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Praxis English Content > Reading > Flashcards

Reading Flashcards

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1
Q

1620 - 1750 (American)

Coming to America, Colonial life

A

Colonial Period

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2
Q

1750 - 1815 (American)

Colonies’ quest for independence

A

Age of Revolution

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3
Q

1800 - 1865 (American)

Emphasis on the celebration of individualism, love for nature, break away from British literary tradition

A

Romantic/Transcendental Period

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4
Q

1855 - 1910 (American)

American life as truly was, emphasized verisimilitude (likeness to life)

Civil War Writers, Regionalists, Naturalists

A

Realistic Period

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5
Q

1900 - 1950 (American)

The changing world, World Wars, alienation, Roaring Twenties, the Depression, Harlem Renaissance

A

Modern Period

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6
Q

1950 - present (American)

Challenge traditional values and structures, heightened concern for social values, individualism, American Dream/reality, cultural diversity, tolerance, search for identity

A

Postmodern Period

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7
Q

449 - 1066 (British)

Epic Poems; Focus on concern for morality and goodness

A

Anglo-Saxon Period

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8
Q

1066 - 1485 (British)

Focus on religion, romance, diversity, and chivalry; morality plays, folk ballads

A

Medieval Period

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9
Q

1485 - 1660 (British)

Includes the Elizabethan Age; great English Drama; Focus on love and nature of human beings

A

Renaissance Period

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10
Q

1660 - 1798 (British)

Age of Sensibility, the Enlightenment; focus on logic, reason, and rules; comedies of manners, essays, satires

A

Restoration Period

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11
Q

1785 - 1830 (British)

Focus on truth found in nature and unrestrained imaginative experience; poems, ballads, gothic horror novels

A

Romantic Period

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12
Q

1832 - 1900 (British)

Focus on social, religious, and economic turmoil; novels, magazines, elegies

A

Victorian Period

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13
Q

1900 - 1945 (British)

Focus on social issues, characters experience epiphanies, human behavior and relationships; stream of consciousness

A

Modern Era

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14
Q

What are the four broad literary genres?

A

Nonfiction
Fiction
Drama
Poetry

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15
Q

What are the five sub-genres of Fiction?

A 
Folklore
Science Fiction
Horror
Realistic Fiction
Satire
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16
Q

What is a Folklore?

A

A set of beliefs and stories of a particular people, which are passed down through the generations

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17
Q

What are the four types of Folklore?

A

Fairy Tales
Fables
Myths
Legends

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18
Q

Form of Folklore that are stories that involve magical creatures such as elves and fairies

A

Fairy Tales

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19
Q

Form of Folklore that is a short story that is intended to teach a moral lesson

A

Fable

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20
Q

Form of Folklore that are stories, often involving gods or demigods, that attempt to explain certain practices or phenomena

A

Myth

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21
Q

Form of Folklore with unverifiable stories that seem to have a degree of realism about them

A

Legend

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22
Q

In poetry, what is a stanza?

A

A group of lines followed by a space

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23
Q

What is a two line stanza called?

A

Couplet

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24
Q

What is a three line stanza called?

A

Tercet

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25
Q

What is a four line stanza called?

A

Quatrain

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26
Q

What is a five line stanza called?

A

Cinquain

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27
Q

This is a short narrative song about an event that is considered important; are meant to be recited

A

Ballad

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28
Q

This is lyrical poem composed of fourteen lines, usually written in iambic pentameter.

A

Sonnet

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29
Q 
This sonnet has the pattern of: 
abba
abba
cde  OR  cd
cde  OR  cd
               cd
A

Petrarchan or Italian

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30
Q 
This sonnet has the pattern of:
abab
cdcd
efef
gg
A

English or Shakespearean

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31
Q

What is a Haiku?

A

A short, Japanese poem that consists of 3 lines and seven syllables (divided into 5, 7, 5)

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32
Q

This poem is usually nineteen lines long, 5 stanzas each with 3 lines, and final stanza with 4 liness

A

Villanelle

33
Q

In traditional plot structure, this is introduction of important background information about the setting, the characters, and the current state of the world.

A

Exposition

34
Q

In traditional plot structure, this introduces the antagonist and establishes the conflict.

A

Inciting incident

35
Q

In traditional plot structure, this is the turning point in the story.

A

Climax

36
Q

In traditional plot structure, this is when the conflict is solved.

A

Resolution

37
Q

In traditional plot structure, this is the events that move the characters away from the conflict and into a new life.

A

Falling Action

38
Q

This type of figurative language is a comparison of two or more things.

A

Metaphor

39
Q

This type of figurative language is a comparison of two or more things using “like” or “as”.

A

Simile

40
Q

This type of language uses vivid description to appeal to the reader’s senses.

A

Imagery

41
Q

This type of figurative language is an overstatement or exaggeration.

