Quiz #1 Flashcards

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1
Q

Plot

A

It is the author’s arrangement of incidents in a story. It is the organizing principle that controls the order of events.

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2
Q

Flashback

A

A device that informs us about events that happened before the opening scene of a work.

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3
Q

Character

A

An imagined person in the story

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4
Q

Characterization

A

The methods by which a writer creates people in a story so that they seem actually to exist.

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5
Q

Showing

A

Allows the author to present a character talking and acting, and lets the reader infer what kind of person the character is.

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6
Q

Telling

A

The author intervenes to describe and sometimes evaluate the character for the reader.

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7
Q

Hero/heroine

A

Otherwise known as the protagonist, the central character who engages the reader’s interest and empathy

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8
Q

Antagonist

A

The character, force, or collection of forces that stands directly opposed to the protagonist and gives rise of the conflict of the story.

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9
Q

Static character

A

A character who does not change throughout the work, and the reader’s knowledge of the character does not grow.

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10
Q

Dynamic character

A

A character who undergoes some kind of change because of the action in the plot.

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11
Q

Flat character

A

Embodies one or two qualities, ideas, or traits that can be readily described in a brief summary. They are not psychologically complex characters and therefore are readily accessible to readers.

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12
Q

Stock character

A

Embody stereotypes such as the “dumb blonde” or the “mean stepfather.”

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13
Q

Round character

A

A character who is more complex than flat or stock character, and often display the inconsistencies and internal conflicts found in most real people. They are more fully developed, and therefore are harder to summarize.

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14
Q

Motivated action

A

Occurs when the reader or audience is offered reasons for how the characters behave, what they say, and the decisions they make.

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15
Q

Plausible action

A

Action by a character in a story that seems reasonable, given the motivations presented.

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16
Q

Pyramidal pattern

A

Divides the plot into three essential parts: rising action, climax, and falling action

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17
Q

Rising action

A

Complication creates some sort of conflict for the protagonist

18
Q

Climax

A

The moment of greatest emotional tension in a narrative, usually marking a turning point in the plot at which the rising action reverses to become the falling action

19
Q

Falling action

A

Otherwise known as resolution; characterized by diminishing tensions and the resolution of the plot’s conflicts and complications

20
Q

Media res

A

A term used to describe the common strategy of beginning a story in the middle of the action. In this type of plot, we enter the story on the verge of some important moment.

21
Q

Setting

A

The context in which the action of a story occurs

22
Q

Point of view

A

Refers to who tells us the story and how it is told

23
Q

Narrator

A

Teller of a story

24
Q

First-person narrator

A

the “I” in the story presents the point of view of only one character. The reader is restricted to the perceptions, thoughts, and feelings of that single character

25
Q

Unreliable narrator

A

Reveals an interpretation of events that is somehow different from the author’s own interpretation of the events.

26
Q

Naive characters

A

Are usually characterized by youthful innocence

27
Q

Omniscient narrator

A

An all-knowing narrator who is not a character in the story and who can move from place to place and pass back and forth through time, slipping into and out of characters as no human being possibly could in real life. They can report the thoughts and feelings of the characters, as well as their words and actions.

28
Q

Editorial omniscience

A

Refers to an intrusion by the narrator in order to evaluate a character for a reader.

29
Q

Neutral omniscience

A

Narration that allows the characters’ actions and thoughts to speak for themselves.

30
Q

Limited omniscience

A

Occurs when an author restricts a narrator to the single perspective of either a major or minor character. The way people, places, and events appear to that character is the way they appear to the reader.

31
Q

Stream-of-consciousness technique

A

Takes a reader inside a character’s mind to reveal perceptions, thoughts, and feelings on a conscious or unconscious level

32
Q

Objective point-of-view

A

Employs a narrator who does not see into the mind of any character

33
Q

Antihero

A

A protagonist who has the opposite of most of the traditional attributes of a hero.

34
Q

Theme

A

The central idea or meaning of a story

35
Q

Style

A

Refers to the distinctive manner in which a writer arranges words to achieve particular effects. That arrangement includes individual word choices and matters such as the length of sentences, their structure and tone, and the use of irony

36
Q

Diction

A

Refers to a writer’s choice of words

37
Q

Tone

A

The author’s implicit attitude toward the people, places, and events in a story.

38
Q

Irony

A

A device that reveals a reality different from what appears to be true.

39
Q

Verbal irony

A

Consists of a person saying one thing but meaning the opposite.

40
Q

Sarcasm

A

Verbal irony that is calculated to hurt someone by false praise

41
Q

Situational irony

A

Exists when there is an incongruity between what is expected to happen and what actually happens.

42
Q

Dramatic irony

A

Occurs when an author allows the reader to know more about a situation than a character knows; creates a discrepancy between what a character believes or says and what the reader understands to be true.