Reading Images

Question 1

Actor

Answer 1

The active participant in an action process is the participant from which the vector emanates or which is fused with the vector.

Question 2

Goal

Answer 2

The passive participant in an action process is the participant at which the vector is directed.

Question 3

Interactors

Answer 3

The participants in a transactional action process where the vector could be said to emanate from and be directed at both participants.

Question 4

Transactional Reaction

Answer 4

An eyeline vector connects two participants, a Reacter and a phenomenon

Question 5

Reactor

Answer 5

The active participant in a reaction process is the participant whose look creates the eyeline

Question 6

Phenomenon

Answer 6

The passive participant in a transactional reaction is the participant at which the eyeline is directed, in other words, the participant which forms the object of the Reacter’s look.

Question 7

Conversion

Answer 7

A process in which a participant, the Relay, is the goal of one action and the Actor of another. This involves a change of state in the participant.

Question 8

Mental Process

Answer 8

A vector formed by a thought bubble or a similar conventional device connects two participants, the Senser and the Phenomenon.

Question 9

Senser

Answer 9

The participant from whom thought bubble vector formed emanates

Question 10

Verbal Process

Answer 10

A vector formed by the arrow-like protrusion of a dialogue balloon or a similar device connects the two.

Question 11

Sayer

Answer 11

The participant in a verbal process from whom the dialogue balloon emanates.

Question 12

Utterance

Answer 12

The verbal participant enclosed in the dialogue balloon.

Question 13

Setting

Answer 13

The setting of a process is recognizable because it is often drawn or painted in less detail, or, in the case of photography, has a softer focus; and because of contrats in colour saturation and overall darkness or lightness between foreground and background.

Question 14

Means

Answer 14

The means of a process is formed by the tool with which the action is executed.

Question 15

Accompaniment

Answer 15

An accompaniment is a participant in a narrative structure which has no vectorial relation with other participants and cannot be interpreted as a symbolic attribute.

Question 16

Narrative

Answer 16

The story of the image( whats going on in the mind of people in the image)

Question 17

Covert Taxonomy

Answer 17

A set of participants(subordinates) is distributed symmetrically across the picture space, at equal distance from each other, equal in size, and orientated towards the vertical and horizontal axes in the same way,

Question 18

Single-levelled over taxonomy

Answer 18

A participant is connected to two or more other participants through a tree structure with two levels only.

Question 19

Multi-levelled overt taxonomy

Answer 19

A participant is connected to other participants through a tree structure with more than two levels. The participants which occupy intermediate levels are interordinates, those which occupy the lowest level, or the highest level subordinates.

Question 20

Unstructured analytical process

Answer 20

An ordered set of participants is interpreted as the set of parts of a whole which itself is not represented.

Question 21

Temporal analytical process

Answer 21

A set of participants is ordered lineraly on a time line and interpreted as the set of successive stages of a temporally unfolding process

Question 22

Exhaustive analytical process

Answer 22

A participant is depicted as made up of a number of parts and the structure is interpreted as showing all the parts from which the whole is made up.

Question 23

Topological Accuracy

Answer 23

The carrier and the possessive attributes of an analytical process are not drawn to scale, but the way they are interconnected is drawn accurately.

Question 24

Abstraction

Answer 24

The participants in an analytical process may be concrete.

Question 25

Color saturation

Answer 25

a scale running from full colour saturation to the absence of colour, that is to black and white

Question 26

Colour differentiation

Answer 26

A scale running from maximally diversified range of colours to monochrome.

Question 27

Colour modulation

Answer 27

A scale running from fully modulated colour, with, for example. the use of many different shades of red, to plain, unmodulated colour.

Question 28

Representation

Answer 28

A scale running from maximum abstraction to maximum representation of pictorial detail.

Question 29

Depth

Answer 29

Scale running from the absence of depth to maximally deep perspective.

Question 30

Illumination

Answer 30

Scale running from the fullest representation of the play of light and shade to its absence.

Question 31

Brightness

Answer 31

Scale running from a maximum number of different degrees of brightness to just two degrees: black and white, or dark grey and lighter grey, or two brightness values of the same colour.