A

Hyperbole

42
Q

This type of figurative language gives human characteristics to objects, abstract ideas, forces, or animals.

A

Personification

43
Q

This literary device in which the author uses a concrete object, action, or character to represent an abstract idea.

A

Symbolism

44
Q

This literary device is a reference to a historical person or event, a fictional character or event, a mythological or religious character or event, or an artist or artistic work.

A

Allusion

45
Q

This literary device is a common saying that lack originality but are universally understood.

A

Cliche

46
Q

This literary device is used to hint at future events.

A

Foreshadowing

47
Q

This literary device is used when a character or narrator says something that is the opposite of what he or she means.

A

Verbal Irony

48
Q

This literary device occurs when something happens that contradicts what the audience expected to happen.

A

Situational Irony

49
Q

This literary device occurs when the audience know about something of which a character(s) are not aware.

A

Dramatic Irony

50
Q

This term refers to the arrangement of rhyming words in a stanza or poem.

A

Rhyme Scheme

51
Q

This type of rhyme is not true rhyme.

A

Slant Rhyme

52
Q

This term refers to the rhyming of two or more words in the same life of poetry.

A

Internal Rhyme

53
Q

This term refers to the pattern of accentuated sounds within a poem.

A

Rhythm

54
Q

This is an established within a poem in which the accentuated syllables are repetitive and predictable.

A

Meter

55
Q

Poetic foot: Unstressed, stressed (da DUM)

A

Iamb

56
Q

Poetic foot:

Unstressed, unstressed, stressed (da da DUM)

A

Anapest

57
Q

Poetic foot: Stressed, unstressed (DUM da)

A

Tochee

58
Q

Poetic foot: Stressed, unstressed, unstressed (DUM da da)

A

Dactyl

59
Q

Poetic foot: Stressed, Stressed (DUM DUM)

A

Spondee

60
Q

This is poetry written in iambic pentameter and is unrhymed.

A

Blank Verse

61
Q

This is poetry without rhyme patterns or regular meter.

A

Free Verse

62
Q

This poetic device is the inclusion of words with the same vowel sounds within one or two lines of poetry.

A

Assonance

63
Q

This poetic device is the repetition of the same consonant sounds at the end of a stressed syllable, but following different vowel sounds.

A

Consonance

64
Q

What are the seven types of literary theory?

A 
Reader-Response Theory
Feminist Literary Theory
Queer Theory
Deconstructionist Literary Theory
Semiotic Analysis Theory
Marxist Theory
Formalism or New Criticism Theory
65
Q

This type of Literary Theory is centered on the idea that as readers read, they experience a transaction with the text. There is not single understanding of a text, unique to readers.

A

Reader-Response Theory

66
Q

This type of Literary Theory involves asking questions about the degree to which a literary text perpetuates the ideas that women are inferior to and dependent on men or that the perspective of a woman is not as interesting or significant as that of a man.

A

Feminist Literary Theory

67
Q

This type of Literary Theory investigates texts by asking questions about both gender and sexuality; challenges cultural assumptions related to sex and gender, especially related to identity.

A

Queer Theory

68
Q

This type of Literary Theory focuses on dissecting and uncovering the writer’s assumptions about what is true and false, good and back. Begin with examining language.

A

Deconstructionist Literary Criticism

69
Q

This type of Literary Theory is the study of signs, signals, visual messages, and gestures.

A

Semiotic Analysis Literary Theory

70
Q

This type of Literary Theory focuses on the economic systems that structure society and the ways human behavior is motivated by a desire for economic power; life can only be understood by concrete.

A

Marxist Theory

71
Q

This type of Literary Theory emphasizes closely reading the text and analyzing how literary elements create meaning in it; it is unconcerned with the text’s effect on the reader.

A

Formalism or New Criticism Theory

72
Q

This logical fallacy occurs when the main argument is based on the assumption that if one particular thing happens, a series of other specific things will follow.

A

Slippery Slope

73
Q

This logical fallacy occurs when an individual comes to the conclusion without enough evidence, based on prior experiences or assumptions.

A

Hasty Generalization

74
Q

This logical fallacy occurs when the argument is simply restated repeatedly with no inclusion of new evidence.

A

Circular Argument

75
Q

This logical fallacy occurs when distracting information is introduced, moving the focus away from the most important points of the argument.

A

Red Herring

76
Q

What is Dichotomous Thinking?

A

Thinking in dichotomies or pairs of opposing terms, like good/evil, true/false; allows people to see the extremes.

77
Q

This rhetorical strategy appeals to the logical.

A

Logos

78
Q

This rhetorical strategy appeals to the emotional.

A

Pathos

79
Q

This rhetorical strategy appeals to the ethical.

A

Ethos

Praxis English Content (4 decks)

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