Quotes and Characters -AIC Flashcards

1
Q

“I was in that state when a chap easily turns nasty” (wide analysis)

A

Gender, class, responsibility

-Excuses his actions despite knowing they’re inexcusable

-He can’t forgive himself but his language still tries to do that because society does that & allows -encourages- these men to exploit Eva

-Casual speaking, blames it on alcohol

-She couldn’t stand up against him because of his class; abuses his power

-Powerless; her vulnerability

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2
Q

“I was in that state when a chap easily turns nasty” -close analysis

A

-‘state’: blames it on alcohol; no responsibility

-doesn’t even name the rape -> can’t bring himself to admit what he’s done -> perhaps alcoholism is caused by guilt + trying to drink away the memory & avoid responsibility

-‘chap’: brushes it off, boys will be boys, friendliness and informality as though all ‘chaps’ are like this -> suggests all men in Edwardian era could abuse power

-Eva has no option but to put up with sexual violence; her lack of wealth contrasts with his

-third person ‘chap’ distances himself from actions

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3
Q

“half shy, half assertive”

A

age, gender, class

Adjective ‘shy’ connotes nervousness and lack of confidence

Contrasts with ‘assertive’ which implies confidence and dominance

Contrasting adjectives creates sense of confusion, implying he is secretive

There is hope: ‘half’ is repeated to emphasise Eric’s character is not yet fully formed, indicating he could change.

“chap” that informal, casual language, brushing it off, boys will be boys

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4
Q

How does Eric change?

A

Throughout the play, Priestley has presented Eric as an immature young man with a drinking problem, an exploiter of Eva, and a thief. As Eric matures and accepts responsibility for his actions, he becomes receptive to the Inspector’s message that “We are members of one body. We are responsible for each other.”

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5
Q

What is the seed of doubt that Eric hasn’t learnt his lesson?

A

Right at the start, Eric is “squiffy”, this euphemism for alcoholic, and the seed of doubt is planted. It seems like he’s learnt the Inspector’s lesson now, but he’s learnt it whilst drunk. Would he even remember what happened the next morning?

-also about WW2 and how he likely would’ve signed up and died, so even if he did learn, the lesson would have died

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6
Q

Priestley has constructed characters to what?

A

Reveal his main ideas

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7
Q

What idea does Priestley use Eric to represent?

A

Capitalism personified as theft, and the hedonism and lack of responsibility of the upper class

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8
Q

Edna

A

-Only working-class character that actually appears on stage

-Demonstrates the mistreatment of the working class through her

-A minor character; representative of her minor, overlooked, disregarded role in society

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9
Q

“the Titanic…unsinkable”

A

Class

-Hyperbole illustrates out of touch with society and no clue about the injustice, inequality and unhappiness

-He is myopic (lacking foresight)

-Irony so audience know he’s untrustworthy and foolish

-Titanic is classic symbol of upperclass luxury, and of short-sighted foolishness and ignorance (like Mr Birling)

-also symbolic of tragedy, already foreshadowing the tragedy to come, not just in the play but in real life, if things do not change

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10
Q

“these girls aren’t cheap labour; they’re people”

A

responsibility, class

-stands up to her father

-quite humane, albeit a bit selfish and airheaded

-even sympathises at the start, unlike her mother, as she’s a girl herself

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11
Q

Sheila’s jealousy and exploitation of Eva as a result of patriarchal society

A

-Exploits her as she’s more attractive; only way to advance in society is to marry well and you need family income, name, and looks

-Patriarchal society pits women against each other for men’s validation and attention

-Her jealousy isn’t just created by her personality but by the rules of patriarchal society that don’t allow her to develop in any other way

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12
Q

“No, not yet. It’s too soon. I must think” -patriarchal society analysis and whether she has accepted social responsibility

A

-pivotal moment where she must either accept or reject Gerald and the capitalist individualism he stands for

-use of imperative “must” is direct message from Priestley to the audience to think for themselves

-calls into question if she’s learnt her lesson: she doesn’t say no.

-society has not changed, despite Inspector’s words. At least he’s been honest and didn’t rape her like Eric, and he’s the richest bachelor in town

-Really strong social and patriarchal drive for her to marry Gerald

-Not much hope for younger gen. -power stays with patriarchal society and upperclass will never change

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13
Q

“No, not yet. It’s too soon. I must think” -how she has no choice but to take him back analysis

A

-Introduces very real possibility she’ll tell herself she doesn’t have a better option; all upperclass men are like him, and will take him back

-“Not yet”: she doesn’t say no. It implies she eventually will, just not right now

-she has very little choice: in Edwardian society, women were oppressed and had few rights, and relied on marrying well for financial security

-her engagement was a business deal between the families, & for the Crofts’ wealth + status, so her parents will force her to take him back -“you’re just the kind of son-in-law I’ve always wanted” (Mr B)

-the ring is a symbol of capitalist and patriarchal values (if she accepts she is turning her back on her socialist ideology), and example of cyclical structure (implying nothing’s changed): he gives her a ring at the start and at the end of the play

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14
Q

“It happened that a friend…let me have the key to a nice little set of rooms”

“I didn’t feel about her as she felt about me”

A

gender, class

-code for putting a mistress in there; he immed. goes to Palace bar to find one -cheaper than paying for a prostitute over time

-he can be her ‘Prince Charming’ & have his fun, then go back to real life + get engaged + married

-He hells her he’s going away for business, but the real reason is his friend coming back from Canada -> he’d have to pay for a flat to keep her -> not that costly for a man like him, but shows she’s not worth the rent of a flat -> so gets rid of her

-power imbalance; abuses and exploits her (gets her drunk first), and actually thinks he’s a good and kind person

-took advantage of her and enjoyed the attention and power

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15
Q

“girls of that class”

