Proto-Renaissance Art Flashcards
1200-1400

Pisa Complex Baptistery
Pisa, Tuscany, Italy

Pisa Complex Cathedral
Pisa, Tuscany, Italy

Pisa Complex Campanile (Bell Tower)
“Leaning Tower of Pisa”
Pisa, Tuscany, Italy

Nicola Pisano
Pulpit of the Pisa Complex Baptistery
Pisa, Tuscany, Italy
1260
Marble
15’ high

Nicola Pisano
Annunciation, Nativity, and Adoration of the Shepherds
Relief panel on the Pisa Complex Baptistery Pulpit
High relief
Continuous Narative
Pisa, Tuscany, Italy
Marble
2’10”x3’9”

Nicola Pisano
The Adoration of the Kings
Relief Panel on the Pisa Complex Baptistery Pulpit
Pisa, Tuscany, Italy
Marble
Approx. 2’10”x3’9”

Bonaventura Berlinghieri
Panel from the Saint Francis Altar Piece
San Francesco, Pescia, Italy
1235
Tempera on wood
5’x3’x6”

Cimabue
Madonna Enthroned with Angels and Prophets
Santa Trinita, Florence, Italy
1280
Tempera and gold leaf on wood
12’7”x7’4”
Galleria delgi Uffizi, Florence, Italy

Giotto Di Bondone
Madonna Enthroned
1310
Tempera on wood
10’8”x6’8”
Galleria delgi Uffizi, Florence, Italy

Scrovegni Chapel (Arena Chapel) Padua, Italy

Giotto Di Bondone
Interior of Arena Chapel
Padua, Italy
1305
Focuses on the life of the Virgin Mary and Jesus Christ
Fresco
Each panel is 6’x6’

Duccio Di Buoninsegna
Virgin and Child Enthroned with Saints
Principle panel of the Maesta altarpiece
Siena Cathedral, Siena, Italy
1310
Tempera on wood
7’x13’
Museo dell’ Opera del Duoma, Siena, Italy

Ambrogio Lorenzetti
Allegories of Good and Bad Government
Palazzo Pubblico, Siena, Italy
1340

Francesco Traini
Triumph of Death
1330
Classical Antiquity
Greco-Roman World
Classical Period
1,000 BCE-450 CE
Proto-Renaissance
1200-1400
Nicola Pisano
1220-1284
Italian Sculptor
Maniera-Greca
Greek or Byzantine style of painting adopted by Italy
Bonaventura Berlinghieri
Hodegetria
“She who shows the way”
An iconographic depiction of the Virgin Mary holding Child Jesus at her side while pointing to Him as the salvation for mankind
The original is said to be painted by Saint Luke
Fresco
A painting done rapidly in watercolor on wet plaster on a wall or ceiling, so that the colors penetrate the plaster and become fixed as it dries
Arriccio
The rough first coat of plaster in fresco
Sinopia (Sinopie)
The rough sketch which underlies a freco
Intonaco
The final, very thin layer of plaster on which a fresco is painted
Giornata (giornate)
“A day’s work”
Describes how much painting can be done in a single day of painting
Iconostasis
A wall of icons and religious paintings, seperating a nave from the sanctuary in a church
A portable icon stand that can be placed anywhere within a church
Classicism
The following of ancient Greek or Roman principles and style in art
Nicola Pisano
Naturalism/humanism
A style and theory of representation based on the accurate depiction of detail
Giotto Di Bondone