Rogers - Lonley Room Flashcards
Melody
Quasi-recitative vocal melody
Section C has disjunct melodic movement that ascend using a dotted semiquaver rhythm
Harp glissando in scetion C
Section C has decsending scale octaves, startinga fter a quaver rest in the bass
Harmony
Dissonance between F# and G throughout first verse, on low clarinet and violaSection B outlines a b minor 9 chord over a tonic dominant bass
E#7 chord on “who thinks he is better ‘n me”
Final section there is a dramatic Eb major chord with a B natural
Final chord B bare 5th chord with added 9th in accompaniment and voice (no harmonic resolution “where is this going next?”)
Tonality
B minor tonality
Structure
ABCA 4 bar change then C again
Sonority (timbre)
Low Bass Harp Clarinet Viola and other strings Male voice
Texture
Section A, Bare accompaniment that builds
Section B, incraesenof texture as harp plays continuos semiquavers
Section C, Use of orchestral tutti, homophony to build to a climax
Section A’, goes to original feel then takes ideas from section see and increases texture to full tutti
Tempo, Metre, Rhythm
4/4
Section C has ascending using a dotted semiquaver rhythm
Section A has syncopation in the strings
Tempi constantly shifts (volatile mood)
Dynamics and Articulation
Section A, is pp
Section B, is pp but slightly louder due to the increase in texture
Section C, tutti goes from mf to end in sff (heavy use of crecsendo)