Quotes Flashcards

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1
Q

George cares about Lennie’s feelings

A

‘He looked across the fire at Lennie’s anguished face, and then he looked ashamedly at the flames’

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2
Q

Lennies shows awareness that George does need him

A

‘Lennie avoided the bait. He had sensed his advantage’

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3
Q

The power the American dream holds over them

A

‘George’s voice became deeper. He repeated his words rhythmically as though he had said them many times before’

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4
Q

George deludes himself about a better life

A

‘god a’mighty, if i was alone i could live so easy’

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5
Q

Bunkhouse being a place of pain and hardship

A

‘And there were medicines on the shelves, and little vials…’

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6
Q

Their ultimate dream

A

“An’ live off the fatta the lan”

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7
Q

Lennie and George as parent and child

A

‘Good boy! That’s fine, Lennie!’ ‘Lennie choked with pride.’

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8
Q

Bunkhouse having no care put into it

A

‘Inside, the walls were whitewashed and the floor unpainted.’

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9
Q

Bunkhouse resembling a prison

A

‘At about ten o’clock in the morning the sun threw a bright dust-laden bar through one of the side windows, and in and out of the beam flies shot like rushing stars.’

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10
Q

Candy having a disability

A

‘He pointed with his right arm, and out of the sleeve came a round stick-like wrist, but no hand.’

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11
Q

Never actually believed in the American Dream (initially)

A

‘This thing they had never really believed in was coming true.’

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12
Q

The ruthless utilitarian nature of the ranch

A

‘You seen what they done to my dog tonight? They says he wasn’t no good to himself nor nobody else.’

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13
Q

Curley may have power but he has no respect from the other men

A

‘You God dam punk, ‘You come for me, an I’ll kick your God dam head off.’

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14
Q

Crooks’ lodgings symbolizing the segregation at the time

A

‘a little shed that leaned off the wall of the barn.’

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15
Q

The items in the harness room symbolising how Crooks has been similarly abused by authority and discarded

A

‘On pegs were also pieces of harness, a split collar with the horsehair stuffing sticking out, a broken hame, and a trace chain with its leather covering split.’

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16
Q

Crooks relying on education to navigate racist society

A

‘a tattered dictionary and a mauled copy of the California civil code for 1905.’

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17
Q

Crooks being denied a voice in society

A

‘pain-tightened lips’

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18
Q

The stymieing effects of racism shown through the fact that Crooks returns to the liniment

A

‘Now and then he poured a few drops of liniment.’

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19
Q

The brutal reality that racism is the sole reason for why Crooks isn’t wanted

A

‘Cause I’m black.’

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20
Q

Crooks not naturally aloof

A

‘Crooks scowled, but Lennie’s disarming smile defeated him’

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21
Q

The isolation of black people

A

‘There wasn’t another coloured family for miles around. And now there ain’t a coloured man on this ranch an’ there’s jus’ one family in Soledad.’

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22
Q

What would happen to Lennie without George to protect him

A

‘They’ll take ya to the booby hatch. They’ll tie ya up with a collar, like a dog.’

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23
Q

The importance of companionship

A

‘A guy needs somebody to be- to be near him.” he whined, “A guy goes nuts if he ain’t got nobody.’

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24
Q

Futility of the American Dream

A

‘Hundreds of them. They come, an’ they quit an’ go on; an’ every dam one of ‘em’s got a little piece of land in his head. An’ never a God dam one of ‘em ever gets it.’

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25
Q

Reminder that women were above black people in society

A

‘You know what I can do to you if you open your trap?” Crooks stared hopelessly at her, and then he sat down at the bunk and drew into himself.’

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26
Q

Slurs labelled at Curley’s wife to indicate the threat she poses

A

‘a tart’; ‘what a tramp’; ‘that bitch’; ‘jailbait’; ‘poison’ ‘rattrap’

27
Q

Steinbeck foreshadowing the destructive role Curley’s wife will play in scuppering their dream

A

‘Both men glanced up, for the rectangle of sunshine in the doorway was cut off. A girl was standing there looking in.’

28
Q

The incongruous nature of her appearance on a ranch showing she does not belong

A

‘She had full, rouged lips and wide-spaced eyes, heavily made up.’

