Romantics Flashcards

1
Q

Rob Roy (1817)

A

Sir Walter Scott (1771-1832)

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2
Q

“In Xanadu did Kubla Khan/A stately pleasure-dome decree:”

A

Kubla Kahn, Samuel Taylor Coleridge (1772-1834)

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3
Q

Northanger Abbey and Persuasion, both published posthumously in 1817, Sandition unfinished, Lady Susan 1794! (Love and Friendship film by White Stillman, Beckinsale)

A

Jane Austen (1775-1817)

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4
Q

Robert Burns (1759-1796)

A

Auld Lang Syne, Address to a Haggis (“Great Chieftain o’ the Puddin-race!”), My Heart’s In the Highlands, My Love Is Like A Red, Red Rose, “the greatest Scot”

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5
Q

Frankenstein; or, The Modern Prometheus (1818)

A

Mary Shelley (1797-1851)

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6
Q

Adonais: an Elegy on the Death of John Keats (1821)

A

Percy Bysshe Shelley (1797-1822)

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7
Q

Ivanhoe (1819)

A

Sir Walter Scott (1771-1832) - robin hood!

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8
Q

Pride and Prejudice (1813)

A

Jane Austen (1775-1817) - Darcy and the Bennets - Kiera Knightly/Matthew MacFayden 2005 film, Colin Firth BBC series 1995

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9
Q

“The Corsair” (1814)

A

Lord Byron (1788-1824)

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10
Q

Songs of Innocence (1789), Songs of Experience (1794, “Tyger tyger burning bright”)

A

William Blake (1757-1827)

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11
Q

“Water, water everywhere, nor any drop to drink”

A

The Rime of the Ancient Mariner, Samuel Taylor Coleridge (1772-1834)

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12
Q

ordinary language “really used by men”, famous definition of poetry as “the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility” (1802)

A

prelude to Lyrical Ballads, Wordsworth & Coleridge

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13
Q

Don Juan (1819-1824)

A

Lord Byron (1788-1824)

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14
Q

“Ode to a Nightengale” and “Ode to a Grecian Urn” (1819)

A

John Keats (1795-1821)

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15
Q

Emma (1816)

A

Jane Austen (1775-1817), Gwyneth Paltrow ‘96 film, 2020 Anya

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16
Q

Percy Bysshe Shelley (1797-1822)

A

The Necessity of Atheism (1811), “Ozymandias” (1818), “If Winter Comes, can Spring be far Behind? (1819), “Hail to Thee, Blithe Spirit” (1819), “Music, When Soft Voices Die” (1821), Adonais: an Elegy on the Death of John Keats (1821), ‘Defense of Poetry” (1821 - “poets are the unacknowledged legislators of the world”), “died in a boating accident in Italy at 29, close with Byron

17
Q

Mansfield Park (1814)

A

Jane Austen (1775-1817)

18
Q

Mary Shelley (1797-1851)

A

Frankenstein; or, The Modern Prometheus (1818)

19
Q

The Lady of the Lake (poem, 1810)

A

Sir Walter Scott (1771-1832)

20
Q

Lyrical Ballads w/Coleridge (1798, launched Romantic Age in English Lit, “Tintern Abbey”), Poems In Two Volumes (“I Wandered Lonely as a Cloud”/Daffodils 1807), The Prelude (1798-1850, autobiographical)

A

William Wordsworth (1770-1850)

21
Q

William Wordsworth (1770-1850)

A

Lyrical Ballads w/Coleridge (1798, launched Romantic Age in English Lit, “Tintern Abbey”), Poems In Two Volumes (“I Wandered Lonely as a Cloud”/Daffodils 1807), The Prelude (1798-1850, autobiographical)

22
Q

Sir Walter Scott (1771-1832)

A

Scottish, Rob Roy 1817, Ivanhoe 1819 (Robin Hood!), The Lady of the Lake (poem, 1810)

23
Q

Samuel Taylor Coleridge (1772-1834)

A

The Rime of the Ancient Mariner (“Water, water everywhere, nor any drop to drink”) Christabel, and Kubla Khan (“In Xanadu did Kubla Khan/A stately pleasure-dome decree:”)

24
Q

“She Walks in Beauty” (1814)

A

Lord Byron (1788-1824)

25
Q

Lord Byron (1788-1824)

A

The Corsair, Don Juan, She Walks in Beauty, Irish Avatar (supporting Irish independence), actually George Gordon, spent much time w/Shelleys in Italy, died in Greek War of Independence and is a hero there, daughter Ada Lovelace (computing forebear), idolized Napoleon, club foot, detested the Lake Poets, opposed Elgin Marbles removal, “Byromania,” “Byronic Hero,” SODOMY

26
Q

William Blake (1757-1827)

A

Songs of Innocence (1789), Songs of Experience (1794) w/”Tyger tyger burning bright,” iconoclast, saw visions, visual artist, illustrated his poems, Red Dragon/Hannibal inspiration for Dolarhyde, His Dark Materials, Dead Man Depp character is “William Blake”, opposed to organized religion, sexual repression

27
Q

Wordsworth & Coleridge

A

Lake Poets, Lyrical Ballads 1798

28
Q

prelude to Lyrical Ballads

A

ordinary language “really used by men”, famous definition of poetry as “the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility” (1802) Wordsworth & Coleridge

29
Q

“Music, When Soft Voices Die” (1821)

A

Percy Bysshe Shelley (1797-1822)

30
Q

Jane Austen (1775-1817)

A

anonymously published Sense and Sensibility (1811), Pride and Prejudice (1813, best), Mansfield Park (1814), and Emma (1816, 2nd best). Northanger Abbey and Persuasion, both published posthumously in 1817, Sandition unfinished, Lady Susan (1794, Love and Friendship film by White Stillman, Beckinsale)

31
Q

“A Thing of Beauty is a Joy Forever” (1818, Endymion)

A

John Keats (1795-1821)

32
Q

Sense and Sensibility (1811)

A

Jane Austen (1775-1817) - Dashwoods - 1995 film Winslet/Emma Thompson/Rickman/Hugh Grant

33
Q

Auld Lang Syne, Address to a Haggis (“Great Chieftain o’ the Puddin-race!”), My Heart’s In the Highlands, My Love Is Like A Red, Red Rose, best laid schemes o’ mice an’ men, “the greatest Scot”

A

Robert Burns (1759-1796)

34
Q

Ozymandias (1818)

A

Percy Bysshe Shelley (1797-1822)

35
Q

Lake Poets

A

Wordsworth & Coleridge

36
Q

John Keats (1795-1821)

A

“Ode to a Nightengale,” Ode to a Grecian Urn,” “A Thing of Beauty is a Joy Forever” - his work is “heavily loaded with sensualities,” died of tuberculosis at 26, close with Shelley