Quotations Midterm 1 Flashcards

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1
Q

The Lunatic, the Lover, and the Poet, Are of imagination all compact
gives to airy nothing, a local habitation, And a name.

A

Shakespeare, A Midsummer Night’s Dream

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2
Q

Some natural tears they drop’d, but wip’d them soon;
The World was all before them, where to choose
Their place of rest, and Providence their guidE:
They hand in hand with wandering steps and slowl
Through EDEN took their solitarie way

A

Milton, Paradise Lost

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3
Q

Besides this, there is another connexion of ideas wholly owing to chance or custom: ideas, that in themselves are not of kn, come to be so united in some men’s minds, that is very hard to separate them; they always keep in company, and the one no sooner at any time comes into the understanding, but its associate appears with it

A

John Locke, An Essay ConcerningHuman Understanding

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4
Q

Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about errible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongets emotion which the midn is capable of feeling.
When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and wiithin certain modifications, they may be, and they are delightful

A

Edmund Burke, Enquiry into the Origins of Our Ideas of the Sublime and the Beautiful

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5
Q

The road of excess leads to the palace of wisdom.
The most sublime act is to set anotherb efore you.
Excess of sorrow laughs. Excess of joy weeps.
Every thing possible to be believed is an image of turth.
Sooner murder an infant in its cradle than nurse unacted desires
Where man is not nature is barren

A

William Blake, Marriage of Heaven and Hell

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6
Q

the real language of men in a state of vivid sensation
the manner in which we associate ideas in a state of excitement
low and rustic life was geenrally chosen, because in that condition, the essentioal passions of the heart find a better soil in which they can attatin their maturity
such men hourly communicate with the best objects from which teh best part of language is originally derived
poetry is the spontaneous overflow of powerful feelings
by a man who, being possessed of more than usual organic, had also thought long and deeply
he is a man speaking to men (poet)
emotion recollected in tranquility

A

William Wordsworth, Preface to Lyrical Ballads

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7
Q

burden of the mystery
we are laid asleep in body, and become a living soul
in this moment there is life and food for future years
flying from something that he dreads, than one who sought the thing he loved
the still, sad music of humanity
Nature never did betray the heart that loved her
recognize in nature and the language of the sense, the anchor of my purest thoughts

A

William Wordsworth, Tintern Abbey

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8
Q

when the light of sense goes out in flashes that have shewn to us the invisible world
workings of one mind, the features of the same face, blossoms upon one tree

A

William Wordsworth, The Prelude

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9
Q

The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark - now glittering - now reflecting gloom
Now lending splendor,

The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so seren, that man may be
But for such faith with nature reconciled;
Thou hast a voice, great Mtn, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.

The secret strength of things
Which governs thought, and to the infinite dome
Of heaven is as a law, inhabits, thee!
And what were thou, and earth, and stars, and sea,
If to the human mind’s imaginings
Silence and solitude were vacancy?

A

PB Shelley, Mont Blanc

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10
Q

My name is Ozymandias, King of Kings,
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare,
The lone and level sands stretch far away.

A

PB Shelley, Ozymandias

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11
Q

Their language is vitally metaphorical; that is, it marks the before unapprehended relations of things
In the infancy of society every author is necessarily a poet
Poets
they are the institutors of laws, and the founders of civil society
Poets are the unacknowledged legislators of the World

A

PB Shelley, Defense of Poetry

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12
Q

She dwells with Beauty - Beauty that must die

A

Keats; Ode to Melancholy

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13
Q

My heart aches, and a drowsy numbness pains my sense
Now more than ever seems it rich to die
Thou wast not born for death, immortal Bird!
Was it a vision, or a waking dream? Fled is that music: Do I wake or sleep?

A

Keats, Ode to a Nightingale

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14
Q

still unravish’d bride of quietness

beauty is truth, truth beauty - that is all ye know on earth, and all ye need to know

A

Keats, Ode to a Grecian Ur

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15
Q

Negative Capability… when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact and reason…

A

Keats, Letter

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16
Q

An extensive knowledge is needful to thinking people - it takes away the heat and fever; and helps, by widening speculation, to ease the Burden of the Mystery…
I compare human life to a large Mansion of any Apartments… the first we step into we call the infant or thoughtless Chamber… we no sooner get into the second Chamber, which I shall call the Camber of Thought, than we become intoxicated with teh light and the atmosphere, we see nothing but pleasant wonders, and think of delaying there for ever in delight: However among the effects this breathing is father of is that tremendous one of sharpening one’s vision into the head heart and nature of Man - of convincing ones nerves that the World is full of Misery and Heartbreak, Pain, Sickness and oppression - whereby This Chamber of Maiden Thought becomes gradually darkend and at the same time on all sides of it many doors are set open - but all dark - all leading to dark passages - We see no the balance of good and evil. We are in a Mist..

A

Keats, Letter

17
Q

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

Again she read on. But every line b=proved more clearly that hte affair, which she had believed it impossible that any contrivance could represent , as to render Mr. Darcy’s conduct in it less than infamous, was capable of a turn which must make him entirel blameless throughout the whole.

“Thill this moment, I never knew myself!”

“And yet I meant to be uncommonly clever in taking so decided a dislike to him, wihtout any reason. It is such a spur to one’s genius, such an opening for wit to have a dislike of that kind.”

Upon the whole, therefore, she found, what has been sometimes found before, that an event to which she had lookedf orwrad with mpatient desire, did not in taking place, bring all the satisfaction she had promised herslef. It was consequently necessary to name some other period for hte commencement of actual felicity; to have som eother poitn on which her wishes and hopes might be fied, and by again enjoying teh pleasure of anticipation, console herself for the present, and preparre for another disappointment.

“For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

A

Austen, P&P