Queen: Killer Queen (from the album ‘Sheer Heart Attack’) Flashcards

1
Q

Killer Queen: Rhythm, metre, tempo

A
  • 12/8 Swung rhythm
  • Time signature changes to 6/8 Compound time
  • Syncopated rhythms (for vocals on ‘perfume’ and piano throughout)
  • Snare drum accents with syncopated vocals
  • Anacrusis chord (starting on the weaker beat)
  • Tempo of 112 bpm
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2
Q

Killer Queen: Tonality

A
  • Eb major, however tonal ambiguity caused by starting on C minor
  • Lots of ‘mini modulations’
  • Backwards circle of fifths (Circle of fourths I guess?)
  • F major in chorus with interrupted cadence to Bb major
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3
Q

Killer Queen: Timbre (Instrumentation/Orchestration)

A
  • Tenor lead vocal (Freddie Mercury [pic below])
  • 4 part harmony with multi-tracked backing vocals
  • Piano (chordal)
  • Electric guitars
  • Electric bass (melodic and lots of inversions)
  • Drum kit: fills and rolls
  • Falsetto during 4 part harmony
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4
Q

Killer Queen: Melody

A
  • Wide vocal range (2 octaves + a 3rd) [He’d need to pretty big throat for all of that…. sing ing………………]
  • Almost entirely syllabic
  • Sequences used
  • Melismatic
  • Word painting due to flanger on ‘laser beam’ (fun fact: LASER is actually an acronym for Light Amplification by Stimulated Emission of Radiation)
  • Mainly conjunct/stepwise but leaps get progressively wider
  • Backing vocals are 8ve higher
  • Unusual bar lengths
  • X - shaped not heads for spoken words
  • Glissando on ‘Queen’ is word painting showing eloquence
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5
Q

Killer Queen: Harmony

A
  • 4 part vocal harmony
  • Inversions in bass
  • Borrowing chords from closely related keys
  • F (dominant) pedal
  • Tonic pedal
  • Harmony in 3rds and 6ths
  • Parallel harmonies
  • Bell chord (notes of arpeggio, staggered then held)
  • Circle of 5th backward (A, Dm, G7, C)
  • Harmonic sequences of V-I candences (due to backward circel of fifths – Lets agree to call it a circle of fourths)
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6
Q

Killer Queen: Structure

A

Verse and Chorus form:

  • Verse 1
  • Chorus 1
  • 4 bar instrumental
  • Verse 2
  • Chorus 2
  • Guitar solo
  • Verse 3
  • Chorus 3
  • Outro
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7
Q

Killer Queen: Guitar playing techniques

A
  • Brian May (lead guitarist) used a sixpence coin instead of a pick (There’s a pun to make here but I can’t quite pick it out)
  • Vibrato
  • Pitch bends
  • Double stops
  • Palm muting
  • Slide
  • Acciacaturas
  • Glissandi/slides
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8
Q

Killer Queen: Texture

A
  • Melody dominated homophony
  • 4 part vocal harmony
  • Contrapuntal texture at points
  • Parallel 3rds in link
  • Polyphonic in parts
  • Imitation between vocals and guitar
  • Vocalizing in backing vocals
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9
Q

Killer Queen: Genre/period features

A
  • Album: ‘Sheer heart attack’
  • Released 1974 (i.e. back when music was still good *cue back in my day *)
  • Stadium rock/ Glam rock/ Pop rock/ Rock (Basically it’s rock)
  • Dramatic use of language and time signatures
  • Use of studio FX (look at me with my cool abbreviations)
  • Unusually, no synthesiser used
  • Use of guitar specific techniques
  • ‘Killer Queen’ is about a high class prostitue (thought to be madilynyil moanroe [idk how to spell her name])
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10
Q

Killer Queen: Chords used in each verse

A
  • Verse 1:
    • G7, Cm
    • Bb, Eb
    • D7, Gm, F
  • Verse 2:
    • G7, Cm
    • Bb, Eb
    • D7, Gm, F
  • Verse 3:
    • G7, Cm with G7, Cm
    • Bb, Eb with Bb, Eb
    • D7, Gm, F with Bb, F with Bbm, F
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11
Q

Why is the key of Killer Queen unusual?

A

String instruments, such as guitars, find it much harder to play in flat keys (Eb major) however it is typical of Queen to do this

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12
Q

Studio FX used in Killer Queen

A
  • Multi-tracking/overdubbing (recording over recordings. So the same guitarist will playback different melodies that will play at the same time)
  • Wah wah pedal
  • Guitar overdrive/distortion
  • Phase shift/flager on ‘Laser beam’
  • Panning on ‘anytime’ to right side (use headphones to feel it. Or buy a cinema and play it there)
  • Reverb on lead vocals
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13
Q

How is mood/drama established in Killer Queen?

A
  • Word painting on ‘laser beam’ (flanger)
  • Irregular phrases and shifts in time signature create a sense of instability and drama
  • Texture becomes mroe complex through dialogue, imitation and counterpoint
  • Elaborate and flamboyant (Vocal range, falsetoo and spoken-singing)
  • Overdubbed piano to create a retro effect (But is retro-70s retor or old or 70s?)
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14
Q

Killer Queen: Circle of fifths progression

A

Circle of fifths series:

  • A
  • Dm
  • G7
  • C

Perfect cadence series:

  • G7
  • Cm
  • Bb
  • Eb
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15
Q

What is the term for the ‘Oohs’ and ‘Aahs’ throughout Killer Queen?

A

Vocalisation

S̶c̶r̶e̶a̶m̶s̶ ̶o̶f̶ ̶m̶u̶r̶d̶e̶r̶ ̶v̶i̶c̶t̶i̶m̶s

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