Rambert Flashcards

1
Q

When is period 1

A

1966-1974

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2
Q

1966 Changes

A
  • 18 dancers
  • Preserve old works & create new works
  • Dancers all equal (soloists in own right)
  • Introduction of Graham technique
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3
Q

1967- How many works Did Tetley create this year?

A
  • Tetley creates 4 works this year
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4
Q

Glen Tetleys Contribution 1967

A
  • Introduces new style ballet and graham
  • Supports ethos of nurturing talent (bruce)
  • Encourages collaboration
  • Helps company transition from touring ballet to modern dance company
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5
Q

1968

A

John Chessworth began to choreograph for company

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6
Q

1969

A

Bruce starts choreographing for company

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7
Q

1972

A

‘Strider’ the experimental independent dance group emerged from LCDS- Founded by Richard Alston
(Created competition)

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8
Q

1973

A

The company retired to saddlers wells after being absent for 8 years

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9
Q

1974

A
  • John Chessworth replaces Norman Morrice and Bruce becomes associate artistic director
  • John Chessworth continues Norman Morrice policies and introduces educational links
  • Create aims to collaborate
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10
Q

Period 2

A

1974-1986
(Eclectic season)

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11
Q

1980

A

Rainbow ripples- Choreographed by Richard Alston
Bruce and Alston are both associate choreographer

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12
Q

1975 Side note
1981 Side note

A

1975- North becomes associate choreographer
1981- Alston created his own version of rite of spring and dedicated it to Marie Rambert

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13
Q

1981

A
  • North becomes artistic director
  • North was a popularist- brought more audiences (relatable themes and music)
  • Improving physicality, musicality and dramatic quality.
  • Allowed Bruce and Alston to choreograph to have variety or rep
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14
Q

Diverse Choreographers

A

Bruce- Social political works
North- Accessible themes popular works
Alston- Tight musical structure

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15
Q

1981- works
1984- works
1986- works

A

81- LTLS, Ghost dances
84- Death and the maiden, Wildlife
86- Soda Lake

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16
Q

Period 3

A

1986-1992
(Alston Times)

17
Q

Key things that happen in Period 3

A
  • Ethos ‘Dance for dance sake’
  • Focus on Cunningham technique/ rejecting graham
  • compete contrast to period 1/2
18
Q

1986

A

Soda lake
Mark Baldwin dancer- Becomes artistic director 2002-2018
(evidence of nurturing)

19
Q

1987

A

Rambert changes name to Rambert dance company (untill 2013)

Triple bill performance dedicated to bruce as he steps down as a dancers

20
Q

Period 4

A

1994-2002

21
Q

How does bruce becoming artistic director impact Rambert

A
  • Increases company to 25
  • contributed to Rambert surviving- Bridges gap between contemporary and ballet
  • Drew back to Rambert roots a Graham and ballet
22
Q

What works did bruce revive?

A

Rooster 1994
Swansong 1995

23
Q

Bruce’s contribution

A
  • collaboration
  • wide range of eclectic starting points (social political themes)
  • develops fusion of graham and ballet with hints of folk and jazz