Sake Filtration & Fining Flashcards

Understanding Sake: Explaining Style & Quality Chapters 13 & 14

1
Q

What are the objectives of the brewer at when considering the addition of jōzō alcohol and the filtration process?

A
  • stop the fermentation at the required level of alcohol and sugar
  • ensure desirable components get into the sake
  • ensure undesirable components stay behind
  • extract as much sake as is appropriate for the style being produced
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2
Q

What are the additions that can be made to a sake after filtration?

A

Only water.

All other additions must be made before filtration.

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3
Q

What is jōzō alcohol made from?

A

It can be made from rice and locally made, but is often made from molasses and grains, and imported from Brazil.

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4
Q

At what abv is the jōzō added to the sake?

A

30-40% abv

It’s purchased at 95% and watered back

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5
Q

How much jōzō can be added to premium sake?

A

No more than 10% of the volume

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6
Q

How much jōzō can be added to futsū-shu?

A

No more than 50% of the volume (including any other additions)

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7
Q

Why would a brewer decide to add jōzō to his premium sake?

A
  • better extraction of aromas and flavours which are more soluble in alcohol than water and don’t remain in the rice solids
  • lighter palate profile - lower sugar, umami, acidity, body
  • shorter more cleansing, crisp kire finish
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8
Q

What is the ‘fourth addition’?

A

A method to adjust the sweetness of a sake.
Kōji is added to steamed rice and water. The enzymes convert starch to sugar without fermentation occurring and the liquid is added to the sake to create the desired balance.

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9
Q

What are the three main methods of filtration?

A
  • Yabuta-shibori or Assakuki (mechanised modern system)
  • Funa-shibori (traditional press, sake in cloth bags)
  • Fukuro-shibori (drip separation)
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10
Q

Is filtration used for all sake?

A

Yes - a legal requirement

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11
Q

Is filtration used for nigori sake?

A

Yes - a legal requirement

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12
Q

What are the benefits of yabuta-shibori?

A
  • efficient extraction of large amounts of liquid
  • short filtration time - just a few hours
  • pressure can be adjusted for different types of sake so suited to both futsū-shu and daiginjō.
  • minimise oxidisation
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13
Q

How long does funa-shibori take?

A

2 days

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14
Q

What are the benefits and disadvantages of funa-shibori?

A
  • slow and gentle pressing gives fine texture
  • small scale allows for precise separation of fractions
  • takes 2 days
  • risk of oxidisation
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15
Q

What are the benefits and disadvantages of fukuro-shibori?

A
  • even gentler and finer than funa-shibori
  • suited to the ultra-premium and competition sake
  • slowest method and can only be done on a small scale
  • highly labour intensive and time consuming
  • very inefficient - the remaining kasu is usually refiltered in a yabuta.
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16
Q

What are the three filtration fractions?

A
  • arabashiri
  • naka-gumi
  • seme
17
Q

What is arabashiri?

A

The free-run liquid from the sake filter.

Lively, with dissolved CO2 and can be cloudy and rough-textured

18
Q

What is naka-gumi?

A

The best fraction of the filtration.

Silky texture and pure aromas

19
Q

What is seme?

A

The final fraction of the filtration.
Coarsely textured with less aromatic freshness. Possible astringency and bitterness.
Usually blended away in less expensive sake

20
Q

What are the factors that influence the kasu-buai?

A
  • fermentation technique (higher temperature is more efficient with more dissolved rice so lower kasu-buai, lower temperatures are less efficient)
  • filtration techniques (yabuta-shibori more efficient than funa- or fukuro-shibori)
21
Q

What is the typical kasu-buai of a daiginjō?

A

40-60%

22
Q

What is the typical kasu-buai of a futsū-shu?

A

below 30%

23
Q

What types of fining can be done to a sake?

A
  • sedimentation (natural settling)
  • protein fining (to prevent protein haze)
  • charcoal fining (to remove colour and undesirable aromas)
  • final filtration (to remove yeast and bacteria)
24
Q

What are the advantages and disadvantages of charcoal fining?

A
  • remove colour
  • remove undesirable aromas
  • slows the ageing of the sake
  • can make the sake thin and characterless
  • in extreme cases the carbon can be tasted
25
Q

What is hi-ire?

A

Pasteurisation

26
Q

Why isn’t sulphur dioxide used as a sake preservative?

A
  • SO2 depends on acidity to be affective (sake much lower in acidity than wine)
  • sake cannot legally have preservatives added
27
Q

What is the most problematic spoilage bacteria?

A

Hi-ochi kin

28
Q

What is hi-ochi kin?

A

Lactic acid spoilage bacteria.
Produces off-aromas, cloudiness and oxidisation
Can be prevented by ultra-fine filtration but usually pasteurisation

29
Q

At what temperature is the sake heated to during pasteurisation?

A

60-65°C

30
Q

When can the sake be pasteurised?

A
  • in bulk, after filtration but before bulk storage
  • in bottle (a gentle technique used for ginjō)
  • both!
31
Q

What is nama-chozō?

A

A sake pasteurised once, after storage in bulk.

32
Q

What is nama-zume?

A

A sake pasteurised once, before storage in bulk and bottled without a second pasteurisation

33
Q

What is ‘once-pasteurised’?

A

A sake pasteurised just once, after bottling.

34
Q

How long is sake stored for before release? Why?

A

Six to twelve months

After pasteurisation, the sake can have an unrefined taste.

35
Q

What type of blending is used for sake?

A
  • different polishing rates
  • different rice types
  • different yeast types
  • different press fractions
  • different ages or storage methods
  • higher and lower amounts of sake lees for nigori