29
Q

Curley’s wife’s flirtatious manner

A

‘She put her hands behind her back and leaned against the doorframe so that her body was thrown forward’

30
Q

Slim secure in his job- not afraid of Curley

A

‘“Hi, Good looking”’

31
Q

Lennie’s animalistic intuition of the dangers the ranch poses

A

‘Lennie cried out suddenly-‘‘I don’t like this place, George. This ain’t no good place. I wanna get outta here.’”

32
Q

Slim’s elevated position on the ranch

A

‘he moved with a majesty only achieved by royalty and master craftsmen. ‘the prince of the ranch.’

33
Q

Slim’s authority on the ranch

A

‘His authority was so great that his word was taken on any subject, be it politics or love.’

34
Q

Reason for solitude: fear:

A

‘Maybe ever’body in the whole damn world is scared of each other.’

35
Q

The distrust between Curley and his wife:

A

‘Curley popped into the doorway again and stood looking into the room’

36
Q

The symbolic hopelessness of the bunkhouse that is unrelenting

A

‘Although there was evening brightness showing through the windows of the bunk house, inside it was dusk.’

37
Q

Link between George’s attitude towards Lennie and Candy towards his dog

A

‘George spoke proudly..’

38
Q

George acknowledging his own failings

A

“‘If I was bright, if I was even a little bit smart, I’d have my own little place…”’

39
Q

The consequences of loneliness/isolation

A

‘I seen the guys that go around on the ranches alone. That ain’t no good. They don’t have no fun. After a long time they get mean.’

40
Q

Crooks being treated as a spectacle

A

‘“The guys said on account of the n**r’s got a crooked back, Smitty can’t use his feet.” He paused in relish of the memory’

41
Q

Lennie needing George for assistance

A

‘In a panic, Lennie looked at George for help.’

42
Q

The rarity of friendship on the ranch

A

‘Well, I never seen one guy take so much trouble for another guy.’

43
Q

Mental illness not understood or accepted

A

‘He got kicked in the head by a horse when he was a kid.’

44
Q

Candy’s age as a handicap embodied by his dog

A

‘At his heels there walked a drag footed sheep dog, gray of muzzle, and with pale blind, old eyes.’

45
Q

solitariness of the ranch

A

‘A guy on a ranch don’t never listen nor he don’t ask no questions.’

46
Q

The aggressiveness of Curley

A

‘His arms gradually bent at the elbows and his hands closed into fists. He stiffened and went into a slight crouch.’

47
Q

The violence of Curley

A

‘Curley lashed his body around’

48
Q

The hierarchy and nepotism on the ranch

A

‘Won’t ever get canned ‘cause his old man’s the boss.’

49
Q

The sexist male interpretation of women

A

‘Well- she got the eye’

50
Q

Bucolic imagery/ prelapsarian world

A

‘The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool.’

51
Q

The destructive nature of humanity

A

‘a path beaten hard by boys coming down from the ranches to swim in the deep pool, and beaten hard by tramps’

52
Q

Relationship dynamics between George and Lennie.

A

’ They had walked in single file down the path, and even in the open one stayed behind the other’

53
Q

Inherent danger and clumsiness of Lennie

A

‘dragging his feet a little, the way a bear drags his paws’

54
Q

The power George wields over Lennie

A

’ “Give it here!” Lennie’s closed hand slowly obeyed.’

55
Q

Lennie’s absentmindedness

A

‘Shapeless of face’ ‘His face grew tight with thought’

56
Q

George taking care of Lennie

A

’ “I got both of ‘em here. Think I’d let you carry your own work card?” ‘

57
Q

Lennie’s unawareness of consequences

A

‘Lennie looked puzzled. “Like I done in Weed?” ‘

58
Q

Lennie worshiping George

A

‘George lay back on the sand and crossed his hands under his head, and Lennie imitated him, raising his head to see whether he were doing it right’

59
Q

George’s inner frustration that he projects onto others

A

’ “We could just as well of rode clear to the ranch if that bastard bus driver knew what he was talkin’ about” ‘

60
Q

Candy is lonely after the death of his dog

A

‘I aint got no relatives or nothing’

61
Q

he is portrayed

A

‘old candy’

62
Q

Even in death Curely’s wife is criticised

A

‘you lousy tart’

63
Q

Carlson shows his lack of human empathy for others

A

‘Now the hell ya suppose is eaten them two guys’