Renaissance- Art portion Flashcards

1
Q

Chiaro Scuro

A

is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition

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2
Q

linear 1 point perspective

A

system for representing three-dimensional objects and space on a two-dimensional surface by means of intersecting lines that are drawn vertically and horizontally and that radiate from one point

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3
Q

vanishing point

A

is a point in the picture plane π that is the intersection of the projections (or drawings) of a set of parallel lines in space on to the picture plane.

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4
Q

continous narrative

A

is a type of narrative where the illustration of several scenes are in a single frame.

ex. tribute money

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5
Q

atmospheric perspective

A

method of creating the illusion of depth, or recession, in a painting or drawing by modulating colour to simulate changes effected by the atmosphere on the colours of things seen at a distance.

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6
Q

Brutto-bello

A

beautiful-ugliness

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7
Q

sfumato

A

vanised in smoke

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8
Q

diptych /triptych

A

2 panels

3 panels

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9
Q

moralized landscape

A
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10
Q

memento mori

A

‘remember that you will die’

ex. resurrection of christ

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11
Q

putti

A

baby angels

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12
Q

foreshortening

A

the illusion( on 2D space) that figues seem to recede in 3D space

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13
Q

di soto in su

A

viewpoint from directly below

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14
Q

renaissance man

A

has knowledge of everything

Davinci

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15
Q
A

The Merode Alterpiece

Robert Campin

Flemish/Flanders

  • named after the merode family
  • this piece is the humanized version of the anunciation(the moment when angel gabriel comes to mary and tells her that she is going to bear jesus)
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16
Q
A

Man in a Red Turban

Jan Van Eyck

Flemish/Flanders

  • protrait of a man with no religious significance
  • correlates with humanism, highlights importance of a common man
17
Q
A

Portrait of Giovanni Arnolfini and his wife

Jan Van Eyck

Flemish/Flanders

  • his most famous portrait
  • purpose was to document and sanctify a marriage
18
Q
A

Gates of paradise

ghiberti

Rennaisance

  • helped him win fame
  • told story of old testament (12 yrs to model and cast and 15 yrs for detail)
  • artist and son are door handles
19
Q
A

The duomo

brunelleschi

Renaissance

  • made of pink,white,green marble
  • the outside and inside of the dome are separate walls
20
Q
A

hospital of the innocents

Brunelleschi

Renaissance

  • 1st renaissance building (orpahage)
  • 1st time care of abondoned children became public concern
  • clasically inspired( parthenon)
21
Q
A

-The Trinity

Masaccio

Renaissance

  • earlies known ecample of 2 point perspective
  • the trinity (father,holy spirit,and christ on cross) are red,white,and blue no matter how you look at it)
  • evokes sympathy (humanism)
22
Q
A

Brancacci chapel fresco cycle

Masaccio

Renaissance

  • his masterpiece
  • all frescos have to do with st.peter
  • famous for human emotion
23
Q
A

The tribute money

Masaccio

Renaissance

  • based on biblical story, tax collector asks for money from peter, peter does not have any, Jesus tells him to go to the sea and the money will by in the fish’s mouth
  • continous narrative example
  • 213
24
Q
A

David

Donatello

Renaissance

  • inspired by david and goliath story
  • symbol of florence (underdog can be a hero!)
25
Q
A

Mary Magdalen

Donatello

Renaissance

  • highlighted emotions
  • no matter how many sins one committed, if one repents: they will be forgiven
26
Q
A

Gattamelata

Donatello

Renaissance

  • means honeyed cat
  • depicts a condottieri (a mercenary leader who is famous for combining strategy (loyalty,bravery,virtue)
27
Q
A

Resurrection of Christ

Peiro della Francesca

Renaissance

  • about the biblical story when jesus was placed in a tomb and stone was put upon it.
  • it portrays jesus in a godly and mystical way
  • uses bruto bello (body is pretty,face is “ugly”[suffereing]
28
Q
A

Federico Montefeltro and Battista Sforza

Piero della Francesca

Renaissance

  • it is a diptych
  • shows the devotion of the duke and duchess(never married after she dies and always left a place for her in later portraits)
29
Q
A

Birth of Venus

Botticelli

Renaissance

  • neoplatonic version of love
  • venus represents the love we must strive for with God (spiritual)
30
Q
A

Primavera

Botticelli

Renaissance

  • represents the coming of spring
  • includes zephyr,camilla,3 fates, and mercury.
  • has a neoplatonic meaning when read with the camilla and centaur painting
31
Q
A

Ceiling Fresco in the Camea Picta

Andrea Mantegna

Renaissance

uses foreshortening : where a 2d surface appears 3d.

-comical painitng: babies falling in and out, looks as if the ceiling is wide open (bird)

32
Q
A

The Last Supper

Leonardo Davinci

HIgh Renaissance

-known as 1st great figure composition in high ren.
known for technicality and formality of painting (mathematically)
known for emotional rendition of characters
—-intention of soul must be expressed by gestures and emotions
never named disciples b/c the gestures were so clear

33
Q
A

Mona Lisa

Leonardo Davinci

HIgh Renaissance

  • relaxed and informal ¾ pose :—revolutionary (b/c previous were stiff and portraits)…established new pose
  • wide base of painting: (pyramid)
34
Q
A

Pieta

Michelangelo

HIgh Renaissance

-pieta means pity
-virgin mary holding deceased body of christ on her lap
mary was usually depicted as old and jesus as gaunt

→in this painting,mary looks young and jesus looks as if he is sleeping

-this painting is timeless

35
Q
A

David

Michelangelo

High Renaisance

  • did it in 3 years, 1 block of abandoned marble (abandoned by another artist)
  • 18 foot block of marble
  • had only a chisel and a hammer
  • this painting: before the battle ( watching for something to come) → M introduced psychological layer in sculpture
  • replica of it is in city hall (florence was underdog just like david) …political advantageous state
36
Q
A

The Last Judgement

Michelangelo

High Renaissance

  • M put himself in last judgement (bartholomew was holdinghim….as if to be asking god what to do with him)
  • intrigued by Inferno and influenced by inferno in painting
37
Q
A

Sistine Chapel ceiling

Michelangelo

High Renaissance

  • In the middle are scenes of old testament: creation,fall,flood; on the sides are sibils and profits that foreshadow the coming of christ
  • paintings look so sculptural
  • Emotion: in 2 dimension
  • the creation scene : when God gives life to Adam
  • —- Hands! : shows emotion of the connection between, (power vs realization)
38
Q
A

The Sistine Madonna

Raphael

High Renaissance

  • jesus looks like a baby
  • real mom and child
  • look like they are scared as if they know what is going to happen
  • altarpiece was placed opposite of crucifix,–looking in anticipation
  • commissioned as altarpiece
39
Q
A

The School of Athens

Raphael

High Renaissance

  • pinnacle of high renaissance
  • reference to classics
  • —-has plato and aristotle
  • —also roman people
  • —1 pt perspective: vaishing point is in between 2 middle people (plato and aristotle) Plato is pointing up toward world of ideals Aritstotle: toward earthly