Quotes Flashcards

1
Q

‘I called myself Pip’ p.5

A

tries to choose/shape his own identity (same as Pi - wrote his name as ‘Pi Patel’ on the board p.22, however Pi is more assertive with it and Pip has his identity changed (Handel ironic as he wrote music called harmonious blacksmith - what Pip is trying to escape. Mr Pip by Jaggers).
‘Pip’ suggests development, vulnerability, insignificant

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2
Q

‘Mrs Joe Gargery’

A

her identity has become her husbands. reflection pf lack of women authority/identity. Links to ‘Georgiana Wife of the Above’ - less significant, defined by her relationship with her husband

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3
Q

p.8-9

A

Pip + convict (sense of bond)
pathetic fallacy
notices physical suffering
compassionate

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4
Q

‘who’s firing?’ p.15

A

shows naivety, innocence, young

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5
Q

‘having at that time to find out for myself what the expression meant’ p.9

A

reflection, shows narrator is older pip, more knowledgeable, change will happen

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6
Q

‘my boy’

A

convict + pip
surrogate father relationship, foreshadowing future events
bond, closeness

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7
Q

‘nothing that he wore then fitted him or seemed to belong to him’ p.23

A

identity formed through clothes, uncomfortable, doesn’t belong out of the forge, links to later in the novel

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8
Q

‘Joe(who was a good judge)’ p.34

A

wisdom, not intellectual but moral, compassionate, who Pip should be like

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9
Q

‘Joe took me on his back’ p.33

A

metaphorical as surrogate father

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10
Q

‘I took some wittles’ p.38

A

convict protects pip

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11
Q

‘He’s a gentleman’

A

resentment from Pip’s convict. Judges would favour higher status. He was treated unfairly by the higher class - foreshadows future revenge

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12
Q

‘I was much more ignorant than I had considered myself last night’ p.62

A

turning point. Estella changes Pip’s world view, reason for his change

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13
Q

‘coarse hands’ p.62

A

unrefined, labourer, hard-working, lower class

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14
Q

‘he is rather backward in some things’ p.138

A

Pip’s view on Joe has changed, snobbery, feels he is better than joe because of his education.

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15
Q

‘remove Joe into a higher sphere’ p.139

A

patronising, not his place to move Joe, SOCIAL CONTEXT - Victorian society don’t normally move classes- links to p.206 when joe changes his clothes and does not fit in. snob pip

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16
Q

‘you and me is not two figures to be together in London’ p.206

A

Victorian society, they are now of different social classes. Joe doesn’t want to embarrass pip

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17
Q

‘I am wrong in these clothes’ p.206

A

Joe knows he belongs in the forge, knows his place/social class and has no intention of bettering himself, knows Pip is judging him on his appearance.

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18
Q

‘my spirits may have been oppressed by the hot exhausted air’ p.152

A

LONDON - opposite to the utopia he was expecting, foreshadows shattering of his expectations

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19
Q

‘fur cap’ p.151

A

superfluous, wealth, materialistic, money, riches, opposite of what Pip is

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20
Q

‘great black dome’ p.152

A

ironic as church is supposed to be homely, religious but it is smeared with dirt - opposite of expectations

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21
Q

‘where people were publically whipped’ p.152

A

violence, death, sinister, dismal atmosphere

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22
Q

‘gave me a sickening idea of London’ p.152

A

opposite of pip’s expectations, dystopia, disappointment

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23
Q

‘if you’ll forgive me for having knocked you about’

A

Herbert is well-mannered, perfect qualities of a gentleman, represents what Pip should be like. teacher and moral guide. Dickens is suggesting that gentleman doesn’t have to be successful but happy and kind.

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24
Q

‘no varnish can hide the grain of the wood’ p.167

A

appearance vs reality/superficiality. varnish = clothes. sooner or later real person will be revealed, can’t be a fake gentleman - ironic as that is what pip is, foreshadows pip’s downfall.

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25
Q

‘a natural incapacity to do anything secret or mean’ p.163

A

qualities of a true gentleman, opposite of pip as he stole food for convict and lied to Mrs Joe + pumblechook about what happened at satis house. OPPOSITE OF VICTORIAN VIEW OF A GENTLEMAN (drummle p.186)

26
Q

‘my clothes were rather a disappointment’ p.146

A

pip is uncomfortable, shows he is a false gentleman, superficiality of wealth. materialistic

27
Q

‘she had grown up highly ornamental but perfectly helpless and useless’ p.174

A

Mrs Pocket - shows societal views on how woman should act. She has been moulded and created by society

28
Q

‘said I, in a virtuous and superior tone’ p.139

A

older pip looking back, realises how he was snobbish

29
Q

‘most dismal’ p.159 BARNARDS INN

A

repetition of dismal to reflect his negative feelings. same page - violent verbs, links to isolated Pip - dilapidated, run-down, neglected, corrupted

30
Q

‘To Let to Let to Let’ p.159

A

suggests identity of pip is for sale, doesn’t control his identity, emptiness

31
Q

‘slowly collapsing into sawdust’ p.159

A

symbol of pip’s expectations - ‘so imperfect was this realisation of the first of my great expectations’

32
Q

‘empty rooms’ p.159

A

reflects Pip’s emotional emptiness, turmoil, lack of specific place

33
Q

‘Jack of all trades’ p.191

A

Wemmick - creative, hard-working, supportive, doesn’t rely on other people. Opposite of Pip.

