Purcell Flashcards

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1
Q

Form of first movement

A

3 consecutive ideas

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2
Q

what are the strings called

A

ripieno

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3
Q

3 things at a cadence

A

note of anticipation, suspension, dotted rhythm

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4
Q

repeat of idea a

A

but in V

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5
Q

word used when theme is broke up

A

fragmented

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6
Q

Key of second idea (B) and how is it reflected

A

B minor, longer note values

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7
Q

texture of B

A

antiphonal immitation

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8
Q

sharp and flat next door?

A

false relation, start of B in bass

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9
Q

when the rhythm is shortened

A

diminution

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10
Q

When does the key move back to the V

A

bar 15

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11
Q

Technique used by trumpeter for none harmony notes

A

lipped- lipped G# before inverted tonic pedal

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12
Q

what takes place under the tonic pedal

A

a modal shift from A+ to A-

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13
Q

how is the modal shift resolved

A

tierce de Picardie

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14
Q

how does the key return to D and what does it signify?

A

pivot chord, idea C

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15
Q

texture of C

A

antiphonal sequencing of the fragmented theme

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16
Q

what signifies the end of this movement

A

becomes increasingly homophonic

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17
Q

Words to describe movement II

A

majestic, sombre, slow/strong (no anacrusis)

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18
Q

why is the trumpet not playing

A

practical, resting the lip (tacet trumpet)

19
Q

focus on movement II

A

harmony, not limited to triad

20
Q

texture

A

homophonic, nothing on 4th beat to begin

21
Q

what signifies the move E minor

A

D# in bass line

22
Q

how does Purcell play with harmony

A

modal shift from E+ to E- then tierce de Picardie to E+ again

23
Q

addition of anacrusis is followed by

A

a sequence of suspensions, first is 7-6 then 4-3, key changes underneath to A+ then to A-

24
Q

what does the anacrusis cause

A

rhythmic displacement

25
Q

funky chords he uses in the final section

A

Dm7-C7b-augemented triad

26
Q

what follows the augmented traid

A

a modal shift from A- to A+

27
Q

what returns with the modal shift in movement II

A

the secquence

28
Q

how does Purcell end movement II

A

modal shift to Dm-7th-Dim5th-Aug-tierce de Picardie

29
Q

change in time sig means what in movement III

A

3/4 is dance-like/lively/fanfare- gets audience excited

30
Q

characterise the theme

A

V-I sequence

31
Q

texture of movement III

A

imitative polyphony every 2 bars

32
Q

when does the trumpet re-entre

A

later on, makes it all the more special

33
Q

what form is movement III in

A

Rondeau, A-B-C-A-D-A-B

34
Q

When does B (III) start

A

homophony in strings- MONOTONE

35
Q

what does the trumpet play in idea B (III)

A

functional harmony

36
Q

Section C (III)

A

cadenza like, trumpet with sparse accomp

37
Q

return of A (III)

A

inversion of idea 1, imitative polyphony

38
Q

what funky thing does purcell do with harmony (III)

A

redundant entry in B minor, trumpet takes us back to D major

39
Q

Idea D (III) fun texture

A

antiphonal answer (down 4, up 3 followed by down 3 up 4) In violins

40
Q

when is there an imperfect cadence

A

just before the antiphonal answer

41
Q

playful writing in III

A

false relation

42
Q

Rondeau form in repeats

A

Return of A followed by B (III)

43
Q

what does the ending do (III)

A

cement the tonal arpeggio, VERY static ending