A

class, gender, responsibility

-more loyal to her class than gender

-diminutive noun ‘girls’ shows she looks down on all working-class women, doesn’t see her as a grown woman

-she has no root to authority or power in her life & can only have influence by clinging to the patriarchal class structure and denying her charity

-hypocrisy as she’s a woman and a mother, and set up the charity as she knew how difficult life was for working class women

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16
Q

“We are members of one body. We are responsible for each other”

A

responsibility

-P wanted a social and political shift to take Britain forward to a society of equality and community after WW2

-didactic; socialist message

-Christian symbolism as most of 1945 audience were Christian: Eucharist, the Christian service where you eat the bread and it’s the body of Jesus (all members of one body)

-uses these words to convince audience if they’re Christian, they have to be socialists

-reminds everyone that their actions affect others, like “bees in a hive”

17
Q

‘If men will not learn that lesson, then they will be taught it in fire and blood and anguish”

A

responsibility

-enhances his message through supernatural imagery

-“men” suggests women have the power to change society

-allusion to Biblical description of hell -> adds to other-worldly aspect of Inspector

-direct reference to suffering of war, which is so fresh in audience’s minds

-ANTI WAR PLAY: P argues if country and government were more socialist, they wouldn’t take the country into war as they wouldn’t see human life as expendable, as some kind of balance sheet of profit and loss

18
Q

“better to ask for the Earth than to take it”

A

Class, responsibility

-suggests capitalist society is so greedy it’ll consume the whole Earth

-better to use diplomacy

-draws parallel to rapacious upper and middle classes of Edwardian England who exploit working classes for their gain + will sacrifice their children to war to get more money

-for modern audience, can link to climate change: hunger of people and huge multinational companies, governments, and wealthy who strip the Earth bare of its resources and cause devastating effects of climate change -> exploit Earth to get money and luxury

19
Q

“[young ones] are more impressionable”

A

generational divide

-hope for the future with younger generation -the children are more altruistic and empathetic

-they’re the ones who can change society

-implying that for society to change the younger generation have to break away from the older ones’ ideas and prejudice

-they can take on other opinions and shape society positively

-post war audience needs to do the same to avoid repeating same mistakes

-but for modern audience, social media’s influence can be a negative thing

20
Q

“the famous younger generation who know it all”

A

generational divide

-Mr Birling is mocking his children

-he has not changed at all, compared to his children who accept their fault and responsibility in Eva’s death

-he refuses to take the Inspector’s warning seriously and it’s people like him who will start the ‘fire and blood and anguish’ (like the wars; P is giving the audience someone to blame -capitalists like him)

-his derision makes it clear that he does not view his children as equals or care about their opinions; he shows off his superiority by mocking their supposed superiority (‘know it all’) -> perhaps a criticism of Edwardian society’s treatment of children

-represents his control over his children

21
Q

“Millions and millions of Eva Smiths and John Smiths”

A

responsibility, class

-repetition is symbolic, emphasising there are lots of working-class people who we have a duty to help

-all common names to suggest there are many people who they never paid attention to who are suffering

-not just about gender

22
Q

“run along”

A

generational divide

-Mr B infantilises Sheila, who’s a grown woman, and calls her “child”

-thinks “young women” should not be exposed to “unpleasant and disturbing things”, but it’s different for working-class women

-does not treat her like an equal; very condescending and patronising

-also highlights his gender bias and patriarchal sentiments

-women were meant to be very demure and mindful in Edwardian era, and seen but not heard. He doesn’t want Sheila to know the bad things happening in the world, perhaps so she doesn’t form opinions of her own, especially opposite to his

23
Q

Double ending + cyclical structure

A

-first ending where Inspector gives his parting speech and leaves; play could end there but doesn’t

-second ending is redemption, a chance for them to make up for their mistakes, and used to show if they’ve really changed or not

-represents the 2 world wars, as we didn’t learn our lesson the first time and it happened again, with even more devastation and destruction

-so the second time will be worse for the Birlings too

-cyclical structure: it will go round and round until they learn their lesson and change

24
Q

Mr Birling analysis -insecurity

A

-middle class and doesn’t come from old money (Crofts and Mrs B), so socially inferior and constantly insecure in his social position as class was vital in Edwardian society

-constantly tries to impress Gerald, who’s upperclass, bringing up his possibility of getting a “knighthood” and his past role of “lord mayor” and how he plays golf with the chief inspector

-stage directions state Mrs B is her “husband’s social superior” -he may be head of household but is socially inferior to his own wife

-due to his lack of aristocratic background, he is desperate to impress the Crofts and uphold his status, hence insecurity drives his actions

-uses rhetorical questions to the Inspector: “Eh, Inspector” and “Is it now?” to create a pompous facade of authority to conceal his insecurity, and constantly interrupts Eric with imperatives “you should keep quiet”, as that’s one instance he’s superior (to his own son that he enjoys exerting control over)

-stage directions say he’s “provincial” in his speech, indicating his working class origins, which he feels he has to compensate for

25
Q

Mrs Birling descriptive words

A

-imperious (arrogant), cold, unsympathetic, heartless, prejudiced

26
Q

Mr Birling -capitalism analysis

A

-he’s an extended caricature for capitalism, calling himself a “hard headed businessman” & repeating it three times, designed to give a comical effect

-and a symbolism for the ‘new money’ and emerging middle class that would have been seen as an inspiration to an 1912 audience

-However, P encourages us to view him through a socialist lens

-His fortune is built on exploitation of the working class

-he makes a whole speech about himself and his profit and class at Sheila’s engagement party, conveying how narcissistic and bourgeois he is

-willingly sacrifices his own daughter’s happiness to use as a bargaining chip for business and profit, like how the upperclass sacrificed their children to war for profit