34
Q

‘began to notice their effect upon myself’

A

Pip changes depending on who he is with. Effect of the superfluous Victorian society. Conscious realisation of his change - innate goodness

35
Q

‘my lavish habits led his easy nature into expenses that he could not afford’

A

corrupting Herbert his moral self

36
Q

‘stormy and wet’ p.287

A

pathetic fallacy - foreshadows Pip’s emotional turmoil, shattering of Pip’s expectations, revelation

37
Q

‘I laid a hand upon his breast and put him away’ p.290

A

rude, snob pip, repulsion, contrast to Magwitch’s warmth and affection. Pip’s closed emotions, dialogue as indication of social class

38
Q

‘long iron-grey hair’ p.289

A

links to metal chains when he was arrested. convict side, untrustworthy?

39
Q

‘I am what you have made me’ p.279

A

Estella - ‘made’ - moulded, shaped by Miss H to be cold and heartless. Reflects patriarchal society as women were seen to be objects and possessions of others. ‘I am’ is assertive

40
Q

‘sheep-farmer’

A

Magwitch, Wemmick and Joe are all useful, proud of their trades, Pip is useless like Mrs Pocket

41
Q

p.293

A

Magwitch could be a selfish character - wants revenge on society/ could be caring - protecting and caring for pip.

42
Q

‘you’re my son’ p.293

A

Magwitch has become surrogate father to Pip

43
Q

‘abhorrence’

A

Pip is self-dramatising - doesn’t want Magwitch to be his benefactor as he won’t be with Estella. Shattered expectations - ‘I began to fully know how wrecked I was’

44
Q

‘don’t know yah!’ p.226

A

Trabb’s boy is showing Pip the reality of his expectations as he is mocking Pip. Symbolises how Pip reject the Forge and Joe because he feels inferior to them. Enforces how Pip is now powerless - money did not give him power

45
Q

‘clean and new’ money as repayment for the ‘sweltering’ ones that Magwitch gave him

A

ironic as reflects Pip’s snobbery as he does not know whose money he is giving away but acts inferior, false gentleman.

46
Q

‘if you could spare the money to do my friend Herbert a lasting service’

A

PIPS CHANGE - wants to help Herbert, first act of kindness with money, doesn’t want to betray Herbert - realises friends are more important than money. Becoming a true gentleman. atoning for getting him into debt (moral self)

47
Q

‘I have no hope that I shall ever call you mine’ p.330

A

Pip realises his expectations are unrealistic, will never be with Estella due to his benefactor.

48
Q

‘bestow yourself upon some worthier person than Drummle’ p.332

A

matures, puts Estella’s happiness before his. honest about his background

49
Q

‘tremulous right hand’ p.361

A

Miss H was intimidating, strong, powerful character, now she is weak, afraid and seeks redemption. POWER DYNAMICS HAVE CHANGED

50
Q

‘looking at me perfectly unmoved’ p330

A

Estella doesn’t understand love or emotions, cold and heartless, tragic character, Sympathy from readers

51
Q

‘you have been in every prospect I have even been since’ p.333

A

Estella is what Pip has been working towards, believed that being a gentleman would allow him to attain Estella. Melodramatic narrator - links to p.213 ‘I loved her against reason’

52
Q

‘height of the fire above her head’ p.369

A

shows immensity of the fire, how much she has to atone for, her redemption (Miss H)

53
Q

‘I can do it now’ p.363

A

shows Pip’s maturity, wants to forgive Miss H as he is seeking forgiveness himself - ‘there is nothing’ - puts others before himself.. becomes true gentleman

54
Q

‘I think he’s alright’ p.392

A

shows Pip’s maturity, ironic that Trabb’s boy is the first one he sees, no longer mocking him so it reflects how Pip is now a true gentleman despite having no money

55
Q

‘She is a lady and very beautiful’ p.420

A

Revelation of Estella’s parentage compares with Pip’s, she is no longer unattainable. Both obtained higher social class but at a cost.

56
Q

‘the sun was striking’

A

MAGWITCH’S DEATH - contrast to dark imagery of his revelation, he has changed. died peacefully as himself rather than be hanged as a criminal. repenting. Sympathy created

57
Q

‘I saw him everyday’ p.416

A

Shows Pip’s redemption and change. Realises loyalty and family are more important than wealth and status. Selflessness, true gentleman,

58
Q

‘I have been bent and broken - but I Hope - into better shape’ p.420

A

Estella has had to suffer pain and suffering in order to become a better person

59
Q

‘I have forgotten nothing in my life that ever had a foremost place there’ p.440

A

Every event/experience/relationship has shaped his identity

60
Q

‘I am greatly changed’ p.441

A

Estella acknowledges her development