Quotes Flashcards

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1
Q

Two vast and trunkless legs

A

Ozymandias

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2
Q

Sneer of cold command

A

Ozymandias

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3
Q

Look on my works, ye Mighty, and despair

A

Ozymandias

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4
Q

level sands stretch far away

A

Ozymandias

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5
Q

each chartered street…mark in every face

A

London

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6
Q

every cry of every man / every infants cry of fear

A

London

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7
Q

mind-forged manacles

A

London

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8
Q

black’ning church appalls…runs in blood down palace walls

A

London

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9
Q

It’s usual home

A

The Prelude

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10
Q

Melted all into one track of sparkling light

A

The Prelude

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11
Q

As if with voluntary power instinct

A

The Prelude

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12
Q

My brain worked with a dim and undetermined sense

A

The Prelude

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13
Q

No pleasant images of trees

A

The Prelude

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14
Q

Like living men, moved slowly through the mind

A

The Prelude

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15
Q

Looking as if she were alive

A

My Last Duchess

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16
Q

‘Twas not her husband’s presence only that called that spot of joy into the Duchess’ cheek

A

My Last Duchess

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17
Q

How she ranked my gift of nine hundred years name with anybody’s gift

A

My Last Duchess

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18
Q

I gave commands / Then all smiles stopped together

A

My Last Duchess

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19
Q

Though his fair daughter’s self … is my object

A

My Last Duchess

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20
Q

Rode the six hundred / left of six hundred / noble six hundred

A

Charge of the Light Brigade

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21
Q

Was there a man dismay’d

A

Charge of the Light Brigade

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22
Q

Cannon to the right of them … left of them … in front of them

A

Charge of the Light Brigade

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23
Q

Storm’d at with shot and shell

A

Charge of the Light Brigade

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24
Q

When can their glory fade?

A

Charge of the Light Brigade

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25
Q

Our brains ache in the merciless iced east winds that knife us

A

Exposure

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26
Q

But nothing happens

A

Exposure

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27
Q

Like a dull rumour of some other war

A

Exposure

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28
Q

We only know war lasts, rain soaks and clouds sag stormy

A

Exposure

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29
Q

Sudden successive flights of bullets streak the silence

A

Exposure

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30
Q

Is it that we’re dying?

A

Exposure

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31
Q

Slowly our ghosts drag home

A

Exposure

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32
Q

For love of God seems dying

A

Exposure

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33
Q

We are prepared

A

Storm on the Island

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34
Q

You know what I mean

A

Storm on the Island

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35
Q

Exploding comfortably down on the cliffs

A

Storm on the Island

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36
Q

It is a huge nothing we fear

A

Storm on the Island

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37
Q

Suddenly he awoke and was running

A

Bayonet Charge

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38
Q

Bullets smacking the belly out of the air

A

Bayonet Charge

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39
Q

The patriotic tear that had brimmed his eye

A

Bayonet Charge

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40
Q

In what cold clockwork … Was he the hand pointing that second?

A

Bayonet Charge

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41
Q

King, honour, human dignity, etcetera / Dropped like luxuries in a yelling alarm

A

Bayonet Charge

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42
Q

His terror’s touchy dynamite

A

Bayonet Charge

43
Q

On another occasion we get sent out / to tackle looters

A

Remains

44
Q

Probably armed, possibly not

A

Remains

45
Q

So all three of us open fire

A

Remains

46
Q

I swear / (enjambment) / I see every round as it rips through his life

A

Remains

47
Q

I see broad daylight on the other side

A

Remains

48
Q

Tosses his guts back into his body

A

Remains

49
Q

End of story, except not really

A

Remains

50
Q

Then I’m home on leave. But I blink

A

Remains

51
Q

Drink and the drugs won’t flush him out

A

Remains

52
Q

He’s here in my head when I close my eyes / dig deep behind enemy lines

A

Remains

53
Q

His bloody life in my bloody hands

A

Remains

54
Q

Before you left / I pinned one onto your lapel, crumpled petals, / spasms of red

A

Poppies

55
Q

Steeled the softening of my face

A

Poppies

56
Q

Run my fingers through the gelled blackthorns of your hair

A

Poppies

57
Q

A split second and you were away, intoxicated

A

Poppies

58
Q

I went into your bedroom / released a songbird from its cage … dove flew from the pear tree

A

Poppies

59
Q

Skirting the church yard walls

A

Poppies

60
Q

I listened, hoping to hear your playground voice catching on the wind

A

Poppies

61
Q

In his darkroom he is finally alone / with spools of suffering

A

War Photographer

62
Q

Belfast. Beirut. Phnom Penh. All flesh is grass

A

War Photographer

63
Q

His hands, which did not tremble then / but seem to now

A

War Photographer

64
Q

Fields which don’t explode beneath the feet of running children in nightmare heat

A

War Photographer

65
Q

Half-formed ghost

A

War Photographer

66
Q

A hundred agonies in black-and-white / from which his editor will pick out five or six

A

War Photographer

67
Q

The reader’s eyeballs prick with tears between the bath and pre-lunch beers

A

War Photographer

68
Q

He earns his living and they do not care

A

War Photographer

69
Q

Paper that lets light shine through, this is what could alter things

A

Tissue

70
Q

The kind you find in well used books, the back of the Koran

A

Tissue

71
Q

Who died … on which sepia date

A

Tissue

72
Q

Pages … turned transparent with attention

A

Tissue

73
Q

If buildings were paper, I might feel their drift

A

Tissue

74
Q

Fine slips from grocery shops

A

Tissue

75
Q

What was paid … might fly our lives like paper kites

A

Tissue

76
Q

Find a way to trace with grand design / (enjambment) / with living tissue

A

Tissue

77
Q

Turned into your skin

A

Tissue

78
Q

There once was a country … I left it as a child

A

The Emigree

79
Q

The worst news … cannot break my original view

A

The Emigree

80
Q

It may be sick with tyrants

A

The Emigree

81
Q

The white streets of that city

A

The Emigree

82
Q

As time rolls it’s tanks

A

The Emigree

83
Q

That child’s vocabulary … opens and spills a grammar

A

The Emigree

84
Q

It tastes of sunlight

A

The Emigree

85
Q

They accuse me of being dark in their free city

A

The Emigree

86
Q

My shadow falls as evidence of sunlight

A

The Emigree

87
Q

Dem tell me / Dem tell me / Wha dem want to tell me

A

Checking out me History

88
Q

Blind me to me own identity

A

Checking out my History

89
Q

1066 and all dat / Dick Whittington and he cat

A

Checking out me History

90
Q

Toissaint de beacon of de Haitian Revolution

A

Checking out me History

91
Q

De man who discover de balloon / de cow who jump over de moon … never tell me bout Nanny de maroon

A

Checking out me History

92
Q

Nanny / see-far woman

A

Checking out me History

93
Q

Florence Nightingale … never tell me bout Mary Seacole

A

Checking out me History

94
Q

A yellow sunrise to the dying

A

Checking out me History

95
Q

I carving out me identity

A

Checking out me History

96
Q

A shaven head / full of powerful incantations

A

Kamikaze

97
Q

Enough fuel for a one-way journey into history

A

Kamikaze

98
Q

Recounting it later to her children

A

Kamikaze

99
Q

Like a huge flag … the dark shoals of fishes … swivelled towards the sun

A

Kamikaze

100
Q
  • yes, grandfather’s boat -
A

Kamikaze

101
Q

We children still chattered and laughed / till gradually we too learned to be silent

A

Kamikaze

102
Q

This was no longer the father we loved

A

Kamikaze

103
Q

He must have wondered / which had been the better way to die

A

Kamikaze