Quizlet Flashcards

1
Q

Sarabande

A

Slow dance in triple meter emphasizing the second beat

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2
Q

Sonata

A

To be played on one or more instruments; Work in several movements for one or two solo instruments

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3
Q

Sonata Form

A

Used mostly in first movements: Exposition, Development, Recapitulation

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4
Q

Episode

A

Passage that does not state the principal subject (especially in fugues)

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5
Q

Exposition

A

Section in which subjects are announced in Fugue, Sonata, and Concerto

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6
Q

Fugue

A

Composition in which subject is answered or repeated by several parts

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7
Q

Hocket

A

Splitting up a melodic line between 2 voices

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8
Q

Leitmotif

A

Musical theme or motive associated with a person, thing, emotion, or idea in a drama

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9
Q

Monody

A

Accompanied solo song

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10
Q

Motet

A

Polyphonic vocal composition with sacred text

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11
Q

Passacaglia

A

Pattern of pitches serving as a foundation for harmony

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12
Q

Partita

A

Single variation of a theme, set of such variations

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13
Q

Recapitulation

A

Section of a movement in which the subject is announced in the exposition are reviewed

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14
Q

Renaissance

A

1450-1600; Rebirth of secular musical activity/ideals of antiquity

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15
Q

Ripieno

A

Tutti as opposed to solo

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16
Q

Rondeau

A

ABaAabAB; One of formes fixes

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17
Q

Stretto

A

Imitation of a subject at a close time interval

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18
Q
A
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18
Q
A
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19
Q

Tetrachord

A

Scale of 4 notes spanning a fourth (Greek/Medieval); Set of four pitches (Modern)

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20
Q

Toccata

A

Introductory improvised instrumental piece

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21
Q

Triplum

A

Second part in early polyphony; Set against a Tenor and Duplum

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22
Q

Abgesang

A

Bar Form: Song form in which first melodic component is sung 2x with different texts (Stollen); The remainder (Abgesang) is sung once

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23
Q

Ad Libitum

A

Details of execution left to discretion of the performer

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24
Q

Aggregate

A

Unordered set of pitch classes of the chromatic scale

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25
Q

Air

A
  1. Tune 2. Tuneful song in Fr. stage work 3. Eng Fr. art song with lute or violin accompaniment
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26
Q

Air de cour

A

French monodic song

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27
Q

Aleatory

A

Deliberately leaving choice of pitches, rhythmic values or order of events to chance

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28
Q

Ambitus

A

Pitch range of a mode or plainchant

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29
Q

Antiphonal

A

One group answers the other (performance method)

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30
Q

Archlute

A

Lute with extra peg box for long bass strings tuned diatonically

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31
Q

Aria

A
  1. Tune for singing poetry 2. Songful monologue or duet in an opera
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32
Q

Baroque

A

1600-1750

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33
Q

Basse Danse

A

Family of dances (duple+triple) whose music was often improvised over a tenor cantus firmus

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34
Q

Cadenza

A

Improvised passage usually placed just before the end of a piece or section

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35
Q

Camerata

A

Intellectuals and amateurs of arts that met in Florence at the home of Giovanni Bardi (1570-80)

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36
Q

Cantata

A
  1. Composition for solo voice with recitatives and arias 2. Sacred concerto
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37
Q

Chorale Prelude

A

Organ arrangement of a chorale played before the congregation sings it

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38
Q

Classical

A

1750-1825

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39
Q

Concertino

A

Ensemble with a few solo instruments

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40
Q

Concerto Grosso

A

Tutti or ripieno - the full orchestra in a concerto

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41
Q

Counterpoint

A

Artful combination of 2+ simultaneous melodic lines

42
Q

Courante

A

Fluent dance in moderate triple meter

43
Q

Development

A

Section in which subject is taken apart combined with other ideas and reworked

44
Q

Discant

A
  1. Treble part 2. Improvised or written polyphony in which voices move at the same speed
45
Q

