Quotes: Breaking Gods Flashcards

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1
Q

Things started to fall apart at home when my brother, Jaja, did not
go to communion

A

Jaja, the protagonist’s brother, refused to believe in something that doesn’t make sense to him, sort of already declaring him as not a religious person, a rebel.

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2
Q

His line moved the slowest because he pressed hard on each forehead to make a perfect cross with his ash-covered thumb and slowly, meaningfully enunciated every word of “dust and unto dust you shall return.”

A

An emphasis on Papa being a perfectionist.

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3
Q

He would hold his eyes shut so hard that his face tightened into a grimace, and then he would stick his tongue out as far as it could go.

A

Papa loved the religion with such intensity that the tight eyes and extended tongue were a sign that he just wanted to give in to his God.

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4
Q

when he [Father Benedict] said “native” his straight-line lips turned down at the corners to form an inverted U.

A

Father Benedict looked down on Nigeria and its native cultures and traditions.

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5
Q

And I would sit with my knees pressed together, next to Jaja, trying hard to keep my face blank, to keep the pride from showing, because Papa said modesty was very important.

A

Papa was a saviour to his people, yes, but he did not want to boast his helpful nature as it was a duty, he believed.

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6
Q

“Jaja, you did not go to communion,” Papa said quietly, almost a question.

A

Papa’s bubbling anger was right on the surface, waiting for the tipping point.

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7
Q

“The wafer gives me bad breath.”

A

Jaja referred to the bread in the communion as “wafer,” admitting that it wasn’t really a part of Jesus and it gave him bad breath: a clear act of rebellion.

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8
Q

“Then I will die.” Fear had darkened Jaja’s eyes to the color of coal tar

A

Jaja would rather die than blindly follow a religion that he doesn’t believe in.

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9
Q

She stared at the figurine pieces on the floor and then knelt and started to pick them up with her bare hands.

A

Mama, being submissive and used to Papa’s anger outbursts, picked up the pieces as though it was completely normal.

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10
Q

Even the glass
dining table was moving toward me.

A

Kambili’s anxiety and fear when something upset her Papa.

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11
Q

I knew that when the tea burned my tongue, it burned Papa’s love into me.

A

For Kambili, her father was God and she would do anything for his approval.

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12
Q

They seemed to bloom so fast, those red hibiscuses

A

It didn’t take long for rigidity and fear to become part of someone’s life and the fast-growing red hibiscus symbolises it.

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13
Q

“I’m sorry your figurines broke, Mama.”

A

Kambili felt sorry that Mama’s figurines broke but she did not want to blame Papa.

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14
Q

There were never tears on her face. The last time, only two weeks ago, when her swollen eye was still the black-purple color of an overripe avocado, she had rearranged them after she polished
them.

A

Papa was abusive. But after each beating, Mama felt more numb; eventually, she was so numb, she couldn’t cry.
The ballet figurines symbolise freedom.

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15
Q

My tongue felt like paper.

A

Kambili was still recovering for the shock of her brother almost being hit by her father.

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16
Q

Inside my head, thousands of monsters played a painful game of catch, but instead of a ball, it was a brown leather-bound missal that they threw to each other.

A

Kambili couldn’t stop thinking about the events that took place today.

17
Q

“I will not replace them [the broken figurines].”

A

Maybe Mama had had enough of Papa’s anger and abuse.

17
Q

“I will not replace them [the broken figurines].”

A

Maybe Mama had had enough of Papa’s anger and abuse.

18
Q

Jaja’s defiance seemed to me now like Aunty Ifeoma’s experimental purple hibiscus: rare, fragrant with the undertones of freedom.
A freedom to be, to do.

A

The name of the book “Purple Hibiscus” symbolises freedom, rarity and a sense of independence compared to the rigid, jail-like and dominating red hibiscus.