Rhetoric Devices Flashcards

1
Q

METAPHOR

A

One thing is described in terms of another (without words that mark it)

E.g. “She was a rose”, “Time is money”

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2
Q

SIMILE

A

One thing is likened to another in order to enhance an image. Overt comparison (‘like’, ‘as’)

E.g. “She was beautiful as a rose”, “You are cold as ice”

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3
Q

PERSONIFICATION

A

The attribution of human qualities to inanimate objects

E.g. “The moon (…) is terribly upset” “The fears of years cut across our backs”

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4
Q

METONYMY

A

The name of an attribute/object closely associated with another object substitutes said object

E.g. “The Crown” for the U.K. monarchy, “The White House” for the U.S. presidency, “suit” for a businessperson

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5
Q

SYNECDOCHE

A

The part stands for the whole

E.g. “Your limbs, they are alive”, “The hand that fed you”, “Nice wheels”

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6
Q

HYPERBOLE

A

Exaggeration for emphasis

E.g. “Till the sun goes cold”, “I for five centuries right gladly would be”

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7
Q

UNDERSTATEMENT

A

Opposite of hyperbole, treating something as less important than it is (frequently associated with irony)

E.g. “It isn’t very serious, I have this tiny little tumor on the brain”, “Fine and private place” (talking about a grave)

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8
Q

ANTITHESIS

A

Contrasting ideas by the use of opposite/very different meanings. Level of the CLAUSE (frequently associated with parallel structure)

E.g. “Man proposes, God disposes”, “Easy on the eyes but hard on the heart”

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9
Q

OXYMORON

A

Combination of incongrous/contradictory words. Level of the PHRASE

E.g. “Darkness visible”, “honest thief”, “cruel kindness”

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10
Q

PARADOX

A

Apparently self-contradictory/nonsensical STATEMENT that hides a formal truth

E.g. “All I know is I know nothing”, “Less is more”, “The more you give, the more you get”

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11
Q

SYNAESTHESIA

A

Mixing of sensations, concurrent appeal to more than one sense

E.g. “I can smell the green already”

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12
Q

VERBAL IRONY

A

Saying what one does not mean- implied criticism. Sarcasm tends to be harsher and associated with bitterness and disgust, while irony employs humour

E.g. “I’d rather be a Pagan…” “Black men in the south are soooo pretty”

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13
Q

DRAMATIC IRONY

A

The audience understands the meaning/implications of a situation but the characters do not. It can create fear or pity

E.g. In Romeo and Juliet, the audience knows that Juliet is just sleeping but Romeo thinks she’s dead

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14
Q

SITUATIONAL IRONY

A

What happens is not what is expected to happen

E.g. “Water everywhere, nor any drop to drink”

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15
Q

EXTERNAL RHYME

A

Formalized consonance of syllables between succesive lines/units

E.g. “The sun sets in the west / As the birds return to their nest”

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16
Q

INTERNAL RHYME

A

Two or more words rhyme within a single line

E.g. “A sentimental passion of a vegetable fashion”

17
Q

ALLITERATION

A

Consonants are repeated, especially at the beginning of words / stressed syllables

E.g. “Five miles meandering with a mazy motion”

18
Q

CONSONANCE

A

Close repetition of identical consonant sounds before and after different vowels

E.g. “Slip-slop”, “creak-croak”, “black-block”

19
Q

ASSONANCE

A

Repetition of similar vowel sounds, usually close together

E.g. “The kind knight rides by”

20
Q

REPETITION

A

Unifying element, may consist of sounds, words, stanzas, ideas. It can occur in any part of the poem

E.g. “(Run sister run- the Bugga man comes!)”

21
Q

ANAPHORA

A

Repetition of a word/group of words in succesive clauses

E.g. “It was the best of times, it was the worst of times, it was…”

22
Q

PARALLEL STRUCTURE

A

Repetition of the same pattern

E.g. “Man proposes, God disposes”, “Mary likes to bike, to swim…”

23
Q

HYPERBATON

A

Words are transposed from their usual order

E.g. “Beautiful she was”, “Passion there was none”