Quizlet Flashcards
Sarabande
Slow dance in triple meter emphasizing the second beat
Sonata
To be played on one or more instruments; Work in several movements for one or two solo instruments
Sonata Form
Used mostly in first movements: Exposition, Development, Recapitulation
Episode
Passage that does not state the principal subject (especially in fugues)
Exposition
Section in which subjects are announced in Fugue, Sonata, and Concerto
Fugue
Composition in which subject is answered or repeated by several parts
Hocket
Splitting up a melodic line between 2 voices
Leitmotif
Musical theme or motive associated with a person, thing, emotion, or idea in a drama
Monody
Accompanied solo song
Motet
Polyphonic vocal composition with sacred text
Passacaglia
Pattern of pitches serving as a foundation for harmony
Partita
Single variation of a theme, set of such variations
Recapitulation
Section of a movement in which the subject is announced in the exposition are reviewed
Renaissance
1450-1600; Rebirth of secular musical activity/ideals of antiquity
Ripieno
Tutti as opposed to solo
Rondeau
ABaAabAB; One of formes fixes
Stretto
Imitation of a subject at a close time interval
Tetrachord
Scale of 4 notes spanning a fourth (Greek/Medieval); Set of four pitches (Modern)
Toccata
Introductory improvised instrumental piece
Triplum
Second part in early polyphony; Set against a Tenor and Duplum
Abgesang
Bar Form: Song form in which first melodic component is sung 2x with different texts (Stollen); The remainder (Abgesang) is sung once
Ad Libitum
Details of execution left to discretion of the performer
Aggregate
Unordered set of pitch classes of the chromatic scale
Air
- Tune 2. Tuneful song in Fr. stage work 3. Eng Fr. art song with lute or violin accompaniment
Air de cour
French monodic song
Aleatory
Deliberately leaving choice of pitches, rhythmic values or order of events to chance
Ambitus
Pitch range of a mode or plainchant
Antiphonal
One group answers the other (performance method)
Archlute
Lute with extra peg box for long bass strings tuned diatonically
Aria
- Tune for singing poetry 2. Songful monologue or duet in an opera
Baroque
1600-1750
Basse Danse
Family of dances (duple+triple) whose music was often improvised over a tenor cantus firmus
Cadenza
Improvised passage usually placed just before the end of a piece or section
Camerata
Intellectuals and amateurs of arts that met in Florence at the home of Giovanni Bardi (1570-80)
Cantata
- Composition for solo voice with recitatives and arias 2. Sacred concerto
Chorale Prelude
Organ arrangement of a chorale played before the congregation sings it
Classical
1750-1825
Concertino
Ensemble with a few solo instruments
Concerto Grosso
Tutti or ripieno - the full orchestra in a concerto
Counterpoint
Artful combination of 2+ simultaneous melodic lines
Courante
Fluent dance in moderate triple meter
Development
Section in which subject is taken apart combined with other ideas and reworked
Discant
- Treble part 2. Improvised or written polyphony in which voices move at the same speed
Dodecaphonic
Composition with 12-tone rows
Duplum
Voice part in early polyphony set against a tenor
Phrase
The shortest passage of music which, having reached a point of relative repose, has expressed a more or less complete musical thought
Jete
Richochet; bow “thrown” on string so it will bounce
Spiccato
Conscious spiccato: slower tempo to make bow “spring” Spontaneous spiccato: fast tempo soft dynamics
Martele
“To Hammer” Usually performed toward the frog; fast and well-articulated stroke
Staccato
Short separate strokes
Loure
Legato stroke; Dashes under notes with slurs used to designate the bow changes
Detache
Basic stroke on all bow instruments; Changes direction each note
Soprano Range
C4-C6
Mezzo Soprano Range
A4-A6
Contra Alto Range
F3-F5
Tenor Range
C3-C5
Baritone Range
F2-F4
Bass Range
E2-E4
Portamento
Glissando in vocal music
Trombone Position VII
E
Trombone Position VI
F
Trombone Position V
Gb
Trombone Position IV
G
Trombone Position III
Ab
Trombone Position II
A
Trombone Position I
Bb
Trumpet 3rd Valve
1+1/2 steps
Trumpet 2nd Valve
1/2 step
Trumpet 4th Valve
2 1/2 steps
Trumpet 1st Valve
1 step
Tonic
I
Supertonic
ii
Mediant
iii
Subdominant
IV
Dominant
V
Submediant
vi
Leading Tone
vii
Steps of Conducting
- Preparation 2. Ictus 3. Rebound 4. Penultimate beat placement 5. Final beat placement
Baroque Dates
1600-1750
Baroque Characteristics
Decorative; Filled with ornaments; Few dynamic markings
Baroque Composers
Vivaldi, Handel, Bach, Pachelbel
Classical Dates
1750-1825
Classical Characteristics
Reserved; Intellectual; Rational-sounding; Controlled compositions; Great growth in string section
Classical Composers
Haydn, Mozart, Beethoven, Schubert, Mendelssohn
Classical Orchestra Size
30-50; Marked increase number of string players
Romantic Dates
1825-1900
Romantic Characteristics
Conveyed feeling; Programmatic; Used nature for inspiration; Nationalistic; Incorporation of folk tunes
Romantic Composers
Weber, Chopin, Brahms, Dvorak, Grieg, Tchiakovsky
Modern Dates
1900-Present
Modern Characteristics
Unconventional sources of inspiration; Broke molds of traditional harmony
Modern Composers
Debussy, Ravel, Stravinsky, Prokofiev, Copland, Gershwin
It. Horn
Corno
Fr. Horn
Cor
Ger. Horn
Horn
It. Trumpet
Tromba
Fr. Trumpet
Trompette
Ger. Trumpet
Trompete
It. Trombone
Trombone
Fr. Trombone
Trombone
Ger. Trombone
Posaune
Fr. Tuba
Tuba