Quiz #3 Flashcards

1
Q

When did synchronized sound become the industry standard?

A

1927

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2
Q

Which film introduced synchronized sound?

A

Warner Brother’s release of “The Jazz Singer”

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3
Q

What did audiences experience prior to synchronized sound?

A

Movies with live musical accompaniments

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4
Q

Three Types of Cinematic Sound

A
  • speech (dialogue)
  • music
  • sound effects (noise)
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5
Q

Two Kinds of Sound Image Relationship

A

on-screen sound and off-screen sound

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6
Q

On-screen sound

A

sound has a visible onscreen source

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7
Q

Off-screen sound

A

sound does not have a visible onscreen source

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8
Q

Diegetic Sound

A

Has a clear source within the film’s diegesis (story)

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9
Q

Nondiegetic Sound

A

Does not have a clear source within the films diegesis (story)

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10
Q

Two Types of Diegetic Sound

A

internal and external

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11
Q

Internal Diegetic Sound

A

Originates within a character’s subjectivity, part of the diegesis, but other characters cannot hear it (inside the character’s head)

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12
Q

Voiceover

A

Characters in diegesis can’t hear it

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13
Q

Film used to exemplify the usage of sound

A

Apocalypse Now (1979)
Francis Ford Coppola

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14
Q

What kind of narrative does The Conversation have?

A

Totally restricted to Harry’s subjectivity (audience only knows as much as the character)

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15
Q

What is a key motif in The Conversation and some examples?

A

Semi-translucence

– windows, screens, raincoat, curtains, scrim
- metaphor for Harry’s understanding of the circumstances

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16
Q

Narrative

A

a chain of events linked by cause and effect and occurring in time and space

17
Q

Motif

A

a significant element that is repeated in a film (similarity and repetition)

18
Q

What do patterns of motifs create?

A

Expectations

19
Q

What can strong similarities and repetition create?

A

Parallelism

20
Q

What can changes and variations of elements create?

A

variety, contrast, and change

21
Q

Does repetition often occur in exactly the same way in a film?

A

No, and the differences can be meaningful

22
Q

Four Types of Character Development

A
  • External Change
  • Internal Change
  • Progressive Character Development
  • Regressive Character Development
23
Q

External Change

A

indicates physical changes

ex: graying hair, weight loss

24
Q

Internal Change

A

measures character change from within

ex: character becomes bitter

25
Q

Progressive Character Development

A

an improvement or advance of some quality in a character

26
Q

Regressive Character Development

A

loss of or return to some previous state or a deterioration from the present state

27
Q

Examples of Difference and Variation in Mulholland Drive

A

Diner scene
- guy and his dream
- Camilla and Betty
- Diane and the hitman

28
Q

The Conversation

A

Francis Ford Coppola (1974)

29
Q

Who did the sound for The Conversation?

A

Walter Murch

Music by David Shire

30
Q

Mulholland Drive

A

David Lynch (2001)

31
Q

The Conversation Main Characters

A

Harry Caul - Gene Hackman
Ann and Mark
Martin Stett
The Director
Amy (gf)

32
Q

Mulholland Drive Main Characters

A

Betty/Diane Selwyn - Naomi Watts
Rita/Camilla Rhodes
Adam (the director) - Justin Theroux
Coco
The Cowboy
The Hitman