Remember Flashcards

1
Q

Meaning

A

The speaker of the poem is instructing her loved one to remember her when she is dead. However by the end of the poem she realises that it would be better for him to forget her and be happy then spend his days being sad.

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2
Q

Structure

A

-Petrarchan sonnet
-Volta
-caesura
-refrain
-changing rhyme scheme

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3
Q

Petrarchan sonnet

A

-usually written from a man to a woman
-poem is not solely about love, which contrasts its what sonnets were traditionally about

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4
Q

Volta

A

Between the octave, and the sestet, it goes form remember me, to forget me as it’ll be better

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5
Q

Caesura

A

-Connects the two ideas, feels like a resigned sigh
-only means merely, so she merely wants him to remember her and not to pray for her or do other things

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6
Q

Refrain

A

-Remember me
-imperative,
-possibly shows a begging nature, as she has to repeat it

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7
Q

Changing rhyme scheme

A

-in the octave, it suggests togetherness, that it is easy for her to want her husband to remember her and to think of her own wants
-in the sestet it suggests that it is difficult for her to say this, to think of her husbands needs instead of hers

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8
Q

Imagery

A

-imagery of the after life
-image of their love
-image of her nearly dying before
-

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9
Q

Imagery of the afterlife

A

-silent land
-allusion as well, but the image created is still not happy, silence forever

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10
Q

Image of their love

A

-hold me by the hand
-suggests they were affectionate to eachother

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11
Q

Image of her newly dying before

A

-nor I half turn out go yet turning stay
-we assume turn to go is her dying, and so turning stay is her then getting better
-suggests that she cannot do this anymore and she will no longer be able to turn and stay
-suggested by the word nor

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12
Q

Language

A

-Diacope
-eupamism
-allusion
-metaphor

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13
Q

Diacope

A

-emphasises the idea that she will not be here

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14
Q

Euphemism

A

-euphemism for the after life, she doesn’t want her husband to be sad about it

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15
Q

Allusion

A

Silent land is an allusion to a group of Christian hymns J. G. Salls-Seewis: Into the Silent Land (1597)
-suggestion of the Christian belief and acceptance of death, as death is the ‘sting’ that Christ conquered

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