Dodecaphonic

A

Composition with 12-tone rows

46
Q

Duplum

A

Voice part in early polyphony set against a tenor

47
Q

Phrase

A

The shortest passage of music which, having reached a point of relative repose, has expressed a more or less complete musical thought

48
Q

Jete

A

Richochet; bow “thrown” on string so it will bounce

49
Q

Spiccato

A

Conscious spiccato: slower tempo to make bow “spring” Spontaneous spiccato: fast tempo soft dynamics

50
Q

Martele

A

“To Hammer” Usually performed toward the frog; fast and well-articulated stroke

51
Q

Staccato

A

Short separate strokes

52
Q

Loure

A

Legato stroke; Dashes under notes with slurs used to designate the bow changes

53
Q

Detache

A

Basic stroke on all bow instruments; Changes direction each note

54
Q

Soprano Range

A

C4-C6

55
Q

Mezzo Soprano Range

A

A4-A6

56
Q

Contra Alto Range

A

F3-F5

57
Q

Tenor Range

A

C3-C5

58
Q

Baritone Range

A

F2-F4

59
Q

Bass Range

A

E2-E4

60
Q

Portamento

A

Glissando in vocal music

61
Q

Trombone Position VII

A

E

62
Q

Trombone Position VI

A

F

63
Q

Trombone Position V

A

Gb

64
Q

Trombone Position IV

A

G

65
Q

Trombone Position III

A

Ab

66
Q

Trombone Position II

A

A

67
Q

Trombone Position I

A

Bb

68
Q

Trumpet 3rd Valve

A

1+1/2 steps

69
Q

Trumpet 2nd Valve

A

1/2 step

70
Q

Trumpet 4th Valve

A

2 1/2 steps

71
Q

Trumpet 1st Valve

A

1 step

72
Q

Tonic

A

I

73
Q

Supertonic

A

ii

74
Q

Mediant

A

iii

75
Q

Subdominant

A

IV

76
Q

Dominant

A

V

77
Q

Submediant

A

vi

78
Q

Leading Tone

A

vii

79
Q

Steps of Conducting

A
  1. Preparation 2. Ictus 3. Rebound 4. Penultimate beat placement 5. Final beat placement
80
Q

Baroque Dates

A

1600-1750

81
Q

Baroque Characteristics

A

Decorative; Filled with ornaments; Few dynamic markings

82
Q

Baroque Composers

A

Vivaldi, Handel, Bach, Pachelbel

83
Q

Classical Dates

A

1750-1825

84
Q

Classical Characteristics

A

Reserved; Intellectual; Rational-sounding; Controlled compositions; Great growth in string section

85
Q

Classical Composers

A

Haydn, Mozart, Beethoven, Schubert, Mendelssohn

86
Q

Classical Orchestra Size

A

30-50; Marked increase number of string players

87
Q

Romantic Dates

A

1825-1900

88
Q

Romantic Characteristics

A

Conveyed feeling; Programmatic; Used nature for inspiration; Nationalistic; Incorporation of folk tunes

89
Q

Romantic Composers

A

Weber, Chopin, Brahms, Dvorak, Grieg, Tchiakovsky

90
Q

Modern Dates

A

1900-Present

91
Q

Modern Characteristics

A

Unconventional sources of inspiration; Broke molds of traditional harmony

92
Q

Modern Composers

A

Debussy, Ravel, Stravinsky, Prokofiev, Copland, Gershwin

93
Q

It. Horn

A

Corno

94
Q

Fr. Horn

A

Cor

95
Q

Ger. Horn

A

Horn

96
Q

It. Trumpet

A

Tromba

97
Q

Fr. Trumpet

A

Trompette

98
Q

Ger. Trumpet

A

Trompete

99
Q

It. Trombone

A

Trombone

100
Q

Fr. Trombone

A

Trombone

101
Q

Ger. Trombone

A

Posaune

102
Q

Fr. Tuba

A

Tuba