Scene 1 Flashcards
Muriel: Oh, but really-
I don’t know what good it will do us, but there he is.
Marge: Of course it’s important. He may be here longer this time.
So what he’ll do is brush us off again.
Tony: Are you sure it’s Mr. Kenny?
No one but a producer could look that much like an undertaker
Marge: He’s back. He’s downstairs. His door was open and we saw him.
That’s about as close as we’ll ever get to him.
George: If we had a saw-
No, George- we could not saw through the floor.
George: Gosh- I could spit right on him.
Well- don’t
Marge: In his office they said he wouldn’t be back for weeks, and they weren’t doing any casting for months.
You’re lucky that blonde witch didn’t tell you to come back in 1945
Norman: Don’t be bitter pet
Why not I think it’s a crime when you have to pull stunts like this to see a producer
Muriel: Oh- are you all actors?
Who is that
Muriel: I think you’re all horrid
All right kids that’s your exit cue. Now beat it and leave the girl alone.
George: That’s gratitude for you. After we tried to help her too
You might start getting supper ready
Norman: Come one I’ll help you. Nothing would get done around here if I didn’t tend to it
You mustn’t mind them
Muriel: I think they’re all crazy
No- they’re actors
Muriel: I don’t know what Dottie’s father would think-
Dottie’s father- Oh- you’re a friend of Dottie’s. We’re always delighted to see any friend of hers. Can I take your things
Muriel: No thank you
You know- I still don’t know your name. I’m Kate Ault
Muriel: I saw Dottie’s father yesterday, and he didn’t know anything about this
About what?
Muriel: Well- those three boys are certainly rude
No they’re not. They’re just scared. So am I. We try to cover it up
Muriel: what is there to be scared of
Oh- that we’re not as good as we think we are. That somewhere, sometime, somebody might do a play that has the part for us in it, and we won’t be there to get it
Muriel: But there are so many parts-
There’s a lot of us too. I think that’s what we’re most scared of- that we’ll find out we just don’t belong
Muriel: But why do you live here like this?
Well we found out Arthur Kenny, the producer, lived downstairs, and we wanted to meet him-
Muriel: Why does a big producer like Mr. Kenny want to live in a cheap place like this?
He thinks it’s lucky. He lived here when he produced his hit.
Muriel: Well, all I can say, it’s a funny way to get jobs
Walter Huston said “If you can’t get into the theatre by beating on closed doors with your first, use your head”
Muriel: Why is it any better to beat on a door with your head?
I wouldn’t worry about it if I were you. Our heads are pretty hard.
Dottie: Kate guess what
Youve got a job
Dottie: Where is everyone?
They’re out in the kitchen. Hey, kids, Dottie’s got some news.
Dottie: No it isn’t that
Don’t tell me you brought steak
Tony: Dottie I said a friend of mine
Look- if you two are going, you’d better go now. Because don’t forget, we’re going to rehearse tonight Dottie
Dottie: Why don’t I stop by and ask him tonight
No Dottie- Not tonight, and not you- ever
Dottie: Well I’ll try to think of something. That won’t hurt will it
I don’t know Dottie, it might
Muriel: I’m not sure she ought to come back at all. If Mr. Coburn knew about this-
But he doesn’t know
Muriel: I said if he knew- he’d be terribly upset
But he’s not going to know- is he dear?
Marge: That girl could make plenty of trouble if she wanted to
And I think she wants to
George: There’s no use worrying about it. I’m going out to divide that extra hamburger
Oh no not by yourself you’re not
George: I’m so hungry I could eat a horse
Don’t say things like that!
Norman: You’ll eat hamburger and you’ll like it
I always say that theatre is so glamorous
Norman: It seems my voice was too light and too heavy and too smooth and too rough
I wasn’t the type in sixteen offices today
Marge: You mustn’t talk like that
Why not, it’s what we’d all do if we had any sense
Marge: Doesn’t it mean anything to you that Mr. Kenny’s back
Yeah- it means I’ll get thrown out of his office tomorrow
Norman: We’re actors and we’re going to be good ones too
If anybody will give us a chance
George: At least we can eat now
Norman will you say grace
Marge: Yes.
What’ll we do
Dottie: Daddy’s coming right over
That’s just lovely
Marge: How could he?
What about Muriel
Norman: I’d feel a lot better if we could gag Dottie
I’ll watch every move she makes
Marge: I’ll make sure
These towels put them in
Dottie: Can’t girls use towels
Not when they’re marked with YMCA
Marge: How’d he get here so fast?
It couldn’t be-
Marge: Dottie
No she shouldn’t be doing anything. Marge go ahead. Now Dottie we want your father to know you’re happy. So try to look happy
Norman: She’s had a terrible shock
So have I
Norman: The accident he was in when he was rushing to the bedside of his dying brother- Stanislavsky
Yes Mr. Coburn’s brother in Oklahoma
Dottie: No
You see, she’s still delirious. Believe me Mrs. Garnet it was awful
Mrs. Garnet: Heavens how horrible. Of course she’s upset
Naturally we had to send him the money right away
Marge: That’s better
Dottie remember to think before you speak. And if possible don’t speak
Coburn: How do you do. Does Miss Coburn live here
Yes. Won’t you come in?
Dottie: No we didn’t expect you at all. We just had time to get the boys
Dottie! Uh don’t you think you ought to introduce us?
Dottie: Of course. This is Kate Ault
I’m so glad to know you
Marge: Oh uh Kate
Yes of course! Those are the names of the people who lived here before we moved in
Marge: We should have thought of that
We certainly should have
Coburn: I could easily send you girls some furniture. We have an attic full
Oh no. No. This is just what we want. It gives us plenty of room to rehearse