Romeo & Juliet Flashcards

1
Q

Fate: “From forth the fatal … of these two … A pair of … crossed lovers take their …”

A

“From forth the fatal lions of these two foes A pair of star crossed lovers take their life”

“Star crossed” - their fate has been pre determined, they were meant to be together and die together, Elizabethan belief in the supernatural
Alliteration of f - draw attention to the word “fatal” - primacy effect used to make us focus on the role of fate in the play
Foes and lovers are close together - shows how conflicted they will be by the relationship and a battle in their minds
“Star-crossed” means “opposed by the stars.” In Shakespeare’s day as in ours, some people believed that the course of your life was determined by the motion and position of the stars
Their births and deaths are described in the same short phrase, which again suggests that their deaths were fated from the moment they were born

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2
Q

Romeo: “So shows a … dove trooping with …”

A

“So shows a snowy dove trooping with crows”

“Snowy dove” - symbolises Juliet
“Dove” and “crow” contrast - emphasises the difference between Juliet and the other girls
“Dove” - relates to God and the Holy Spirit - Elizabethan society was very religious so Romeo comparing Juliet to the Holy Spirit may be blasphemous
Shakespeare may be trying to show that love takes over the role of God or the belief in God

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3
Q

Romeo: “O … love, O … hate, / O any thing of … first …!”

A

“O brawling love, O loving hate, / O any thing of nothing first create!”

Use of oxymorons highlights the ineffable quality of love: it’s full of contradiction and does not make sense
This speech is 13 lines - an imperfect sonnet this reflects the idea that Romeo’s experience with love is incomplete and flawed
There are irregular rhyming couplets in this section indicates the unpredictable nature of love, this section highlights Romeo’s role as the Petrarchan lover - suffers from unrequited love

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4
Q

Romeo: “O, I am … fool.”

A

“O, I am fortune’s fool.”

This is a simple sentence - underlines Romeo’s subjugation to “fortune”
Romeo makes himself an object “fortunes fool”, which communicates his passive stance on life and his inability to accept responsibility for his actions
“Fortune” was perceived as a woman during the Elizabethan era, this “fortune” may also refer to Juliet in this instance

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5
Q

Romeo: “Away to …, respective …, / And fire-ey’d … be my … now!”

A

“Away to heaven, respective lenity, / And fire-ey’d fury be my conduct now!”

Fricatives of “fire eye’d fury” accentuate the harshness of the dialogue
Juxtaposition of “heaven” with descriptions of hell “fire eye’d fury” to emphasise the conflict between mercy and revenge
He is denying religion - context: ultra religious Elizabethan society
He is letting evil take over his body

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6
Q

Romeo: “Under … heavy … do I sink.”

A

“Under love’s heavy burden do I sink.”

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7
Q

Romeo: “With … light … did I o’er-perch these …”

A

“With love’s light wings did I o’er-perch these walls”

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8
Q

Juliet: “when he shall …, Take him and … him out in little …”

A

“when he shall die, Take him and cut him out in little stars”

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9
Q

Romeo: “it is the …, and Juliet is the ….”

A

“It is the east, and Juliet is the sun.”

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10
Q

Juliet: “Come, gentle … […] Give me my …”

A

“Come, gentle night […] Give me my Romeo”

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11
Q

Mercutio: “O calm, …, vile …!”

A

“O calm, dishonourable, vile submission!”

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12
Q

Tybalt: “Peace! I … the word / As I hate …, all … and thee”

A

“Peace! I hate the word / As I hate hell, all Montagues and thee”

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13
Q

Friar Laurence: “households … to pure …”

A

“households rancour to pure love”

Doesn’t actually go like this, goes from rancour to death - marriage + rancour = death
It not happening like this shows that love and death overpower God - friar Laurence is connected to God, so what he says, God thinks - God gets it wrong - not as powerful and omniscient as thought
Church seems wise but isn’t??
Hatred will always overpower God and love - no matter what, hatred has negative consequences - death

Shakespeare critiques church - leaning into the belief in fate

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14
Q

Nurse: “You are to …, my …, to rate her so”

A

“You are to blame, my lord, to rate her so”

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15
Q

Prince: “Three civil …, bred of an … word”

A

“Three civil brawls, bred of an airy word”

Air - has oxygen, so the brawls live off one word OR saying it’s light and petty

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16
Q

Juliet: “It is too …, too …, too sudden, too like the …”

A

“It is too rash, too unadvised, too sudden, too like the lightning”

17
Q

Capulet: “My will to her … is but a …”

A

“My will to her consent is but a part”

18
Q

Friar Laurence: “young … love then … Not … in their …, but in their …”

A

“young men’s love then lies Not truly in their hearts, but in their eyes.”

19
Q

Juliet: “Do not … by the …, for she … constantly.”

A

“Do not swear by the moon, for she changes constantly.”

20
Q

Mercutio: “A … o’ both your …”

A

“A plague o’ both your houses.”

21
Q

Lord Capulet: “Hang, …, starve, … in the …”

A

“Hang, beg, starve, die in the streets.”

Hang = punishment done for treason to peasants, beheading was for royalty

22
Q

Lord Capulet: “My … is but a … in the world.”

A

“My child is but a stranger in the world.”

23
Q

Lord Capulet: “Hang thee, young …, … wretch!”

A

“Hang thee, young baggage, disobedient wretch!”

24
Q

Lady Capulet: “This sight of … is as a … that warns my old age to a ….”

A

“This sight of death is as a bell that warns my old age to a sepulchre.”

25
Q

Nurse (about Paris): ‘‘he’s a man of …’’

A

“he’s a man of wax’’

26
Q

Prince: “You …, that quench the fire of your … rage with … fountains issuing from your ….”

A

“You beasts, that quench the fire of your pernicious rage with purple fountains issuing from your veins.”

27
Q

Prologue: “where civil … makes civil … unclean”

A

“where civil blood makes civil hands unclean”

28
Q

Juliet: “My … is as boundless as the …, my love as …”

A

“My bounty is as boundless as the sea, my love as deep.”

29
Q

Friar Lawrence: “These violent … have violent … and in their … die, like … and powder.”

A

“These violent delights have violent ends and in their triumph die, like fire and powder.”

30
Q

Juliet: “O … dagger.”

A

“O happy dagger.”

31
Q

Juliet: “That which we call a … by any other … would smell as …”

A

“That which we call a rose by any other name would smell as sweet.”

32
Q

Nurse: “I think you are … in this … match, For it … your first” “Your first is …”

A

“I think you are happy in this second match, For it excels your first” “Your first is dead”

33
Q

Lady capulet: “Nurse, where’s my …? Call her … to me.”

A

“Nurse, where’s my daughter? Call her forth to me.”

34
Q

Mercutio: “That … often lie.”

A

“That dreamers often lie.”

Juliet and Romeo dreamed of having an amazing, supported relationship - foreshadowing

35
Q

Tybalt: “Now, by the … and … of my … / To … him …, I hold it not a …”

A

“Now, by the stock and honour of my kin / To strike him dead, I hold it not a sin.”

-Shakespeare uses a rhyming couplet to emphasise how Tybalt believes that murdering a Montague is completely justified and not a sin - conveying that he sees Montagues as less-human and evil, so it is his role to get rid of them
-Tybalt only ever rhymes when he speaks of killing, which we can infer means that he has a love for murder and revenge

36
Q

Juliet: “…, …, … nurse” “Oh my … mother”

A

“sweet, sweet, sweet nurse” “Oh my sweet mother”