurt me, but you can’t! i’m not young and vulnerable anymore’

A

wants to act naïve - not naïve , juxtaposition between her and her husband

abusive

dangerous

recognition of stanley’s deepest desires to hurt her, however she underestimates his ability.

19
Q

stanley:

‘i want no if, ands or buts!’

A

controlling

wants to know

machismo male

20
Q

blanche:

‘our improvident grandfathers and father and uncles and brothers exchanged the land for their epic fornications’

A

having sex outside marriage - why they gave up their land

couldn’t resist their desire

had to pay the price -generations of old south money lost of trivial pursuits such as gambling

21
Q

blanche:

‘yes - i was flirting with your husband stella’

A

lacks boundaries - reflects her mental state

knows she shouldn’t do it

he only way she knows how to communicate with men is through flirting, as all her life men have viewed her by sexual means and have therefore initiated conversation through flirting.

in this way, blanche is seen as similar to stanley as he only ever views women through sexual classifications

22
Q

blanche:

‘maybe he’s what we need to mix with our blood now that we’ve lost belle reve’

A

embrace the new south

that her and stella do not belong to the southern elite anymore- trying to convince her sister to leave stanley and live a better and more free life