PT - Harmony Ch 13-18 Flashcards

1
Q

Since the V9 chord is a five-note chord, which chord tone is most often omitted to for a four-note chord?

 A. Root
 B. Fifth
 C. Seventh
 D. Third
A

B. Fifth

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2
Q

What is the figured bass for the second inversion of the dominant 9 chord?

 A. V7 6 5
 B. V4 3 2
 C. V6 5 4
 D. V7 6 2
A

C. V6 5 4

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3
Q

Which notes are usually omitted from the dominant 11th chord?

 A. 5th
 B. 9th
 C. 5th & 9th
 D. 3rd & 5th
A

D. 3rd & 5th

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4
Q

How many inversions including root position are possible using the dominant 9 chord?

 A. 5
 B. 4
 C. 3
 D. 2
A

A. 5

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5
Q

What is the resolution of the 13th in the dominant 13th chord when it is immediately followed by the I chord?

 A. 13th raises to the 5th of the I chord
 B. 13th remains as the 3rd of the I chord
 C. 13th resolves to the 7th of the V chord
 D. 13th falls to the tonic
A

D. 13th falls to the tonic

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6
Q

Which notes are usually omitted from the dominant 13th chord?

 A. 11th
 B. 9th & 11th
 C. 3rd, 7th & 11th
 D. 5th, 9th & 11th
A

D. 5th, 9th & 11th

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7
Q

In a change of mode modulation, how many accidentals are required?

 A. 1
 B. 2
 C. 3
 D. None
A

C. 3

check this answer

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8
Q

How is the note written that is the leading tone of a scale built on an enharmonic equivalent of the root of the V of V in the key of A Major?

 A. A##
 B. Bb
 C. Cbb
 D. B
A

B. Bb

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9
Q

The notes of the V/V in B Major are identical to the notes of the V/IV in

 A. C# Major
 B. D Major
 C. E Major
 D. F# Major
A

A. C# Major

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