QUOTES Flashcards

1
Q

Macbeth’s ruthless lust for power is addictive and, ultimately, self-destructive.

Macbeth&Ambition

A

onlyVaulting ambition, which o’erleaps itselfAnd falls on the other (Macbeth)

I am in bloodStepp’d in so far that, should I wade no more,Returning were as tedious as go o’er (Macbeth)

Out, out, brief candle!Life’s but a walking shadow

Thou wast born of womanBut swords I smile at, weapons laugh to scorn,Brandish’d by man that’s of a woman born

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2
Q

Macbeth’s violent nature, as described by the injured captain in Act I, foreshadows what is to come

Macbeth&Violence

A

theyDoubly redoubled strokes upon the foe (Captain)

he unseam’d him from the nave to the chaps (Captain)

carved out his passageTill he faced the slave (Captain)

Before my bodyI throw my warlike shield. Lay on, Macduff (Macbeth)

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3
Q

Shakespeare’s decision to immediately show Macbeth’s guilt manipulates the audience to sympathise

Macbeth

A

A dagger of the mind, a false creation,Proceeding from the heat-oppressed brain (Macbeth)

But wherefore could not I pronounce ‘Amen’? (Macbeth)

Who should against his murderer shut the door,Not bear the knife myself (Macbeth)

O, full of scorpions is my mind, dear wife! (Macbeth)

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4
Q

Blind ambition compels Macbeth to see what he wants to see, rather than what is actually before him

Macbth&Ambition

A

onlyVaulting ambition, which o’erleaps itselfAnd falls on the other (Macbeth)

Till Birnam wood remove to Dunsinane,I cannot taint with fear (Macbeth)

Then fly,false thanes,And mingle with the English epicures

Thou wast born of womanBut swords I smile at, weapons laugh to scorn,Brandish’d by man that’s of a woman born

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5
Q

Macbeth’s ruthless lust for power is addictive and, ultimately, self-destructive

Ambition

A

onlyVaulting ambition, which o’erleaps itselfAnd falls on the other (Macbeth)

I am in bloodStepp’d in so far that, should I wade no more,Returning were as tedious as go o’er (Macbeth)

Thou wast born of womanBut swords I smile at, weapons laugh to scorn,Brandish’d by man that’s of a woman born

Out, out, brief candle!Life’s but a walking shadow

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6
Q

Macbeth’s ambition increasingly isolates him and leads to paranoia

Ambition

A

these terrible dreamsThat shake us nightly

I am in bloodStepp’d in so far that, should I wade no more,Returning were as tedious as go o’er:

…that which should accompany old age,As honour, love, obedience, troops of friends,I must not look to have (Macbeth)

Then fly,false thanes,And mingle with the English epicures

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7
Q

In Acts IV and V, Macduff’s very real masculinity exposes Macbeth’s perverted version of masculinity

A

Yet do I fear thy nature;It is too full o’ the milk of human kindness (Lady Macbeth)

MALCOLM: Dispute it like a man.MACDUFF: I shall do so;But I must also feel it as a man

Macduff: O, I could play the woman with mine eyes
Act IV Sc 3

Before my bodyI throw my warlike shield (Macbeth

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8
Q

Macduff’s emotional response to his family’s slaughter, and his subsequent resolve turn the audience further against Macbeth

A

Malcolm: Be this the whetstone of your sword: let griefConvert to anger

Macduff: What, all my pretty chickens and their damAt one fell swoop?

MALCOLM: Dispute it like a man.MACDUFF: I shall do so;But I must also feel it as a man

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9
Q

The Weird Sisters’ warning ‘Beware Macduff’ prompts Macbeth to slaughter Macduff’s family, which in turn focuses Macduff’s vengeance

A

If thou be’st slain and with no stroke of mine,My wife and children’s ghosts will haunt me still (Macduff)

Bring thou this fiend of Scotland and myself;Within my sword’s length set him (Macduff)

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10
Q

Through Lady Macbeth, the audience is shown that equivocation can lead to guilt and self-ruin

A

Will these hands ne’er be clean? (Lady Macbeth)

all the perfumes of Arabia will not sweeten this little hand (Lady Macbeth)

Nought’s had, all’s spent,Where our desire is got without content

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11
Q

Shakespeare represents evil in different ways according to gender: Macbeth (men) can be violent; Lady Macbeth (women), manipulative

A

What cannot you and I perform uponThe unguarded Duncan? (Lady Macbeth)

Wouldst thou have thatWhich thou esteem’st the ornament of life,And live a coward in thine own esteem

he unseam’d him from the nave to the chaps (Captain)

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12
Q

The early subversion of gender roles between Macbeth and Lady Macbeth hints at the perversion of the natural order of the universe

A

yet do I fear thy nature;It is too full o’ the milk of human kindness (Lady Macbeth)

I dare do all that may become a man;Who dares do more is none (Macbeth)

My hands are of your colour; but I shameTo wear a heart so white (Lady Macbeth)

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13
Q

Banquo’s choice to remain loyal to Duncan’s name leads him on a very different path to Macbeth’s

A

If you can look into the seeds of time,And say which grain will grow and which will not (Banquo)

I fear,Thou play’dst most foully for’t (Banquo on Macbeth)

To make them kings, the seed of Banquo kings! (Macbeth)

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14
Q

Shakespeare manipulates history by casting Banquo in a positive light in order to please James I, who claimed to be Banquo’s descendant

A

What, can the devil speak true?

Our fears in BanquoStick deep (Macbeth)

I lose noneIn seeking to augment it, but still keepMy bosom franchised and allegiance clear (Banquo)

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15
Q

Banquo is an ‘antithetical foil’ to Macbeth: his loyalty and resolve highlight Macbeth’s and Lady Macbeth’s ‘vaulting ambition’ further

A

Our fears in BanquoStick deep (Macbeth)

I fear,Thou play’dst most foully for’t (Banquo)

If you can look into the seeds of time,And say which grain will grow and which will not (Banquo)

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16
Q

The witches embody a key Jacobean debate as to whether the fate of the soul was predestined before birth

A

If you can look into the seeds of time,And say which grain will grow and which will not (Banquo)
Act 1 Sc 3

If chance will have me king, why, chance may crown me,Without my stir (Macbeth)

17
Q

The witches’ reality is questioned throughout the play, as a means of suggesting Macbeth only has himself to blame

A

You secret, black, and midnight hags! (Macbeth)

what seem’d corporal meltedAs breath into the wind (Macbeth) Act 1 Sc 3

18
Q

Macbeth’s hamartia – his ambition – ultimately seals the destiny outlined by the witches

A

Vaulting ambition, which o’erleaps itselfAnd falls on the other (Macbeth)