Quiz3 Flashcards

1
Q

The “rebirth” of fifteenth-century Italian art had its roots in the ________.

A

Fourteenth century

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2
Q

The development of a vernacular (everyday) literature based on the ________ dialect expanded the audience for humanist writings.

A

Tuscan

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3
Q

The invention of movable metal type in ________ facilitated the printing and far-reaching distribution of books.

A

Germany

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4
Q

The Medici family acquired its vast fortune from ________.

A

Banking

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5
Q

In 1401, the Arte di Calimala (wool merchants’ guild) of Florence sponsored a competition for a set of doors for the ________.

A

Baptistery, Cathedral

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6
Q

The ________ theme paralleled the message the city fathers of Florence wanted to convey to their people.

A

Sacrifice of Isaac

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7
Q

The two finalists for the Wool Merchants’ Guild competition of 1401 were ________.

A

Ghiberti and Brunelleschi

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8
Q

Ghiberti was trained in painting and ________.

A

Goldsmithery

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9
Q

The ________ by Donatello marked the advent of rationalized perspective space.

A

Feast of Herod

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10
Q

The invention of “true” linear perspective is generally attributed to ________.

A

Filippo Brunelleschi

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11
Q

Nanni di Banco’s Four Crowned Saints represent the________.

A

sculpture starting to leave architectural settings

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12
Q

Donatello incorporated Greek and Roman principles that surfaced in which of the following?

A

Saint Mark

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13
Q

The International Style was a dominant painting style around 1400 and lasted well into the fifteenth century. ________ produced what is considered the masterpiece of this style, the Adoration of the Magi.

A

Gentile da Fabriano

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14
Q

The classical principle of contrapposto, or weight shift, was reintroduced into Western art by the sculptor ________.

A

Donatello

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15
Q

Which church of Brunelleschi shows his mature style?

A

Santo Spirito

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16
Q

The ________ reflects Brunelleschian principles to a limited extent.

A

Palazzo Medici-Riccardi

17
Q

Donatello reinvented the

A

Classical nude

18
Q

Botticelli was the pupil of ________.

A

Fra Filippo Lippi

19
Q

In Donatello’s equestrian statue of Gattamelata, the orb beneath the left forehoof of the horse represents the ________.

A

hegemony over the earth

20
Q

Which of the following artists detailed the consequences of a sinful life?

A

Signorelli