Rhetorical Strategies Flashcards

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1
Q

Abstract

A

Designating qualities or characteristics apart from specific objects or events; opposite of concrete

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2
Q

Allegory

A

A narrative, either in verse or prose, in which character, action, and sometimes setting represent abstract concepts apart from the literal meaning of the story

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3
Q

Alliteration

A

The repetition of initial identical consonant sounds or any vowel sounds in successive or closely associated syllables, especially stressed syllables

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4
Q

Allusion

A

A brief reference to a person, event, or place, real or fictitious, or to a work of art

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5
Q

Analogy

A

A process of reasoning that assumes if two subjects share a number of specific observable qualities then they may be expected to share qualities that have not been observed; the process of drawing a comparison between two things based on a partial similarity of like features

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6
Q

Anaphora

A

A device of repetition in which the same expression is repeated at the beginning of two or more lines, clauses, or sentences

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7
Q

Anastrophe

A

The inversion of the usual, normal, or logical order of the parts of a sentence. Anastrophe is deliberate rather than accidental and is used to secure rhythm or to gain emphasis or euphony. YODA

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8
Q

Antecedent

A

The word to which a pronoun refers (whose place it takes)

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9
Q

Anticipating Audience Response

A

A rhetorical technique often used to convince an audience, involving anticipation and statement of the arguments that one’s opponent is likely to give, and then answering these arguments even before the opponent has had a chance to voice them

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10
Q

Antithesis

A

A figure of speech characterized by strongly contrasting words, clauses, sentences, or ideas, as in “Man proposes, God disposes.” A balancing of one term against another for emphasis.

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11
Q

Aphorism

A

A concise statement of a principle or precept given in pointed words; later applied to statements of general principle briefly given in a variety of practical fields, such as law, politics, and art.

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12
Q

Apostrophe

A

A figure of speech in which someone (usually, but not always absent), some abstract quality, or a nonexistent personage is directly addressed as though present.

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13
Q

Attitude

A

The authors attitude, closely linked with the tone of a piece, can also be the underlying feeling behind a tone. For example: a tone might be one of anger, but the attitude behind the tone would be one of concern or fear about a situation. The mother screamed at the small child, “Don’t touch that hot stove!”

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14
Q

Call to Action

A

Writing that urges people to action or promotes change.

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15
Q

Characterization

A

The techniques a writer uses to create and reveal fictional personalities in a work of literature, by describing the character’s appearance, actions, thoughts, and feelings.

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16
Q

Chiasmus

A

A type of balance in which the second part is balanced against the first but with the part reversed; a reversal in the order of words in two otherwise parallel phrases. Compare to ANASTROPHE

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17
Q

Classification and Division

A

Classification is a method of sorting, grouping, collecting, and analyzing things by categories based on features shared by all members of a class or group. Division is a method of breaking down an entire whole into separate parts or sorting a group of items into nonoverlapping categories.

18
Q

Cliché

A

A timeworn expression that through overuse has lost its power to evoke concrete images

19
Q

Coinage

A

A word or phrase made, invented, or fabricated.

20
Q

Colloquial Expressions

A

Words or phrases characteristic or appropriate to ordinary or familiar conversation rather than formal speech or writing

21
Q

Doublespeak

A

Language used to distort and manipulate rather than to communicate

22
Q

Ellipsis

A

The omission of a word or words necessary for complete construction, but understood in the context. (I love English as much as she.)

23
Q

Enthymeme

A

An argument or truncated syllogism in which one of the propositions, usually a premise, is understood but not stated; a rhetorical syllogism which is probable and persuasive but may not be valid.

24
Q

Ethnocentricity

A

The belief in the inherent superiority of one’s own group and culture

25
Q

Euphemism

A

The substitutions of an inoffensive, indirect, or agreeable expression for a word or phrase perceived as socially unacceptable or unnecessarily harsh.

26
Q

Idiom

A

A use of words, a grammatic construction peculiar to a given language, or an expression that cannot be translated literally into a second language.

27
Q

Lending Credence

A

When a writer or speaker of lends her opponent some credit for the opponent’s ideas. Often done to persuade the audience that the writer or speaker is fair and has done his or her homework, thereby strengthening his or her own argument.

28
Q

Litotes

A

A form of understatement in which a thing is affirmed by stating the negative of its opposite. Example: “She was not unmindful.”

29
Q

Logical Fallacies

A

Methods of pseudo-reasoning that may occur accidentally or may be intentionally contrived to lend plausibility to an unsound argument. Examples include ad hominem, begging the question, false analogy, non sequitur, red herring, slippery slope, and Straw Man.

30
Q

Loose Sentence

A

A sentence grammatically complete at some point (or points) before the end; the opposite of a PERIODIC SENTENCE. A complex loose sentence consists of an independent clause followed by a dependent clause.

31
Q

Lyrical Drama

A

A term used for a dramatic poem in which the form of drama is used to express lyric themes (author’s own emotions or ideas of life) instead of relying on a story as the basis of the action. (So, like rap lyrics?)

32
Q

Metonymy

A

A figure of speech characterized by the substitution of a term naming an object closely associated with the word in mind for the word itself. Example: Replacing “the King” with “the Crown.”

33
Q

Periodic Sentence

A

A sentence not grammatically complete before its end; the opposite of a LOOSE SENTENCE. The characteristic of a periodic sentence is that its construction is such as constantly to throw the mind forward to the idea that will complete the meaning; sometimes designed to arouse interest and curiosity, to hold an idea in suspense before its final revelation is made.

34
Q

Polysyndeton

A

The repetition of conjunctions in close succession for rhetorical effect

35
Q

Process Analysis

A

A method of clarifying the nature of something by explaining how it works in separate, easy-to-understand steps.

36
Q

Rhetorical Strategies

A

The modes of discourse: compare/contrast, process analysis, definition, narration, cause/effect, or argumentation/persuasion.

OR

Everything that the student knows about analysis: literary devices, persuasive elements, and the modes of discourse.

37
Q

Spin

A

In politics, harmful situations sometimes played in the media as philanthropic endeavors.

Example: President Bush’s “Spin Doctors” coined the title, “Operation Iraqi Freedom” for the war in Iraq.

38
Q

Style

A

The author’s characteristic manner of expression; includes the types of words used, their placement, and distinctive features of tone, imagery, figurative language, sound, and rhythm.

39
Q

Syllogism

A

A formula for presenting an argument logically; affords a method of demonstrating the logic of an argument through analysis. It consists of three divisions: a major premise, a minor premise, and a conclusion.

40
Q

Synecdoche

A

A type of figurative language in which the whole is used for the part or the part used for the whole.

Examples: “The dying year” for “autumn,” and “Wall Street” for the entire financial affairs of all the United States.

41
Q

Voice

A

The implied personality the author chooses to adopt; may reflect a persona to project views quite different from the author’s.